Choreographies of Gender
1998; University of Chicago Press; Volume: 24; Issue: 1 Linguagem: Inglês
10.1086/495316
ISSN1545-6943
Autores Tópico(s)Music History and Culture
ResumoPrevious articleNext article No AccessChoreographies of GenderSusan Leigh FosterSusan Leigh FosterPDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Signs Volume 24, Number 1Autumn, 1998 Article DOIhttps://doi.org/10.1086/495316 Views: 68Total views on this site Citations: 106Citations are reported from Crossref Copyright 1998 The University of ChicagoPDF download Crossref reports the following articles citing this article:João André Da Silva Alcantara O corpo sertanejo é também linguagem, Revista FAMECOS 30, no.11 (Apr 2023): e41925.https://doi.org/10.15448/1980-3729.2023.1.41925Shambhavee Sharma Choreographing the queer: Visual and textual stimuli in Mandeep Raikhy's dance-making process, South Asian History and Culture (Jan 2023): 1–13.https://doi.org/10.1080/19472498.2022.2162732Mara Mandradjieff, Gretchen Alterowitz Publicizing transgender ballet dancers: a pas de deux of inclusion and reiterative gender norms, Feminist Media Studies 10 (Nov 2022): 1–15.https://doi.org/10.1080/14680777.2022.2149599Myeshia C. Babers Cowboy Cool: A Professional Black Cowboy's Perspective, Transforming Anthropology 30, no.22 (Oct 2022): 150–164.https://doi.org/10.1111/traa.12241Anurima Banerji The award-wapsi controversy in India and the politics of dance, South Asian History and Culture 32 (Aug 2022): 1–22.https://doi.org/10.1080/19472498.2022.2101761Ila Nagar Understanding Movement and Meaning in Janana Communities, Journal of Linguistic Anthropology 32, no.11 (Nov 2021): 182–199.https://doi.org/10.1111/jola.12342Finola Cronin Pina Bausch's Kontakthof: Choreographies of Gender and Costume, (Dec 2022): 23–38.https://doi.org/10.1007/978-3-030-85574-1_2Elliot Leffler It's Personal: Autobiographical Stories as Catalysts for Playful Dialogue, (Nov 2022): 73–98.https://doi.org/10.1007/978-3-030-98515-8_4Heike Walz Dance as Third Space, (Dec 2021).https://doi.org/10.13109/9783666568541Ángel F. Méndez Montoya Flesh, Body, and Embodiment: Surplus of Corporeal Becoming. Theology and Dancing Bodies, (Dec 2021): 291–304.https://doi.org/10.13109/9783666568541.291Nashwa Elyamany A chronotopic approach to identity performance in musical numbers: a choreo-musical case study of 'Rewrite the Stars' and 'This Is Me', Visual Communication 10 (Feb 2021): 147035722097406.https://doi.org/10.1177/1470357220974069María Paz Brozas Polo Discursos de género en Contact Improvisation. Deliberación y acción coreográfica en torno a la revista Contact Quarterly, Co-herencia 17, no.3333 (Oct 2020): 133–164.https://doi.org/10.17230/co-herencia.17.33.5Egil Bakka, Theresa Jill Buckland, Helena Saarikoski, Anne von Bibra Wharton Waltzing Through Europe, (Sep 2020).https://doi.org/10.11647/obp.0174Serouj Aprahamian "There Were Females That Danced Too": Uncovering the Role of Women in Breaking History, Dance Research Journal 52, no.22 (Aug 2020): 41–58.https://doi.org/10.1017/S0149767720000169C. Richie Whose interests are advanced by LGBT bioethics?, Ethics, Medicine and Public Health 13 (Apr 2020): 100467.https://doi.org/10.1016/j.jemep.2020.100467Mika Lillit Lior Embodied Narratives of Candomblé's Afro-Bahian Caboclos, Performance Research 25, no.22 (Jun 2020): 115–125.https://doi.org/10.1080/13528165.2020.1752584Juliana Moraes EU ELAS [I HER]: Behavioral Memories as Dance Material, Global Performance Studies 3, no.11 (Sep 2019).https://doi.org/10.33303/gpsv3n1a4Brigitte Biehl, Christina Volkmann 'Spirits, dancing in the flesh': choreography and organisation, Culture and Organization 25, no.44 (May 2019): 284–299.https://doi.org/10.1080/14759551.2019.1608204Robin Prichard Nonlinguistic Feedback in Critical Responses to Choreography, Journal of Dance Education 19, no.33 (Feb 2019): 117–126.https://doi.org/10.1080/15290824.2018.1453932Serena Noceti Women in a New Ecclesiology of the Laity, (Jun 2019): 163–178.https://doi.org/10.14220/9783737009850.163Giulia Fabini Internal bordering in the context of undeportability: Border performances in Italy, Theoretical Criminology 23, no.22 (Feb 2019): 175–193.https://doi.org/10.1177/1362480618819802Johanna Heil Dancing Contact Improvisation with Luce Irigaray: Intra‐Action and Elemental Passions, Hypatia 34, no.33 (Jan 2020): 485–506.https://doi.org/10.1111/hypa.12479Patricia Noxolo Flat Out! Dancing the city at a time of austerity, Environment and Planning D: Society and Space 36, no.55 (Sep 2018): 797–811.https://doi.org/10.1177/0263775818782559Amparo Lasen Disruptive ambient music: Mobile phone music listening as portable urbanism, European Journal of Cultural Studies 21, no.11 (May 2017): 96–110.https://doi.org/10.1177/1367549417705607Jo Hall Complex Identities, (Mar 2018): 31–69.https://doi.org/10.1057/978-1-137-37511-7_2Samu Pehkonen Choreographing the Performer–Audience Interaction, Journal of Contemporary Ethnography 46, no.66 (Mar 2016): 699–722.https://doi.org/10.1177/0891241616636663Elizabeth Claire Dance Studies, genre et enjeux de l'histoire, Clio , no.4646 (Dec 2017): 161–188.https://doi.org/10.4000/clio.13826Shanti Pillai Global Rasikas: Audience Reception for Akram Khan's Desh, TDR/The Drama Review 61, no.33 (Sep 2017): 12–35.https://doi.org/10.1162/DRAM_a_00671Laura Hyun Yi Kang Epistemologies, (Aug 2017): 71–86.https://doi.org/10.1002/9781405165419.ch5Clary Krekula, Markus Arvidson, Satu Heikkinen, Andreas Henriksson, Eva Olsson On gray dancing: Constructions of age-normality through choreography and temporal codes, Journal of Aging Studies 42 (Aug 2017): 38–45.https://doi.org/10.1016/j.jaging.2017.07.001Zoa Alonso Fernández Redantruare: cuerpo y cinestesia en la ceremonia saliar, 'Ilu. Revista de Ciencias de las Religiones 21 (Oct 2016): 9–30.https://doi.org/10.5209/ILUR.53838Crispin Thurlow Queering critical discourse studies or/and Performing 'post-class' ideologies, Critical Discourse Studies 13, no.55 (Feb 2016): 485–514.https://doi.org/10.1080/17405904.2015.1122646Eric Mullis Dance, Philosophy, and Somaesthetics, Performance Philosophy 2, no.11 (Jul 2016): 60.https://doi.org/10.21476/PP.2016.2136Elliot Leffler Rechoreographing intercultural encounters: the power and limits of dramatic play in segregated communities, Research in Drama Education: The Journal of Applied Theatre and Performance 21, no.22 (Apr 2016): 139–153.https://doi.org/10.1080/13569783.2016.1155405Carolyn Hebert Mini & Macho, Small & Sexy: The Perpetuation of Heteronormativity, Hegemonic Masculinity, and Femininity Within the Culture of Competitive (Jazz and Hip-Hop) Dance, Congress on Research in Dance Conference Proceedings 2016 (Aug 2016): 208–216.https://doi.org/10.1017/cor.2016.28Kiri Miller Gaming the system: Gender performance in Dance Central, New Media & Society 17, no.66 (Jun 2015): 939–957.https://doi.org/10.1177/1461444813518878Lesley Nicole Braun Trading Virtue for Virtuosity: The Artistry of Kinshasa's Concert Danseuses, African Arts 47, no.44 (Dec 2014): 48–57.https://doi.org/10.1162/AFAR_a_00182Emily E. Wilcox Meaning in Movement: Adaptation and the Xiqu Body in Intercultural Chinese Theatre, TDR/The Drama Review 58, no.11 (Mar 2014): 42–63.https://doi.org/10.1162/DRAM_a_00327Ana Belén Martín Sevillano Género y "racialidad" en la esfera pública: del asociacionismo a la producción cultural en el Caribe insular hispano, Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes 39, no.11 (Jan 2015): 22–37.https://doi.org/10.1080/08263663.2014.978153Qian Hui Tan Postfeminist possibilities: unpacking the paradoxical performances of heterosexualized femininity in club spaces, Social & Cultural Geography 15, no.11 (Nov 2013): 23–48.https://doi.org/10.1080/14649365.2013.860186 Introduction, (Jan 2014): 1–15.https://doi.org/10.1215/9780822377016-001 Navigations, (Jan 2014): 19–32.https://doi.org/10.1215/9780822377016-002 Diasporic Spidering, (Jan 2014): 33–44.https://doi.org/10.1215/9780822377016-003 Twenty-First-Century Post-humans, (Jan 2014): 45–62.https://doi.org/10.1215/9780822377016-004 Hip Work, (Jan 2014): 63–84.https://doi.org/10.1215/9780822377016-005 Black-Authored Lynching Drama's Challenge to Theater History, (Jan 2014): 87–98.https://doi.org/10.1215/9780822377016-006 Reading "Spirit" and the Dancing Body in the Choreography of Ronald K. Brown and Reggie Wilson, (Jan 2014): 99–114.https://doi.org/10.1215/9780822377016-007 Uncovered, (Jan 2014): 115–125.https://doi.org/10.1215/9780822377016-008 Black Movements, (Jan 2014): 129–148.https://doi.org/10.1215/9780822377016-009 Post-logical Notes on Self-Election, (Jan 2014): 149–157.https://doi.org/10.1215/9780822377016-010 Cityscaped, (Jan 2014): 158–165.https://doi.org/10.1215/9780822377016-011 "Rip It Up", (Jan 2014): 169–183.https://doi.org/10.1215/9780822377016-012 Don't Stop 'til You Get Enough, (Jan 2014): 184–203.https://doi.org/10.1215/9780822377016-013 Afro-sonic Feminist Praxis, (Jan 2014): 204–222.https://doi.org/10.1215/9780822377016-014 Hip-Hop Habitus v.2.0, (Jan 2014): 223–242.https://doi.org/10.1215/9780822377016-015 Bibliography, (Jan 2014): 243–262.https://doi.org/10.1215/9780822377016-016Emily Beausoleil, Michelle LeBaron What Moves Us: Dance and Neuroscience Implications for Conflict Approaches, Conflict Resolution Quarterly 31, no.22 (Jan 2014): 133–158.https://doi.org/10.1002/crq.21086N Jade Gibson Moving bodies, shifting selves: integration and incorporation through 'jazzing' and 'salsa' dance in Cape Town, Journal of the Musical Arts in Africa 10, no.11 (Dec 2013): 33–52.https://doi.org/10.2989/18121004.2013.846980Luca Greco Bressin Tiphaine et Patinier Jérémy, Strike a pose. Histoire(s) du voguing, Genre, sexualité et société (Jun 2013).https://doi.org/10.4000/gss.2771 Introduction, (Jan 2013): 1–19.https://doi.org/10.1215/9780822378297-001 The Salsa Wars, (Jan 2013): 21–42.https://doi.org/10.1215/9780822378297-002 Dancing Salsa Wrong, (Jan 2013): 43–65.https://doi.org/10.1215/9780822378297-003 Un/Sequined Corporealities, (Jan 2013): 66–93.https://doi.org/10.1215/9780822378297-004 Circulations of Gender and Power, (Jan 2013): 94–123.https://doi.org/10.1215/9780822378297-005 "Don't Leave Me, Celia!", (Jan 2013): 124–146.https://doi.org/10.1215/9780822378297-006 Conclusion, (Jan 2013): 147–153.https://doi.org/10.1215/9780822378297-007 Notes, (Jan 2013): 155–163.https://doi.org/10.1215/9780822378297-008 References, (Jan 2013): 165–175.https://doi.org/10.1215/9780822378297-009Elaine Campbell Landscapes of Performance: Stalking as Choreography, Environment and Planning D: Society and Space 30, no.33 (Jan 2012): 400–417.https://doi.org/10.1068/d13510Selby Wynn Schwartz Bad Language: Transpositions in Mark Morris's Dido and Aeneas, Dance Research Journal 44, no.22 (Aug 2012): 71–94.https://doi.org/10.1017/S0149767712000113Eva Aymamí Reñé Kissing the Cactus: Dancing Gender and Politics in Spain, Congress on Research in Dance Conference Proceedings 2012 (Dec 2013): 124–131.https://doi.org/10.1017/cor.2012.16 Introduction, (Jan 2012): 1–18.https://doi.org/10.1215/9780822391869-001 Freedom in a Bondsmaid's Arms, (Jan 2012): 19–50.https://doi.org/10.1215/9780822391869-002 The Milder and more Amusing Phases of Slavery, (Jan 2012): 51–93.https://doi.org/10.1215/9780822391869-003 A Race of Angels, (Jan 2012): 95–131.https://doi.org/10.1215/9780822391869-004 What Have We Done to Weigh So Little on Their Scale, (Jan 2012): 133–167.https://doi.org/10.1215/9780822391869-005 The President's House, Freedom, and Slavery in the Age of Obama, (Jan 2012): 169–177.https://doi.org/10.1215/9780822391869-006 Notes, (Jan 2012): 179–194.https://doi.org/10.1215/9780822391869-007 Bibliography, (Jan 2012): 195–216.https://doi.org/10.1215/9780822391869-008Hélène Marquié Jeux de genre(s) dans la danse contemporaine, Journal des anthropologues , no.124-125124-125 (May 2011): 287–309.https://doi.org/10.4000/jda.5853Grant Tyler Peterson Clubbing Masculinities: Gender Shifts in Gay Men's Dance Floor Choreographies, Journal of Homosexuality 58, no.55 (Apr 2011): 608–625.https://doi.org/10.1080/00918369.2011.563660Harmony Bench Entangled: Technology and the Transformation of Performance. by Chris Salter. 2010. Cambridge, MA: MIT Press. 460 pp., 78 b/w illus., foreword by Peter Sellars, preface, acknowledgments, notes, glossary, references, name and subject indices. $40.00 cloth., Dance Research Journal 43, no.22 (Feb 2012): 94–97.https://doi.org/10.1017/S0149767711000106Patricia Vertinsky Isadora Goes to Europe as the "Muse of Modernism": Modern Dance, Gender, and the Active Female Body, Journal of Sport History 37, no.11 (Apr 2010): 19–39.https://doi.org/10.5406/jsporthistory.37.1.19Harmony Bench Computational choreographies: performance in dance online, International Journal of Performance Arts and Digital Media 5, no.2&32&3 (Dec 2009): 155–169.https://doi.org/10.1386/padm.5.2-3.155/1Ramsay Burt The Specter of Interdisciplinarity., Dance Research Journal 41, no.0101 (Apr 2012): 3–22.https://doi.org/10.1017/S0149767700000504Shawn Womack Writing on the Divide: The Theorizing Choreographer, Congress on Research in Dance Conference Proceedings 41, no.S1S1 (Jan 2013): 22–29.https://doi.org/10.1017/S2049125500000868Matthew Atencio 'Freaky is just how I get down': investigating the fluidity of minority ethnic feminine subjectivities in dance, Leisure Studies 27, no.33 (Jul 2008): 311–327.https://doi.org/10.1080/02614360802018780Liora Gvion Dancing bodies, decaying bodies, YOUNG 16, no.11 (Feb 2008): 67–87.https://doi.org/10.1177/110330880701600105Rosemary Candelario Performing and Choreographing Gender in Eiko & Koma's Cambodian Stories, Congress on Research in Dance Conference Proceedings 40, no.S1S1 (Jan 2013): 43–48.https://doi.org/10.1017/S2049125500000492Rim Zahra Between Resistance and Restraint: The Corporeal Practice of Ballet in a University Classroom, Congress on Research in Dance Conference Proceedings 40, no.S1S1 (Jan 2013): 263–272.https://doi.org/10.1017/S2049125500000765 Smutty Daubings ●, (Jan 2008): 27–61.https://doi.org/10.1215/9780822389095-001 Belaboring the Point . . ., (Jan 2008): 62–84.https://doi.org/10.1215/9780822389095-002 Hyphen-Nations, (Jan 2008): 85–107.https://doi.org/10.1215/9780822389095-003 "Queer" Quotation Marks, (Jan 2008): 108–133.https://doi.org/10.1215/9780822389095-004 Sem;erot;cs ; Colon:zat:ons : Exclamat!ons !, (Jan 2008): 134–155.https://doi.org/10.1215/9780822389095-005 Notes, (Jan 2008): 169–190.https://doi.org/10.1215/9780822389095-006 Bibliography, (Jan 2008): 191–206.https://doi.org/10.1215/9780822389095-007Lucia Ruprecht Entstelltes Ideal, (Jan 2007): 46–60.https://doi.org/10.1007/978-3-476-00319-5_6Derek A. Burrill Check Out My Moves, Social Semiotics 16, no.11 (Aug 2006): 17–38.https://doi.org/10.1080/10350330500487653Steven P. Wainwright, Bryan S. Turner 'Just Crumbling to Bits'? An Exploration of the Body, Ageing, Injury and Career in Classical Ballet Dancers, Sociology 40, no.22 (Apr 2006): 237–255.https://doi.org/10.1177/0038038506062031Nancy A. Wonders Global Flows, Semi-permeable Borders and New Channels of Inequality, (Jan 2006): 63–86.https://doi.org/10.1007/1-4020-4899-8_4Colleen Dunagan Dance, Knowledge, and Power, Topoi 24, no.11 (Jan 2005): 29–41.https://doi.org/10.1007/s11245-004-4159-5Melissa Campbell 'Go white girl!': hip hop booty dancing and the white female body, Continuum 18, no.44 (Oct 2010): 497–508.https://doi.org/10.1080/1030431042000297626Adrienne L. McLean Feeling and the Filmed Body: Judy Garland and the Kinesics of Suffering, Film Quarterly 55, no.33 (Mar 2002): 2–15.https://doi.org/10.1525/fq.2002.55.3.2Catherine Nash Performativity in practice: some recent work in cultural geography, Progress in Human Geography 24, no.44 (Dec 2000): 653–664.https://doi.org/10.1191/030913200701540654Doug Risner Critical Social Issues in Dance Education Research, (): 965–984.https://doi.org/10.1007/978-1-4020-3052-9_66
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