Photograph. Photograph Gaudenzio Ferrari's Crucifixion Chapel on the Sacro Monte at Varallo-Sesia (Half Plate Comprising Christ & the Good Thief). Samuel ...
0000 - Gale Group | NCCO Photography
Marco Gargano, Letizia Bonizzoni, Emanuela Grifoni, Jacopo Melada, Vittoria Guglielmi, Silvia Bruni, Nicola Ludwig,
... painting The Martyrdom of St. Catherine painted by Gaudenzio Ferrari (c.1477–1546) has been a precious opportunity ...
Tópico(s): Building materials and conservation
2020 - Elsevier BV | Journal of Cultural Heritage
Photograph. Photograph Interior of Gaudenzio Ferrari's Crucifixion Chapel on the Sacro Monte at Varallo-Sesia (General View Looking Towards the Good Thief). Samuel Butler. Photographer: ...
0000 - Gale Group | NCCO Photography
Sol Babitz, Emanuel Winternitz,
Tópico(s): Musicology and Musical Analysis
1969 - Music Library Association | Notes
Photograph. Photograph Interior of Gaudenzio Ferrari's Crucifixion Chapel on the Sacro Monte at Varallo-Sesia (General View Looking Towards the Bad Thief). Samuel Butler. Photographer: ...
0000 - Gale Group | NCCO Photography
Bespreking van: G. Agosti,Il Rinascimento di Gaudenzio Ferrari Milaan:Officina Libraria ,2018 9788899765774
Tópico(s): Italian Fascism and Post-war Society
2018 - Burlington Magazine Publications | Burlington magazine/The Burlington magazine
Photograph. Photograph Interior of Gaudenzio Ferrari's Crucifixion Chapel on the Sacro Monte at Varallo-Sesia (the Two Extreme Figures on the Left). Samuel Butler. Photographer: ...
0000 - Gale Group | NCCO Photography
... Medicis, 75006 Paris; La Bottega d'Erasmo, via Gaudenzio Ferrari 9, 10124 Torino.) - Volume 43 Issue 2
Tópico(s): Medieval History and Crusades
1980 - Cambridge University Press | Bulletin of the School of Oriental and African Studies
Photograph. Photograph Interior of Gaudenzio Ferrari's Crucifixion Chapel on the Sacro Monte at Varallo-Sesia (the Bad Thief). Samuel Butler. Photographer: Samuel Butler.
0000 - Gale Group | NCCO Photography
Tópico(s): Renaissance and Early Modern Studies
2019 - Brepols | Cursor mundi
Photograph. Photograph Gaudenzio Ferrari's Visit of the Magi Chapel on the Sacro Monte at Varallo-Sesia (General View).
0000 - Gale Group | NCCO Photography
Tópico(s): Reformation and Early Modern Christianity
2017 - Springer Science+Business Media | Journal of Endocrinological Investigation
Photograph. Photograph Gaudenzio Ferrari's Crucifixion Chapel on the Sacro Monte at Varallo-Sesia (View from Stefano Scotto to the Bad Thief).
0000 - Gale Group | NCCO Photography
Tenemos manifestaciones de la música en el arte desde ia Antigüedad. Para el pintor, la música existe como forma, color o textura de un instrumento, movimiento del intérprete o expresión en el rostro del intérprete y del público. Por su naturaleza invisible, precisa de un lenguaje alegórico, y puesto que las más de las veces se representa por medio de instrumentos musicales, estos adquieren distintos simbolismos. En la pintura la clara supremacía de la familia de las cuerdas sobre el viento se explica ...
Tópico(s): Diverse Musicological Studies
1996 - National University of Distance Education | Espacio Tiempo y Forma Serie VII Historia del Arte
Photograph. Photograph Gaudenzio Ferrari's Crucifixion Chapel on the Sacro Monte at Varallo-Sesia (Upright View Showing Christ and the Two Thieves).
0000 - Gale Group | NCCO Photography
Tópico(s): Educational and Social Studies
1977 - The Galpin Society | The Galpin Society Journal
Tópico(s): Italian Literature and Culture
1972 - College Art Association | The Art Bulletin
... fabbricieri. In this context, the artistic influences of Gaudenzio Ferrari and Galeazzo Alessi each came to play significant ...
Tópico(s): Historical and Religious Studies of Rome
2022 - Australian and New Zealand Association for Medieval and Early Modern Studies | Parergon