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From Protests to the Ban: Demonstrations against the ‘Jewish’ Films in Interwar Vienna and Bratislava

2017; SAGE Publishing; Volume: 54; Issue: 1 Linguagem: Inglês

10.1177/0022009417712112

1461-7250

Miloslav Szabó,

Eastern European Communism and Reforms

Taking the example of the protests against the films All Quiet on the Western Front (1930–1) and Le Golem (1936) in interwar Austria and Slovakia, this study addresses the links between antisemitism, nationalism and cinema in Central Europe that historical research has so far overlooked. Unlike other demonstrations against the talkies, campaigns against so-called ‘Jewish’ films were not an expression of linguistic nationalism, as they pointed to the ‘destructive’ impact of capitalism, socialism or modern art, which in the ideology of antisemitism were allegedly personified by ‘Jews’. The conservatives and radicals who called for a ban of those ‘Jewish’ films considered it a first step towards the creation of a national community without ‘Jews’. In Austria the moderate and radical opponents of A ll Quiet on the Western Front ultimately reached their goal through a joint effort. In Slovakia they only managed to get the film Le Golem completely banned when the geopolitical conditions changed after the mutilation of Czechoslovakia on the eve of the Second World War. The fact is that in both cases, moderate nationalists placed themselves in the ambivalent position of pioneers of antisemitism and ultimately facilitated fascist and Nazi radicals in the practical implementation of their postulates.