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... music from another age Stephen Pettitt on a Lully co-porduction by Flanders Opera and the Théatre des Champs-Elysées, paris Armide Antwerp 'Tis the season to be jolly Jazz: ...
1992 - Gale Group | TDA
The passacaille in Lully's Armide: phrase structure in the choreography and the music Get access Judith L. Schwartz Judith L. Schwartz Judith L. Schwartz ...
Tópico(s): Historical and Literary Analyses
1998 - Oxford University Press | Early Music
... prompt notes for a 1778 proposed production of Lully’s Armide .
Tópico(s): Historical and Literary Studies
2004 - Cambridge University Press | Eighteenth Century Music
... operas – Lully's and Quinault's Roland and Armide , respectively. Undoubtedly prompted by Lully's opera monopoly and the draconian restrictions on music and dance that affected the musical repertory at the Comédie-Française, Dancourt's parodies take a tongue-in-cheek view of the madness of opera in general, while specifically satirizing the themes, characters, and operatic situations found in Roland and Armide .
Tópico(s): Historical and Literary Analyses
2001 - Cambridge University Press | Cambridge Opera Journal
Journal Article Armide. Jean-Baptiste Lully Get access E. Thomas Glasow E. Thomas Glasow Search for other works by this author on: Oxford Academic ...
Tópico(s): Historical and Literary Analyses
1994 - Oxford University Press | The Opera Quarterly
... une tragédie lyrique française célèbre entre toutes – l'Armide, de Quinault et Lully (1686) – dans le cadre du dramma per musica ...
Tópico(s): Historical Art and Culture Studies
2005 - Aix-Marseille University | Cahiers d études romanes
... Archive of Dissertation Abstracts in Music, 159–63 Armide (Lully), 722–25 Arregui, Vicente, c 201–7 Ars ...
2007 - Music Library Association | Notes
... Armide: Tragédie en musique Ronald Broude Jean-Baptiste Lully. Armide: Tragédie en musique. Édition de Lois Rosow; édition du livret: Jean-Noël Laurenti. Hildesheim: Georg Olms Verlag, ...
Tópico(s): Historical and Literary Analyses
2006 - Music Library Association | Notes
Opera, Dispossession, and the Sublime: The Case of Armide Downing A. Thomas (bio) “La scène invisible hante” —Pascal Quignard 1 Opera was new to late-seventeenth-century France, at once an object of fascination and revulsion. Beginning in 1672, Philippe Quinault and Jean-Baptiste Lully (né Giovanni Battista Lulli) created the first French ... opera. I want to contrast Quinault’s and Lully’s emphasis on the voice with the extraordinary visual impact of early French opera in order to speculate that their last tragédie en musique, Armide (staged in the [End Page 169] Palais-Royal ...
Tópico(s): Renaissance Literature and Culture
1997 - Johns Hopkins University Press | Theatre Journal
... the passacaille given in the fifth act of Lully’s Armide. In comparing Eccles’s chaconne with Lully’s passacaille, it is possible to note not ...
Tópico(s): Historical Art and Culture Studies
2024 - Oxford University Press | Early Music
Tópico(s): European history and politics
1998 - Franz Steiner Verlag | Archiv für Musikwissenschaft
... famous monologue from Act II scene 5 of Lully and Quinault's Armide (1686), the title character attempts to slay the ...
Tópico(s): Historical and Literary Analyses
2019 - Cambridge University Press | Cambridge Opera Journal
... Ronald Broude's review of my edition of Lully's Armide (Notes 62, no. 3 [March 2006]: 797-802). ... as part of the work. My position on Armide is that the distinction barely exists. Apart from matters limited by the printer's technology, Lully controlled virtually everything that we might notate in ...
Tópico(s): Renaissance Literature and Culture
2007 - Music Library Association | Notes
... operatic heroine, the model for which is, arguably, Lully's Armide. The parodic elements in the debate between Aeschylus ...
Tópico(s): Historical and Literary Analyses
2011 - Cambridge University Press | Cambridge Opera Journal
En refusant d'assister aux representations publiques d'Armide en 1686, Louis XIV avait voulu montrer qu'il renoncait definitivement au divertissement de la tragedie en musique. Lully eut beau se lamenter dans son epitre dedicatoire ...
Tópico(s): Historical and Literary Analyses
1990 - | Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap
J. T., J.-B. de Lully, Frank-Martin,
1925 - Société française de musicologie | Revue de musicologie
... composed in 1685–6. Although neither Quinault nor Lully were to suspect it at the time, Armide turned out to be their last as well as their most successful collaboration. As with all their operas, it was always the text of Quinault that attracted as much comment or criticism as Lully's music; the subject and much of the libretto itself was approved by the king's Petite Académie before any music was written, and composer and librettist worked together throughout the compositional process. Armide was particularly admired both at the time of ...
Tópico(s): Historical Studies and Socio-cultural Analysis
2009 - Oxford University Press | Early Music
... volume here under review marks the third of Lully's operas to appear in the series published by Olms, after Armide (ed. Lois Rosow, 2003) and Thésée (ed. Pascal ... critical edition. (For a history of the various Lully editions, see Ronald Broude's review of Lois Rosow's Olms [End Page 329] edition of Armide, Notes 62, no. 3 [March 2006]: 797–802, ...
Tópico(s): Historical Studies and Socio-cultural Analysis
2018 - Music Library Association | Notes
... ma puissance’, from Act II scene 5 of Armide .Rameau published this commentary in 1754 in his ...
Tópico(s): Diverse Musicological Studies
1994 - Cambridge University Press | Cambridge Opera Journal
... the possibilities and continuing challenges. The production of Lully's Perséeoriginated with an Opera Atelier production in 2000 and the video records one of the theatrical performances of a 2004 revival; it runs just over two hours and certainly includes some cuts, most notably and most unfortunately the prologue. Although the work is less familiar than Armide, there are many fine materials available to help ...
Tópico(s): Theater, Performance, and Music History
2006 - Music Library Association | Notes
... in exemplary scenes, particularly the famous monologue from Armide, “Enfin il est en ma puissance,” but also ... for revivals of the tragédies en musique of Lully and Campra. Consideration of Estève's examples of ...
Tópico(s): Rousseau and Enlightenment Thought
2012 - University of California Press | Journal of Musicology