Alexander Street
Timing data from piano performances of Gnossienne no. 5 are analyzed to examine the way in which a performer structures different subdivisions of a constant beat. The piece contains ...
Tópico(s): Music and Audio Processing
1985 - University of California Press | Music Perception An Interdisciplinary Journal
Satie Slowly - Ogives Gnossiennes, no. 1Fête donnée par des Chevaliers Normands en l’honneur d’une jeune demoiselle Preludes for Le Nazaréen Danses ...
Tópico(s): Linguistics and Cultural Studies
2016 - Cambridge University Press | Nineteenth-Century Music Review
... a piece such as a Gymnopédie or a Gnossienne .
Tópico(s): Diverse Musicological Studies
2013 - | Canadian University Music Review
Peter Dickinson, Satie, Andre Bernot,
Tópico(s): Diverse Musicological Studies
1967 - Musical Times Publications | The Musical Times
... Darty. The early Sarabandes (1887), Gymnopédies (1888), and Gnossiennes (1890) were milestones, revealing traits to be retained ... performer alone? Starting with the first set of Gnossiennes...
Tópico(s): Musicology and Musical Analysis
2017 - | Fontes artis musicae
... d'emblée et irrésistiblement fait songer aux célèbres Gnossiennes.
Tópico(s): Cultural Insights and Digital Impacts
2020 - Institut des textes et manuscrits modernes | Continents manuscrits
... jour-là mourrait Erik Satie. Or la première Gnossienne sert de musique à The Immortal Story d’ ...
Tópico(s): Historical and Literary Analyses
2015 - American Association of Teachers of French | The French review
... undeniably original, pieces for piano (notably the Gymnopédies, Gnossiennes, and Ogives). These were small-scale works that ...
Tópico(s): Diverse Musicological Studies
2014 - Johns Hopkins University Press | Modernism/modernity
... the hero of Julian Barnes's short story "Gnossienne" had ended up at this year's 11th ...
Tópico(s): Modernist Literature and Criticism
2007 - University of Tulsa | James Joyce quarterly
... for instance, are the first two Sarabandes and Gnossiennes dedicated while the third is not? Why is ...
Tópico(s): Musicology and Musical Analysis
1992 - Oxford University Press | Music and Letters