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Artigo Revisado por pares

John Trushell,

... Men #142 (Feb. 1981). Marvel Comics. Daniels, Les. Marvel. London: Virgin, 1991. Dent, Lester [“Kenneth Robeson”].“The Man of Bronze. Doc Savage Magazine #1 (March 1933). Eco, Umberto. On Chinese Comic Strips: Counter-information and Alternative Information. Apocalypse Postponed. ...

Tópico(s): Themes in Literature Analysis

2004 - Wiley | The Journal of Popular Culture

Artigo Revisado por pares

Antonio Pineda, Jesús Jiménez-Varea,

... Responsibility”: Cold War Culture and the Birth of Marvel Comics.” Journal of Popular Culture 40.6 (2007): 953– ... 2004. 208–25. Print. Lee, Stan. Origins of Marvel Comics. New York: Simon and Schuster, 1974. Print. Lee, ... 1 (1976): 232–38. Print. Palumbo, Donald. “The Marvel Comics Group's Spider-Man is an Existentialist Super-Hero; or “Life Has No Meaning Without My Latest Marvels!’” Journal of Popular Culture 17.2 (1983): 67– ...

Tópico(s): Shakespeare, Adaptation, and Literary Criticism

2013 - Wiley | The Journal of Popular Culture

Artigo Revisado por pares

Michael Arthur Soares,

... Johnson, Kenneth, creator. The Incredible Hulk. Universal Television/Marvel Comics, 1977. Justice League. Directed by Zach Snyder, Warner ... by Bill Bixby, Bixby-Brandon Productions/New WorldTelevision/Marvel Comics, 1989. Tantimedh, Adi. “‘Supergirl’: So Why Did the ...

Tópico(s): Shakespeare, Adaptation, and Literary Criticism

2023 - Wiley | The Journal of Popular Culture

Artigo Revisado por pares

Coral Bijoux,

... of the Galaxy, which first appeared in a Marvel comic in 1969. The first film made in 2008 ...

Tópico(s): Water Governance and Infrastructure

2023 - Taylor & Francis | Agenda

Artigo Acesso aberto Revisado por pares

Steve Collins,

... For example, aside from appearing in an eponymous Marvel Comics title, the superhero character Daredevil has featured in ...

Tópico(s): Copyright and Intellectual Property

2016 - Queensland University of Technology | M/C Journal

Artigo Revisado por pares

Gerry Canavan,

... that has frustrated fans of superhero narrative and comics scholars for decades. Eco claims that comics are actually a form of antinarrative, in which ... from his critics, whom he thinks simply dismiss Eco without actually engaging him—and compellingly demonstrates how comics scholars have frequently attempted to shield comics from ...

Tópico(s): Shakespeare, Adaptation, and Literary Criticism

2020 - Duke University Press | American Literature

Artigo Revisado por pares

Wilson Koh,

... Marvel Cinematic Universe as a canny strategy by Marvel Studios to manage paratextual star narratives and trajectories, the verisimilitude of the onscreen fantasy, and the studio's present and future bargaining leverage. Subsequently, this paper argues that this combination of producer strategies is an updating of the oneiric climate that Umberto Eco has compellingly argued to be a structural necessity ...

Tópico(s): Narrative Theory and Analysis

2014 - Routledge | Celebrity Studies

Artigo Revisado por pares

Delilah Bermudez Brataas,

... Fools, Watchmen, and the like” (130). Specifically, she marvels at Shakespeare's ability to imagine a variety of characters by noting how he can “express naturally” all sorts of people so as to “deliver to posterity” an “infinite variety of beings” (130–31).3. The earliest critical writings on comics considered whether they could, or should, be termed “ ... and further, suggest that we must ask how comics can simultaneously reflect “a partnership of separate elements” and “a unique language”. However, perhaps the inability to resolve the question itself indicates its essential hybridity.4. As McCloud succinctly put it, they have been unfairly considered “cheap, disposable, kiddie fare” to which I would add, “read only by boys and young men” (3).5. I borrow the concept from Umberto Eco's On Literature, in which he argues: “the ...

Tópico(s): Narrative Theory and Analysis

2015 - Routledge | Shakespeare

Livro

Sind Superheldinnen feministisch? Welche Rolle spielten antike Mythen, die biblische Geschichte des Simson oder Nietzsches Philosophie für die Schöpfer von Superman? Und was hat die Nibelungensage mit Marvel zu tun? Antworten auf diese und weitere Fragen - u.a. nach der vielfältigen Medialität und Rezeptionsgeschichte von Superhelden-Stories, der Perspektive der Comicschaffenden auf ihre Kunst und dem sich wandelnden Bild des Superhelden in der aktuellen Forschung - gibt dieser Reader, der erstmals ...

Tópico(s): Narrative Theory and Analysis

2018 - Transcript Verlag | Edition Kulturwissenschaft