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... heaven Seu Jorge and AfroReggae are reinventing the sound of Brazil's favelas, reports Maya Jaggi Weller hit parade Andrew Smith on This Charming Man by the Smiths The Buff Medways Live and kicking Amazon The world is ready for Ayler — at last Coltrane's heir was so ahead of his time that ...
2006 - Gale Group | Sunday Times HA GDA
Eileen Southern, J. C. Thomas, Bill Cole, Cab Calloway, Bryant Rollins, Robert Neff, Anthony Connor,
... heard something beyond music's boundaries in the sounds his saxophone created. J. C. Thomas traces John Coltrane's life and career from his North Carolina childhood ...
Tópico(s): Music History and Culture
1977 - | The Black Perspective in Music
Research Article| October 01 1985 John Coltrane's "A Love Supreme": Jazz Improvisation as Composition Lewis Porter Lewis Porter Search for other works by this author on: This Site PubMed Google Scholar Journal of the American Musicological Society (1985) 38 (3): 593–621. https://doi.org/10.2307/831480 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site ...
Tópico(s): Music Technology and
1985 - University of California Press | Journal of the American Musicological Society
... lyrical content. The same argument is made of Coltrane's "saxophonic scream" (104) and the guttural sound of death metal outfits such as Cannibal Corpse ( ...
Tópico(s): Musicology and Musical Analysis
2023 - Duke University | Journal of Music Theory
... opportunities to reimagine the time signatures of black sound and black experience, Coltrane's late sound offers a...
Tópico(s): Latin American and Latino Studies
2019 - | College literature
On the cusp of a North American concert tour in late 2010 and hot off the release of To the One, his musical meditation on Coltrane’s “A Love Supreme” and his own lifelong spirit-quest, celebrated guitarist John McLaughlin agreed to a CSI request for an interview focusing on improvisation and spirituality. In addition to being a prodigious musician in every respect, McLaughlin has had an exceptional, if not unparalleled, trajectory through the crucible of twentieth and now twenty-first century music.
Tópico(s): Music Technology and
2010 - | Critical Studies in Improvisation / Études critiques en improvisation
... a study of constructed iconic presence, using the sound of John Coltrane's spoken voice in an interview conducted by Carl‐ ...
Tópico(s): Diverse Musicological Studies
2007 - Routledge | Jazz Perspectives
This paper examines aspects of Coltrane’s rhythm by adopting a relatively simple model of expressive micro-timing (“time-feel”), wherein swing (the symmetry of the offbeat subdivision) is treated as a discrete parameter for each ensemble member and is kept distinct from latency – the relative micro-rhythmic placement of each player’s onbeats. The interaction of these two parameters is examined in the context of original analyses from Coltrane’s repertoire, with the micro-rhythmic placements of onsets ...
Tópico(s): Music Technology and
2020 - Routledge | Jazz Perspectives
Christine Charyton, John G. Holden, Richard J. Jagacinski, John O. Elliott,
John Coltrane's relevant biographical events are discussed along with a fractal analysis examining the sequential structure of pitches in his saxophone solos. Eighteen solos were examined, two songs on two different album releases for each year from 1959–1967. Saxophone solos were transcribed from sheet music into a format that represents an absolute pitch numerically. The pitch sequences were examined using power spectral analysis. Results indicate that all 18 Coltrane saxophone solos display sequences ...
Tópico(s): Neuroscience and Music Perception
2012 - Routledge | Jazz Perspectives
Does the concept of improvisation have any meaning when a piece is recorded and experienced at another time and place? Dennen revisits John Coltrane's “My Favorite Things” from the 1963 Newport Jazz Festival to consider a theory of the reception of improvised music.
Tópico(s): Music Technology and
2009 - Cambridge University Press | TDR/The Drama Review
... my ears deceive me, but these two pitches sound timbrally different, distinct from Coltrane's typical tone. But as these responses issue new ...
Tópico(s): Rhetoric and Communication Studies
2023 - Wiley | Music Analysis
Set-theoretic methodology is applied to the music of Ornette Coleman, John Coltrane, Cecil Taylor, and Anthony Braxton in order to reveal the wide variety of pitch-class transformation present in free jazz. Each composer's music has been classified somewhat differently by other analysts-Coltrane's as modal, Coleman's as diatonic, and Taylor's as nontonal-yet all the improvisations examined here are shown to be based on tightly constructed conceptions which make use of such twentieth-century constructs ...
Tópico(s): Music and Audio Processing
1990 - Oxford University Press | Music Theory Spectrum
... authors bring very different intents: Raschka explores the sound of the music, and Weatherford examines childhood influences on Coltrane's musical development. A more telling comparison might be ...
Tópico(s): Music History and Culture
2008 - Johns Hopkins University Press | Bulletin of the Center for Children's Books./Bulletin of the Center for Children's Books
... attention for the way in which he depicts sounds and music through art in books like John Coltrane’s Giant Steps and Charlie Parker Played Be-Bop, ...
Tópico(s): Library Science and Administration
2012 - Johns Hopkins University Press | Bookbird/Book bird
... of the saccharine show tune originally from The Sound of Music. (2) Some commentators have claimed that jazz musicians would not play My Favorite Things today, had Coltrane not established its surprising potential. (3) Despite Coltrane's transformative contributions, the Copyright Act does not grant ...
Tópico(s): Intellectual Property Law
2007 - The MIT Press | Harvard journal of law & technology
... into literary form? Drawing, in particular, on John Coltrane's far-reaching late career innovations with "experimental sound as a productive challenge to the limitations of ...
Tópico(s): Latin American and Latino Studies
2018 - American studies | American studies
Jim Farrington, Yasuhiro Fujioka, Lewis Porter, Yoh-Ichi Hamada,
... a finalist for the 1996 Association for Recorded Sound Collection's Awards for Excellence, and it is an impressive book. This is not a bio-bibliography or bio-discography in what has become the accepted sense--there is little text--but is instead an excellent chronology or almanac that will serve as a valuable sourcebook for further Coltrane research. The work begins with Coltrane's first known appearances as a professional musician. These ...
Tópico(s): Diverse Musicological Studies
1997 - Music Library Association | Notes
... than seeking resolution or finality. In other words, Coltrane’s dialectical aesthetic drives the aesthetic. Both Directions at Once is sound focused on sonically opposing forces. It is an ...
Tópico(s): Music Technology and
2022 - Equinox Publishing | Jazz Research Journal
... compositional techniques to improvisationnal context shows us on Coltrane’s part, a desire to find a new ‘way’, an original sound in close relation to the originality of the ...
Tópico(s): Historical and Literary Studies
2009 - Equinox Publishing | Jazz Research Journal
... compositional techniques to improvisationnal context shows us on Coltrane’s part, a desire to find a new ‘way’, an original sound in close relation to the originality of the ...
Tópico(s): Historical and Literary Studies
2010 - Equinox Publishing | Jazz Research Journal
... forms of Black music and literary instantiations of sound. One premise for the book is Mathes's argument, in his first chapter, that the experiments of free jazz were conceptual, potentially intersecting with, shaping, and mirroring poetic and narrative improvisation. Beginning with John Coltrane's final recording, this chapter extends a reading of Coltrane's musical narration to Amiri Baraka's performance with Albert Ayler, Don Cherry, Henry Grimes, Sonny Murray, and Louis Worrell, of his iconic poem "Black Art," a manifesto of the Black Arts Movements. Similarly, chapter two thinks of Henry Dumas's short fiction in relation to Sun Ra's sound. As exciting as it is to follow Mathes' ...
Tópico(s): Music History and Culture
2019 - | College literature
... There is a South in sound. Pear-shaped sounds. Inside—skinned rose flesh. Hard mattresses. Gussing up to a yard full of opened graves. Familiar dust. Moored to rosebud —all in the body. Only scar that remains is leaning. Coltrane’s sheets. Otis rubybreasted. Burlap thighs sitting on water, ...
Tópico(s): Art, Politics, and Modernism
2016 - Saint Louis University | African American Review
Mattias Solli, Thomas Netland,
... temporal structure. Throughout the discussions, we use John Coltrane’s ‘Trane’s Slo Blues’ as a point of ...
Tópico(s): Music Technology and
2021 - Oxford University Press | The British Journal of Aesthetics
... leading, I compare Martino's analysis of John Coltrane's "Giant Steps" to that of Matthew Santa.
Tópico(s): Music Technology and
2006 - Society for Music Theory | Music Theory Online
John Coltrane is mainly known as a jazz musician and excellent improviser, but he is also generally recognised as one of the great jazz composers. In this paper, an overview of Coltrane’s compositional works will be presented in the form of a comprehensive analysis of the composed themes of 55 selected recordings. These pieces have thoroughly been analysed regarding structure and form, harmony, rhythm and melody. The principal aim of this paper is to explore Coltrane’s basic compositional techniques. ...
Tópico(s): Music Technology and
2009 - Equinox Publishing | Jazz Research Journal
Tony Whyton, Catherine Tackley, Vincent Cotro,
Welcome to the first of two special issues of the Jazz Research Journal focusing on the music and legacy of John Coltrane. 2007 witnessed several publications and events that commemorated the 40th anniversary of Coltrane’s death, each in their own way designed to examine the impact and influence of this iconic artist on jazz past and present.1 Today, the impact of Coltrane’s life and music can still be seen across literature, visual arts and performance, and a sizeable body of published work offers ...
Tópico(s): Music Technology and
2009 - Equinox Publishing | Jazz Research Journal
Andreas Lehmann, Stephan Goldhahn,
... in generative cognitive activity. Using transcriptions of John Coltrane’s improvisation of “Giant Steps” we analyzed redundancy and ...
Tópico(s): Music Technology and
2016 - SAGE Publishing | Musicae Scientiae
The improvisational side of John Coltrane somewhat overshadows the composer he was. Yet, some themes meant so much to him that he would just play them without following up with any improvisations. This presentation is an attempt to define Coltrane's compositional process. What started this reflection was an intuition, listening to his music, that intervals of seconds and thirds are to be frequently found in the shaping of his originals. It seemed interesting to question this aspect by systematically ...
Tópico(s): Music Technology and
2010 - Equinox Publishing | Jazz Research Journal
In this article I examine the career of Pharoah Sanders through two streams. I first trace the path of Sanders's career through recordings and performances in a variety of settings with various musical approaches. Specifically, I examine his evolution from John Coltrane's Meditations (1965), through Karma (1969) and Sanders's hit, “The Creator Has a Master Plan,” Thembi (1971), Love Will Find a Way (1977), and eventually to Live (1981). I posit that Live represents Sanders's mature style that successfully ...
Tópico(s): Musicology and Musical Analysis
2015 - Routledge | Jazz Perspectives
The recordings Stellar Regions and Interstellar Space, made by John Coltrane shortly before his death in 1967, are among his least studied and understood works. While these recordings are generally regarded as representative of “free jazz,” three case studies present evidence that Coltrane’s improvisations on these recordings are highly organized, utilizing a structural methodology focused on trichordal pitch-class sets. Musical set theory is used as a primary analytical tool in combination with ...
Tópico(s): Music History and Culture
2020 - Routledge | Jazz Perspectives