... essay argues that the altarpieces painted by Bernardo Zenale for two Franciscan churches, one in Cantù (1502), the other in Milan (1510), well represent the issues of “invention” and “caution. First, both paintings visualize concepts and figures that the liturgical office by Bernardino de’ Bustis, a Milanese Franciscan, had made quite popular, particularly in Lombardy and Milan. Second, most of the concepts and figures here visualized do not refer to Mary’s exemption from Original Sin in an obvious way: on the contrary, they require some decoding. This is especially true for Zenale’s altarpiece for San Francesco Grande in Milan, ...
Tópico(s): Libraries, Manuscripts, and Books
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