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John C. Tibbetts,

... Rossetti in Dante's Inferno, a film whose fantasy sequences greatly expand on the style and effect ... essential ambivalence between fact and fancy in biographical fantasies like The Debussy Film. Russell and Bragg's ... monologue and concluding with his outburst at the final destruction of Usher. ‘This music is of extraordinary ... s toy—that collapses at the moments of final destruction. Debussy employed similar words on many occasions, ...

Tópico(s): Music History and Culture

2005 - Routledge | Historical Journal Of Film Radio and Television