Jonathan Northcroft, Waldemar Januszczak, John Dugdale, A E R Waddington, Julia Llewellyn Smith, Nicholas Pyke, Matthew Wall, Barbara Hall, Nigel Botherway, Victoria Glendinning, Clarkson, Tracey Cox, David Barber, J Longman, Sally Brock, Helen Davies, Rob Hughes, John Peter, Nigel Powell, V S, Mark Hodgkinson, Rebecca Abrams, Keren Tattersall, Jonathan Miller, Mark O'Connor, John Garrick, Julia Louis-Dreyfus, Sally Kinnes, Andrew Longmore, Michael Baumgarten, Jane Mulkerrins, J D, Warren Newman, Gareth Walsh, Sally Beauman, Frank Whitford, Terence Blacker, Ferdinand Mount, David Gower, Kathryn Cooper, Susan Bell, William Lewis, David Smith, Humphrey Carpenter, Harvey Weinstein, Peter Sharkey, Nick Pitt, Frederic Raphael, Neil Wormald, E P, Andrew Sullivan, Stephen Grey, Mohammed Shehzad, Joseph Dunn, Tony Allen-Mills, Simon Wilde, Martin James, Tom Walker, Anthony Sattin, William Brown, Robert Winnett, Irwin Stelzer, Oriana Fallaci, Peter Wilson, Rosie Millard, T M, Lawrence Dallaglio, David Dougill, Norman Wells, Angharad Lynn, Cathy Cooper, Thrasy Petropoulos, Natalie Horwitz, Nick Speed, Cally Law, David Bond, Jonathon Carr-Brown, Alasdair Reid, Margarette Driscoll, Nils Pratley, Peter Watson, Jeremy Clarkson, Richard Wilson, Edward Porter, Hugh Canning, Victoria Segal, Louise Taylor, Mark Powell, Giles Chapman, Marcus, Jamie Huckbody, Helen Kenny, Hilary Clarke, Sarah Dempster, Caron Murphy, Anita Chaudhuri, John O'Donnell, Kathryn Hawkins, Graham Allen MP, Alison Weir, Anthony Rulston, David Eimer, Armands Ursell, Shelley von Strunckel, Vernon Bogdanor, Jeremy Guscott, Preethi Nair, Sir Bernard Ingham, Paula Robinson, Peter Cross, Richard Johnson, Mike Laws, Christopher Silvester, Stuart Wavell, Roger Eglin, Dipesh Gadhar, Marie Colvin Middle East Correspondent, Paul Donovan, Iqbal Sacranie, Tom Conran, Janet Davey, Martin Kelly, Dr Deborah Pitt, Simon Mills, Chris Woodhead, Monsieur Mangetout, Lucinda Kemeny, Pat Watts, Jasper Gerard, Derek Clements, John MacCalman, Michael Woodhead, John Humphrys, Michael Barrows, Russ Baker, Richard Brooks, Paul Driver, Dean Deblois, Ian Hawkey, Christopher Morgan, Tony Fearon, Mark Ludlow, Peter Enckelman, Alicia Wyllie, Mark Edwards, Suzanne Attewell, Heather Dixon, Susan Clark, Stephen Amidon, Paul Stephen, Martin Deeson, Danny O'Brien, Graham Harvey, John Barnes, Lauren Bowles, R Poole, Christina Lamb, Christopher Andrew, Lois Rogers, Raymond Keene, Yakub Khan, Nicholas Molnar, Trevor Burton, Tim Richardson, Katrina Manson, Cosmo Landesman, Robbie Hudson, Diana Wright, Kipper Williams, Bob Edwards, Stephen Jones, Dominic O'Connell, Stephen Bleach, Barry Flatman, Uzi Mahnaimi, Brian Deer, Nick Cain, Richard Evans, Louise Armitstead, Lawrence Mallinson, Natalie Graham, Michael Wright, Jean Hockey, Melinda Stevens, M J, Caroline Donald, Hugh McManners, S D, Rob Ryan, William Cook, Fiona Terry, Jessica Brinton, David Walsh, Paul Weller, John Stern, Colin McDowell, Bryan Appleyard, Lois Rogers Medical Correspondent, Stephen Armstrong, John Elliott, Ron Hall, Michael Sheridan Far East Correspondent, Bethan Cole, Harold MacMillan, Julian Wright, Chris Sanders, Maurice Chittenden, Richard Brooks Arts Editor, H D, Alison Crump, Mark Franchetti, Richard Rae, Ray Hutton, Jonathan Leake, Alexandra Dawe, Amanda Craig, Patricla Nicol, Margaret Walters, John Harlow, Godfrey Smith, Barry Collins, Dipesh Gadher, Hilary Lowe, James Foxall, Julian Ash, John Waples, A A Gill, Ros Dodd, Alex Pell, Matthew Campbell, Brian Glanville, Nick Fielding, Stephen Pettitt, Maria McErlane, Jonathan Calvert, Jonathan Leake Science Editor, Tony Hall, Rajiv Radhakrishnan, Julian Charlton, David Wassell, Naomi Caine, Liam Clarke, Eric Morgan-Fletcher, David Wickers, Juni Farmanfarmaian, Roger Dobson, Peter Almond, Brian Doogan, T Williams, Peter Schmeichel, Minette Marrin, John Aizlewood, Jeremy Lazell, Mark Hodson, Andrew Frankel, Graham Norwood, James Knight, Joe Lovejoy, Jonathan Futrell, Christopher Higgins, David Budworth, Andrew Davidson, John-David Biggs, David Smith Economics Editor, Penny Perrick, Hugh Bradley, Mert, John Bolger, Anthony Howard, Sarah Baxter, William Gray, Matthew Goodman, Kingston Smith, Ed Hughes, Simon Howard, Jason Dawe, Dominic Rushe, Richard Lewis,
... Lotto jackpot Demon Bank siege arrests Family attacked Comics net £35m Correction Shearer eyes England recall Contents ... s Massacre of the Innocents is a bloody marvel. So why did we let it go, then ...
2003 - Gale Group | Sunday Times HA GDA
... Johnson, Kenneth, creator. The Incredible Hulk. Universal Television/Marvel Comics, 1977. Justice League. Directed by Zach Snyder, Warner Brothers/DC ...
Tópico(s): Shakespeare, Adaptation, and Literary Criticism
2023 - Wiley | The Journal of Popular Culture
Lorenzo Di Paola, Mario Tirino,
... Shatter (First Comics, 1985) and Iron Man: Crash (Marvel, 1988) and Pepe Moreno’s Batman: Digital Justice (DC Comics, 1990), we will try to reconstruct the media ...
Tópico(s): Digital Games and Media
2023 - Intellect | Studies in Comics
... chapters on some classic comic book series: The Justice League of America (which began publication in 1960) in chapter 1; The Fantastic Four (1961) in chapters 2 and 3; and three important iterations of The X-Men (1963, 1974, and 1981) in chapters 4, 6, and 7. Chapter 5 on urban folktale in DC Comics' widely celebrated Green Lantern/Green Arrow mini-series (1970–1974) and Marvel Comics' Captain America and the Falcon (1974–1975) ...
Tópico(s): Gender, Feminism, and Media
2017 - Oxford University Press | Journal of American History
... s Batman, the Dark Knight Returns and encompassing Marvels, Astro City, Kingdom Come, Alan Moore's America's Best Comics, and Grant Morrison's Justice League of America—and suggests that a new ...
Tópico(s): Themes in Literature Analysis
2003 - Johns Hopkins University Press | Children's Literature Association quarterly
... historical sources and as vehicles to broaden social justice discourse. Days of Future Past, published in 1981 as a double issue in Marvel Comic’s Uncanny X-Men, attempts to make sense ...
Tópico(s): American Political and Social Dynamics
2021 - Taylor & Francis | Rethinking History
... War Hulk feature the green goliath of the Marvel Universe, The Incredible Hulk (Hulk, or the Hulk, hereafter) as the protagonist in two tales both which deal with gladiatorial violence and sovereignty. The novels feature classic archetypal comic narratives such as violence leading to retribution, law leading to justice and sovereignty leading to rule. However the novels ...
Tópico(s): Themes in Literature Analysis
2012 - | Law/text/culture
... the superhero genre. He got his start at Marvel Comics but eventually worked for almost every comic book publisher out there. He even branched out into television and wrote for popular cartoon series like Justice League and Ben 10. Dwayne McDuffie is no ...
Tópico(s): Digital Storytelling and Education
2014 - University of Nebraska Press | American book review/The American book review
... Ann Nocenti became the principle writer on the Marvel comic book, Daredevil , the second woman to be lead creator on the book and the first to write a significant run on an ongoing basis. Nocenti integrated themes relating to social justice, violence and the treatment of children into the ...
Tópico(s): Themes in Literature Analysis
2019 - Open Library of Humanities | The Comics Grid Journal of Comics Scholarship
... Stig’s Inferno, Gotham Adventures, Batman Adventures, Hoverboy, Justice League Unlimited, The Simpsons, Ultimate Spider-Man, and many other titles for DC Comics, IDW, Marvel, Vortex and a range of other publishers. This ...
Tópico(s): Themes in Literature Analysis
2013 - Taylor & Francis | Journal of Graphic Novels & Comics
... Republic Pictures serial of the 1940s to the Marvel Studios Avengers (2011- ) franchise, it devotes few pages to cinematic versions of the character. The book divides Captain America comics into eight periods according to the hero’s stance toward serving as America’s “super-soldier,” and it reads his narratives against American cultural myths about national virtue, justice, and violence. Yet, even as Stevens attends to ...
Tópico(s): Digital Games and Media
2017 - | Film & history
... son dedicates his life to the pursuit of justice as both an attorney and a vigilante. Comic book fans have long known that Murdock/Daredevil is a Catholic superhero.2 Fans of Marvel Studios films and shows came to know this ...
Tópico(s):
2022 - Wiley | CrossCurrents
Abstract Graphic justice and the law of aesthetics have in very recent years successfully brought law, aesthetics and comics scholarship into the same space. The culture of copyright infringement within comics (including in the Marvel, DC, and Disney universes) has been extensively in the literature by scholars including Saval. How copyright law is ...
Tópico(s):
2023 - Springer Science+Business Media | International Journal for the Semiotics of Law - Revue internationale de Sémiotique juridique
... about expressions of ‘rhetorical sovereignty’ in two superhero comics: Captain America: Truth: Red, White and Black, and Blue Marvel. These are read as examples of legal storytelling that seek to change the mode of public discourse; challenge dominant (racist) representations, and reset the debate in the search for and application of justice.
Tópico(s): Crime, Deviance, and Social Control
2023 - SAGE Publishing | Law Culture and the Humanities
Luke Webster, Tama Leaver, Eleanor Sandry,
... best practice, this paper analyses the release of Marvel’s WandaVision and Zack Snyder’s Justice League and maps them against the larger transmedia strategies being used by Disney and Warner Bros. to create the Marvel Cinematic Universe (MCU) and DC Extended Universe (DCEU), ... has become the critical component of commercial transmedia. Marvel are using streaming to enhance the integrity of one consistent storyworld. DC are placing greater priority on character than storyworld and using streaming to create a multiverse experience with divergent authorial voices. These varied styles of transmedia storytelling can be attributed to the organisational structures of each parent company, as well as the comic book source material. The pandemic created an opportunity ...
Tópico(s): Shakespeare, Adaptation, and Literary Criticism
2022 - University of Illinois at Chicago | First Monday
Bruno Porto, Selma Regina Nunes Oliveira,
... 1976Figura 26 Capa da The Incredible Hulk nº1. Marvel Comics Group,1962; Figura 27 Capa da Captain Marvel nº18. Marvel Comics Group, 1968; Figura 28 Capa da Marvel Super-Heroes Nº18. Marvel Comics Group, 1969; Figura 29 Capa da X-Men Special nº1. Marvel Comics Group, 1970Figura 30 Logotipo da Howard The Duck nº1. Marvel Comics Group, 1975; Figura 31 Logotipo da 2000 A. ...
Tópico(s): Literature, Culture, and Criticism
2016 - | Blucher Design Proceedings
Syed Ali Hussain, Shireen Korkzan,
Tópico(s):
2023 - Taylor & Francis | American Journalism
... through different chapters that range across Superman, the Marvel Comics bullpen, Will Eisner, and Art Spiegelman’s Maus, ...
2014 - Johns Hopkins University Press | American Jewish history
... Bradford Wright and Sean Howe have demonstrated that Marvel Comics at this time was deeply suspicious of radical ...
Tópico(s): Japanese History and Culture
2017 - Comics Studies Society | Inks
... fictional character known to anyone who has read Marvel comic books or, at least, heard of the Avengers: ... become for some “the moral center of the Marvel universe” (p. 281), Stevens poses an interesting question concerning the ability of the comic book reader and film audiences (domestic and foreign) ...
Tópico(s): Media, Gender, and Advertising
2020 - The MIT Press | Journal of Cold War Studies
... on ways this titular character of the Ms. Marvel comic series complicates constructions of gender, religion, and immigration. ... and perpetuating harmful misrepresentations. In the process, the comic’s illustration of the political and social marginalisation and oppression experienced by Muslims in our theoretically pluralistic society implicitly positions Aamir, as well as Kamala, as an argument for equity and justice.
Tópico(s): Terrorism, Counterterrorism, and Political Violence
2021 - Taylor & Francis | Journal of Graphic Novels & Comics
... of course, the title of a long-running Marvel comic book, in which a group of superpowered teenagers ... chapter advances this thesis by analyzing a particular comic book series or group of series as a reflection of, and reaction to, certain sets of historically relevant themes. Chapter One reads early issues of The Justice League of America as evidence of an increased ...
Tópico(s):
2019 - Canadian Comparative Literature Association | Canadian review of comparative literature
Beatriz Hermida Ramos, Miguel Sebastián–Martín,
... ideological differences in SF across media, using the Marvel comic House of M (2005–6), and its TV ...
Tópico(s): Migration, Aging, and Tourism Studies
2024 - Penn State University Press | Utopian Studies
... of the Galaxy, which first appeared in a Marvel comic in 1969. The first film made in 2008 ...
Tópico(s): Water Governance and Infrastructure
2023 - Taylor & Francis | Agenda
... a new world that is more than a Marvel comic or a galactic charade, that revels in the ...
Tópico(s): Theater, Performance, and Music History
2021 - University of California Press | Film Quarterly
... nod, one suspects, to Dr. Reed Richards in Marvel Comics’s Fantastic Four franchise, the most famous salt- ...
Tópico(s): American Literature and Culture
2020 - Penn State University Press | The F Scott Fitzgerald Review
... For example, aside from appearing in an eponymous Marvel Comics title, the superhero character Daredevil has featured in ...
Tópico(s): Copyright and Intellectual Property
2016 - Queensland University of Technology | M/C Journal
... for example, Quality/Fox's Phantom Lady, Timely/Marvel's Blonde Phantom, and Fiction House's Sheena: Queen of the Jungle and Señorita Rio (drawn by Lily Renée, one of a number of women hired by Fiction House during the War; Robbins Citation2013, 80). See also the first Wonder Woman story (All-Star Comics #8, 1941) by William Moulton Marston (w) and ...
Tópico(s):
2014 - Taylor & Francis | Journal of Graphic Novels & Comics
Lydia H. Pecker, Mary Catherine Beach, Shawn M. Bediako, Sophie Lanzkron,
... world”. Dr. Haywood was an avid fan of comic books who loved Marvel Cinematic Universe movies and spending time with his ...
Tópico(s): Patient-Provider Communication in Healthcare
2022 - Wiley | American Journal of Hematology
... muddy the good/evil binary of previous superhero comics and raise thought-provoking questions about the relationship between justice and the law. In each chapter, Young credits Miller with achieving a self-consciousness and formal complexity that expose “the act of creating comics” (72) and the conventions of the genre.Although ...
Tópico(s): Digital Games and Media
2018 - Duke University Press | American Literature