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Artigo Acesso aberto Revisado por pares

Martin Oja,

... trailers of Alejandro G. Iñarritu’s Birdman and Nicolas Winding Refn’s Only God Forgives is analysed. Following Lisa ...

Tópico(s): Linguistics and Discourse Analysis

2019 - University of Tartu Press | Sign Systems Studies

Artigo Revisado por pares

Jeremy Biles, C.G.W. Sheppard,

... in Culture The Neon Demon Film. Directed by Nicolas Winding Refn. Space Rocket Nation, 2016. Jeremy Biles, Jeremy Biles ...

Tópico(s): Space Science and Extraterrestrial Life

2016 - Wiley | Religious Studies Review

Artigo Acesso aberto Revisado por pares

José Alberto Duarte,

Drive, by Nicolas Winding Refn, is considered by several critics a neo-noir film, particularly in the way it explores the city of ...

Tópico(s): Cultural, Media, and Literary Studies

2016 - | Comunicação & Inovação

Artigo Acesso aberto Revisado por pares

Mark Featherstone,

... the recent cinema of the Danish-American Director Nicolas Winding Refn through a contradictory complex of Freudian–Jungian psychoanalysis, ...

Tópico(s): Contemporary Literature and Criticism

2017 - Taylor & Francis | Journal for Cultural Research

Artigo

Pier Maria Bocchi,

Tópico(s): Linguistics and language evolution

2009 - Italian Federation of Film Societies | Cineforum

Artigo

Giuseppe Imperatore,

2010 - Italian Federation of Film Societies | Cineforum

Artigo

Federico Pedroni,

Tópico(s): Educational and Social Studies

2011 - Italian Federation of Film Societies | Cineforum

Artigo Revisado por pares

Laura Shamas,

Drive was widely reviewed as an action-thriller, but at its heart, it is a film that explores the medieval European concept of courtly love in 21st-century America. Instead of riding on horses, the...

Tópico(s): Shakespeare, Adaptation, and Literary Criticism

2013 - Taylor & Francis | Psychological Perspectives

Artigo Revisado por pares

Dario Llinares,

... of this article deploys a comparative analysis of Nicolas Winding Refn's Bronson (2008) and Steve McQueen's Hunger ( ...

Tópico(s): Sexuality, Behavior, and Technology

2015 - Edinburgh University Press | Journal of British Cinema and Television

Artigo

François Jardon-Gomez,

Tópico(s): Narrative Theory and Analysis

2016 - Brill | Images

Artigo

Bruno Dequen,

Tópico(s): French Urban and Social Studies

2016 - Brill | Images

Artigo

Fabrizio Tassi,

2016 - Italian Federation of Film Societies | Cineforum

Artigo

Rinaldo Censi,

Tópico(s): Medieval European History and Architecture

1999 - Italian Federation of Film Societies | Cineforum

Artigo Revisado por pares

I. Maher,

Tópico(s): German Literature and Culture Studies

2018 - University of California, Los Angeles | Mester

Artigo Revisado por pares

Mark Featherstone,

Tópico(s): Gothic Literature and Media Analysis

2019 - Springer Science+Business Media | International Journal for the Semiotics of Law - Revue internationale de Sémiotique juridique

Artigo Revisado por pares

Tom Ue,

Abstract

2020 - Intellect | Journal of Adaptation in Film & Performance

Artigo Revisado por pares

Jean-François Baillon,

This article considers the legacy and influence of Stanley Kubrick’s A Clockwork Orange (1971) in contemporary cinema. Kubrick’s film received criticism on its release for the director’s supposed excessive attention to form at the expense of content (what some termed the ‘aestheticization of violence’). Two recent directors that have frequently been compared to Kubrick, Thomas Clay and Nicholas Winding Refn, have similarly been criticised for their aestheticization of violence in their films. Drawing ...

Tópico(s): Cinema and Media Studies

2021 - Routledge | Historical Journal Of Film Radio and Television

Artigo Revisado por pares

David Sweeney,

Tópico(s): European Cultural and National Identity

2024 - Intellect | Journal of European Popular Culture

Artigo Revisado por pares

Michael Gott,

Drive (U.S.A., 2011, FilmDistrict, Directed by Nicolas Winding Refn. Screenplay, Hossein Amini, based on the book by ...

Tópico(s): Cinema and Media Studies

2012 - Berghahn Books | Transfers

Artigo

Gabrielle O'Brien,

Drive (Nicolas Winding Refn, 2011) is a film that revels in surfaces and reflections, and seduces the spectator with its irresistibly ...

Tópico(s): Cinema and Media Studies

2015 - | Screen education

Artigo Revisado por pares

Sulgi Lie,

... directed by Steve McQueen, and Drive, directed by Nicolas Winding Refn—that in their mutations of narrative time and ...

Tópico(s): Political Economy and Marxism

2016 - Duke University Press | Social Text

Artigo Revisado por pares

Andrea Rabbito,

In The Neon Demon (Nicolas Winding Refn, 2016) there are several thought-provoking topics concerning the fashion world that can be related to Walter Benjamin’s analyses ...

Tópico(s): Cultural Studies and Postmodernism

2017 - University of Navarre | Communication & Society

Artigo Acesso aberto Brasil Produção Nacional

Carlos Roberto Bernardes de Souza Júnior, María Geralda de Almeida,

Drive (2011), dirigido por Nicolas Winding Refn, aproxima produções e gêneros cinematográficos estadunidenses com estética e ritmo europeus de modo a possibilitar uma experiência que abarca as ...

Tópico(s): Urban Development and Societal Issues

2018 - UNIVERSIDADE FEDERAL DO PARANÁ | Revista Geografar

Artigo Acesso aberto Revisado por pares

Maryn Wilkinson,

... 2013), Spring Breakers (Harmony Korine, 2012), and Drive (Nicolas Winding Refn, 2011), were all dismissed for their depthlessness. This ...

Tópico(s): Sexuality, Behavior, and Technology

2018 - Edinburgh University Press | Film-Philosophy

Artigo Acesso aberto Brasil Produção Nacional Revisado por pares

Rodrigo Carreiro,

... de uma sequência do filme Drive (2011), de Nicolas Winding Refn. A análise foi realizada a partir da banda ...

Tópico(s): Artistic and Creative Research

2018 - Editora da Pontifícia Universidade Católica do Rio Grande do Sul (EDIPUCRS) | Revista FAMECOS