'Idomeneo'. Flute part and oboe part. 310 x 250mm. With limp card covers. Oboe Primo. Musical Work.
0000 - Gale Group | NCCO British Theatre
Adrien Mamou-Mani, David Sharp, Thibaut Meurisse, William Ring,
... consistency by comparing five Howarth S10 student model oboes. Psychophysical testing involving nine musicians is carried out ... in the playing properties of the two Howarth oboes believed to be most dissimilar. Further testing, involving one musician and combinations of the five oboes, provides information regarding the relative playabilities of the ... input impedance measurements are made on the five oboes for fingerings throughout the playing range and their ... in the playability of F6 across the five oboes is due to differences in the elevation of ...
Tópico(s): Musicians’ Health and Performance
2012 - Acoustical Society of America | The Journal of the Acoustical Society of America
'Idomeneo'. Flute part and oboe part. 310 x 250mm. With limp card covers. Oboe Secondo. Musical Work.
0000 - Gale Group | NCCO British Theatre
George R. Plitnik, William J. Strong,
... obtaining input impedances of double-reed instruments—the oboe in particular. To this end, the physical dimensions of an oboe were used to compute its input impedance as ... fingerings. The numerically computed input impendances of the oboe were compared to experimentally measured curves with good ...
Tópico(s): Sports Performance and Training
1979 - Acoustical Society of America | The Journal of the Acoustical Society of America
Alexander Street
... paste-overs and sewing. 330 x 250mm. Sinfonia Oboe Primo. Musical Work.
0000 - Gale Group | NCCO British Theatre
James L. Byo, Amanda L. Schlegel, N. Alan Clark,
... four stimuli—B-flat 4 sounded by flute, oboe, and clarinet and B-flat 2 sounded by ... tune to the tuba stimulus than to the oboe, clarinet, and flute stimuli, which were not different ... research. Verbal and performance responses to the tuba, oboe, and flute stimuli revealed misconceptions between participants’ perceptions ... actual performance difficulty and favored the use of oboe and flute as tuning references. Most of the ...
Tópico(s): Music Technology and Sound Studies
2010 - SAGE Publishing | Journal of Research in Music Education
... paste-overs and sewing. 330 x 250mm. Sinfonia Oboe Secondo. Musical Work.
0000 - Gale Group | NCCO British Theatre
William J. Strong, Melville Clark,
... spectral envelopes. It was found that, for the oboe, clarinet, bassoon, tuba, and trumpet, where the spectral ... of predominant importance: about 14% for the clarinet, oboe, bassoon, and tuba anti about 25% for the ... and natural tones is 0.97 for the oboe, 0.90 for the clarinet, 0.86 for ...
Tópico(s): Music and Audio Processing
1967 - Acoustical Society of America | The Journal of the Acoustical Society of America
Alexander Street
... the paste-overs are green (French?) paper. The oboe part contains some red chalk illustrations. 325 x ...
0000 - Gale Group | NCCO British Theatre
... were run for selected notes on the clarinet, oboe, bassoon, and saxophone. Input impedance values range from ... harmonics. For low notes on the bassoon and oboe, the situation is the opposite, the resonances being ... to the harmonics. For high notes on the oboe and bassoon, the frequency of the blown tone ...
Tópico(s): Experimental and Theoretical Physics Studies
1974 - Acoustical Society of America | The Journal of the Acoustical Society of America
... the paste-overs are green (French?) paper. The oboe part contains some red chalk illustrations. 325 x ...
0000 - Gale Group | NCCO British Theatre
Toshihiro Kimura, Yoko Akamatsu, Ikko Kajihara, Satoshi Fukushima, Hironobu Ihn,
... this authorYoko Akamatsu, Corresponding Author Yoko Akamatsu sp6a7uu9@oboe.ocn.ne.jp Department of Dermatology, Japan Community ... Kamishinchi, Shimonoseki, Yamaguchi 750-0061, Japan. Email: sp6a7uu9@oboe.ocn.ne.jpSearch for more papers by this ... this authorYoko Akamatsu, Corresponding Author Yoko Akamatsu sp6a7uu9@oboe.ocn.ne.jp Department of Dermatology, Japan Community ... Kamishinchi, Shimonoseki, Yamaguchi 750-0061, Japan. Email: sp6a7uu9@oboe.ocn.ne.jpSearch for more papers by this ...
Tópico(s): PI3K/AKT/mTOR signaling in cancer
2019 - Wiley | The Journal of Dermatology
Alexander Street
... the paste-overs are green (French?) paper. The oboe part contains some red chalk illustrations. 325 x ...
0000 - Gale Group | NCCO British Theatre
Diana Deutsch, Kamil Hamaoui, Trevor Henthorn,
... pattern was presented that consisted of a synthesized oboe tone of constant pitch, together with a sine ... continuously between the loudspeakers such that when the oboe tone emanated from the loudspeaker on the left, ... loudspeaker on the right; and vice versa. The oboe tone was perceived correctly as switching between loudspeakers; ...
Tópico(s): Multisensory perception and integration
2007 - Elsevier BV | Neuropsychologia
... the paste-overs are green (French?) paper. The oboe part contains some red chalk illustrations. 325 x ...
0000 - Gale Group | NCCO British Theatre
... teaching and learning effective breathing in playing the oboe. A range of approaches and techniques emerged from ... literature review. These were implemented in practice with oboe students at the Guildhall School, and changes in ...
Tópico(s): Neuroscience and Music Perception
2007 - Cambridge University Press | British Journal of Music Education
... the paste-overs are green (French?) paper. The oboe part contains some red chalk illustrations. 325 x ...
0000 - Gale Group | NCCO British Theatre
Clifford K. Madsen, John M. Geringer,
... classifications by listening to each of twenty-four oboe and flute duet performances. The duets were unaccompanied ...
Tópico(s): Music Technology and Sound Studies
1981 - SAGE Publishing | Journal of Research in Music Education
Alexander Street
... the paste-overs are green (French?) paper. The oboe part contains some red chalk illustrations. 325 x ...
0000 - Gale Group | NCCO British Theatre
... of the Room 6. The Listener Part II: Oboe Reeds 7. Reeds of Individual Oboists 8. A ...
Tópico(s): Diverse Musicological Studies
1983 - The Galpin Society | The Galpin Society Journal