Reviewed by: Die Dreigroschenoper (The Threepenny Opera), and: The Masque of the Red Death Ralf Remshardt Die Dreigroschenoper (The Threepenny Opera). By Bertolt BrechtKurt Weill. Directed by Robert Wilson. Berliner Ensemble, Berlin. 16 March 2008. The Masque of the Red Death. By Punchdrunk, based on stories by Edgar Allen Poe. Directed by Felix Barrett. Battersea Arts Centre, London. 12 March 2008. Going to the theatre these days increasingly has become a quest for a sort of divination for me; unhappy ...
Tópico(s): Musicology and
2008 - Johns Hopkins University Press | Theatre Journal
General preface List of illustrations Preface Acknowledgements Part I. Synopsis: 1. Brecht's narration for a concert version of Die Dreigroschenoper Part II. History: 2. 'Matters of intellectual property': the sources and genesis of Die Dreigroschenoper Stephen Hinton 3. The premiere and after Stephen Hinton 4. The Threepenny Opera in America Kim H. Kowalke Part III. Analysis and Criticism: 5. The Threepenny Opera Bertolt Brecht 6. Correspondence concerning The Threepenny Opera Kurt Weill 7. 'The ...
Tópico(s): Music History and Culture
1991 - Association of College and Research Libraries | Choice Reviews Online
Journal Article Die Dreigroschenoper and Berlin Theatre Songs Kurt Weill Get access William K. Kearns William K. Kearns Search for other works by this author on: Oxford Academic Google Scholar The Opera Quarterly, Volume 1, Issue 2, Summer 1983, Pages 175–177, https://doi.org/10.1093/oq/1.2.175 Published: 01 July 1983
Tópico(s): Musicology and
1983 - Oxford University Press | The Opera Quarterly
... widmet sich dann den Filmen »Macke Messer - Brechts Dreigroschenoper« von Joachim A. Lang und »Abschied - Brechts letzter Sommer« von Jan Schütte. Langs Musical, so Heizmann, ist eine Hagiographie, die weniger avantgardistisch ist als sie sich gibt. Schütte ...
Tópico(s): German Colonialism and Identity Studies
2020 - Transcript Verlag | Lettre
Journal Article Die Dreigroschenoper.Kurt Weill Get access Jon Alan Conrad Jon Alan Conrad Search for other works by this author on: Oxford Academic Google Scholar The Opera Quarterly, Volume 7, Issue 4, Winter 1990, Pages 178–180, https://doi.org/10.1093/oq/7.4.178 Published: 01 December 1990
Tópico(s): German Literature and Culture Studies
1990 - Oxford University Press | The Opera Quarterly
... ballets. Weill's first thoroughly mature score is 'Die Dreigroschenoper' (I 928). Most musicians know something of the work, and a detailed description of its stylistic features would doubtless b e superfluous. But the implications of the style are still not fully a ppreciated. However ·simple, or even primitive, Weill's language became in I 928, the musical effect is definably revolutionary : that is to say, ...
Tópico(s): Music History and Culture
1958 - Oxford University Press | Music and Letters
THE QUESTION OF GENRE Adorno once described Kurt Weill's Die Dreigroschenoper as [that] has quite simply been exalted. [1] This characterization may be as good as any for a work so resistant to generic classification. But the fact remains that only twice did Weill compose a work that can unequivocally be called an operetta, if by that term we denote the Offenbachian model first disseminated in central Europe by the likes Franz von Suppe, Johann Strauss Jr., and Carl Millocker. Indeed, Weill, who in ...
Tópico(s): Music History and Culture
1999 - Music Library Association | Notes
... and Wagner arias, Marc Blitzstein, the translator of Die Dreigroschenoper, deserves far more recognition as a composer in his own right than he has so far received. In fact, it may be time to reconsider the statement of his eminently more successful longtime friend and supporter Leonard Bernstein, who appeared to dismiss Blitzstein's musical achievement when he described his former mentor's ...
Tópico(s): Musicology and
2013 - Music Library Association | Notes
Tópico(s): German Literature and Culture Studies
1960 - University of California Press | Film Quarterly
... she investigate works of Brecht’s prior to Dreigroschenoper—none of which are works of musical theater by any stretch of the imagination—for ...
Tópico(s): Theatre and Performance Studies
2009 - Music Library Association | Notes
... old admirers who were waiting for an American Dreigroschenoper.” 3 Drew infers the genuine composer’s suicide ... cast by the critical response of French-connected musical modernists to Lady in the Dark’s triumphant ...
Tópico(s): Poetry Analysis and Criticism
1995 - Johns Hopkins University Press | Modernism/modernity
Richard C. Helt, Bertolt Brecht, Paul Kurt Ackermann,
Tópico(s): Musicology and
1984 - Wiley | Modern Language Journal
Laura Bradley, John Gay, Uwe Böker, Ines Detmers, Anna-Christina Giovanopoulos,
... Opera (1773) Klaus SCHUHMACHER: Ekstasen der Sachlichkeit: Zur Dreigroschenoper (1928) von Bertolt Brecht und Kurt Weill Uwe ...
Tópico(s): Theater, Performance, and Music History
2008 - Modern Humanities Research Association | The Modern Language Review
David Chisholm, Bertolt Brecht, Paul Kurt Ackermann,
Tópico(s): Musicology and
1984 - Wiley | Die Unterrichtspraxis/Teaching German
... in Barrie Kosky’s show-biz spectacle Die Dreigroschenoper [The Threepenny Opera, 2021], I felt back. We ... extensive repertoire including Draußen vor der Tür, Die Dreigroschenoper, and Fabian.When I last wrote a letter ... Slippery Slope.14 Alongside this anti-cancel-culture musical, the Gorki’s repertoire includes earnest documentary productions ... much to its benefit. In the opera and musical theatre world, Barrie Kosky is stepping down as ...
Tópico(s): Cybernetics and Technology in Society
2022 - The MIT Press | PAJ A Journal of Performance and Art
... amerikanischen Musiktheater, 1938-1950, by Elmar Juchem; Die Dreigroschenoper, by Kurt Weill, edited by Stephen Hinton and ... J. B. Metzler, 2000. xiv, 410 pp.Die Dreigroschenoper, by Kurt Weill, edited by Stephen Hinton and ... amerikanischen Musiktheater, 1938-1950, by Elmar Juchem; Die Dreigroschenoper, by Kurt Weill, edited by Stephen Hinton and ...
Tópico(s): Musicology and
2003 - University of California Press | Journal of the American Musicological Society
Rudolf Denk, Monika Fludernik,
... appreciation of Bertolt Brecht’s 1928 masterpiece, the Dreigroschenoper (Threepenny Opera). This selection of works naturally does ... focuses in this study are the dramatic and musical peculiarities of the prison opera. Therefore, this article ...
Tópico(s): Theater, Performance, and Music History
2020 - Canadian Comparative Literature Association | Canadian review of comparative literature
... of Kurt Weill and Bertolt Brecht's Die Dreigroschenoper (1954), warmly praised by Brecht, Lotte Lenya, Virgil ...
Tópico(s): Music History and Culture
2016 - University of California Press | Journal of the American Musicological Society