... this led to spectacular innovations in altarpieces by Bartolo di Fredi, the most prolific master of the time. Two ...
Tópico(s): Cultural Heritage Materials Analysis
1985 - College Art Association | The Art Bulletin
Nadia Marchettini, Andrea Atrei, Francesca Benetti, Noemi Proietti, Valeria Di Tullio, Marta Mascalchi, Iacopo Osticioli, Salvatore Siano, I. Memmi,
... Adorazione dei Magi’, a wooden panel painted by Bartolo di Fredi in the second half of fourteenth century. To ...
Tópico(s): NMR spectroscopy and applications
2013 - Maney Publishing | Surface Engineering
Valeria Di Tullio, Donatella Capitani, Andrea Atrei, Francesca Benetti, Guido Perra, Federica Presciutti, Noemi Proietti, Nadia Marchettini,
... comparison with the painting Adorazione dei Magi by Bartolo di Fredi (Andrea's father) dated to the 14th century, ...
Tópico(s): Cultural Heritage Materials Analysis
2015 - Elsevier BV | Microchemical Journal
... article suggests that the Old Testament frescoes by Bartolo di Fredi in 5. Gimignano differ in their visual impact from what has come to be perceived as normal for post-Black Death art in Tuscany. An exploration of the possible reasons for this difference leads to the documentation of an earlier fresco cycle as a clear source for some of the S. Gimignano scenes. The historical situation in which Bartolo's works were created is also examined; but ...
Tópico(s): Renaissance and Early Modern Studies
1981 - College Art Association | The Art Bulletin
... this led to spectacular innovations in altarpieces by Bartolo di Fredi, the most prolific master of the time. Two ...
Tópico(s): Cultural Heritage Materials Analysis
1985 - College Art Association | The Art Bulletin
... Andrea di Bartolo, son of the better-known Bartolo di Fredi. In this study the circumstances of Andrea's ...
Tópico(s): Historical Art and Architecture Studies
1987 - College Art Association | The Art Bulletin
Tópico(s): Italian Literature and Culture
1932 - College Art Association | The Art Bulletin
Our knowledge of Sienese painting after 1350 is still untidy. We have many pictures and not a few names and dates, but unfortunately works and records have very often refused to coincide. Simone Martini's death in 1344 was followed by the Great Plague of 1348, when we suppose that Ambrogio and Pietro Lorenzetti died along with the greater part of the Sienese people. The confusion that resulted from this catastrophe has probably not been sufficiently emphasized, and certainly the havoc it wrought ...
Tópico(s): Historical and Religious Studies of Rome
1932 - College Art Association | The Art Bulletin
Tópico(s): Conflict of Laws and Jurisdiction
1933 - College Art Association | The Art Bulletin
Tópico(s): Diverse academic and cultural studies
1933 - College Art Association | The Art Bulletin
Patricia Harpring, di Fredi Bartolo,
This study follows the stylistic evolution of Bartolo di Fredi, who studied with Niccolo di Ser Sozzo, and was influenced by the giants of the early Trecento: Martini, da Siena, and Pietro and Ambrogio Lorenzetti. Bartolo mined his rich Sienese artistic heritage for its ...
Tópico(s): Architecture and Art History Studies
1993 - Association of College and Research Libraries | Choice Reviews Online
Tópico(s): Byzantine Studies and History
1981 - College Art Association | The Art Bulletin
Tópico(s): Renaissance and Early Modern Studies
1995 - Truman State University | Sixteenth Century Journal
Tópico(s): Historical and Religious Studies of Rome
1977 - | Simiolus Netherlands Quarterly for the History of Art
... fourteenth-century painted triptych by the Sienese painter Bartolo di Fredi, now in a private collection in London, depicts ...
Tópico(s): Building materials and conservation
2018 - University of Chicago Press | Gesta