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... of the male nude in action, Antonio and Piero del Pollaiuolo ran one of the most successful and advanced ...

Tópico(s): Renaissance and Early Modern Studies

2005 - Association of College and Research Libraries | Choice Reviews Online

Revisão Revisado por pares

Kun Hwang,

... Fourteen artists (Donato di Niccolò di Betto Bardi, Piero della Francesca Andrea del Castagno, Antonio del Pollaiuolo, Andrea del Verrocchio, Leonardo da Vinci, Michelangelo di ...

Tópico(s): Paleopathology and ancient diseases

2020 - Lippincott Williams & Wilkins | Journal of Craniofacial Surgery

Artigo Revisado por pares

Timothy McCall,

... Giovanni de' Bardi's Discorso sopra il giuoco del calcio fiorentino and Somaesthetic Discipline in Grand-Ducal Florence, (Oct 2020).https://doi.org/10.5117/9789463722216_ch05Allie Terry-Fritsch Mobilizing Visitors: Political Persuasion and the Somaesthetics of Belonging in the Chapel of the Magi, (Oct 2020).https://doi.org/10.5117/9789463722216_ch02Timothy McCall Galeazzo's Gem and Ghellero in the Uffizi Portrait by Piero Pollaiuolo, Source: Notes in the History of Art 39, ...

Tópico(s): Historical and Religious Studies of Rome

2013 - University of Chicago Press | I Tatti Studies

Artigo Revisado por pares

Emanuele Lugli,

... Elek, 1978), 1, 31–33; Alison Wright, The Pollaiuolo Brothers: The Arts of Florence and Rome (New Haven, CT: Yale University Press, 2005), 230–31. On artistic competition, see Michelle O’Malley, “Finding Fame: Painting and the Making of Careers in Renaissance Italy,” Renaissance Studies 24, no. 1 (2010): 9–32.2. Alessandro Cecchi, “Piero o Antonio? Considerazioni sulle Virtù del Tribunale della Mercanzia e le altre opere degli ...

Tópico(s): Renaissance Literature and Culture

2017 - University of Chicago Press | Source Notes in the History of Art

Artigo Revisado por pares

Richard D. Chessick,

... del Castagno, and, most remarkable of them all, Piero della Francesca. Hartt threads the narrative together very nicely and continues in this fashion all the way to the end of the book, which, appropriately, closes with examination of some of the famous mannerist painters of the 16th century.The final third of the Quattrocento was dominated by five artists, Antonio del Pollaiuolo, Andrea del Verrocchio, Sandro Botticelli, Filippino Lippi, and ...

Tópico(s): Historical Art and Architecture Studies

2005 - American Psychiatric Association | American Journal of Psychiatry

Artigo Revisado por pares

Azar Rejaie,

... painted between 1439 and 1461 by Domenico Veneziano, Piero della Francesca, Andrea del Castagno and Alesso Baldovinetti. It was destroyed in ...

Tópico(s): Renaissance and Early Modern Studies

2009 - Taylor & Francis | Word & Image

Artigo Acesso aberto Revisado por pares

A.V. Ciurea,

... worked in the workshop of artist Antonio del Pollaiuolo (1429Pollaiuolo ( -1498)).Working simultaneously in two famous artists ...

Tópico(s): Neurology and Historical Studies

2022 - Society of Physicians and Naturalists | Revista Medico-Chirurgicala