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Musical work Acesso aberto

... 2 acts, libretto by Caterino Mazzolà, adapted from Pietro Metastasio. Voice parts for the roles of Annio and ...

0000 - Gale Group | NCCO British Theatre

Artigo Revisado por pares

Stratos E. Constantinidis,

... out some 65 plays in translation such as Pietro Metastasio's Orpheus and Euridice (l797), Goethe's Iphigenia ...

Tópico(s): Contemporary and Historical Greek Studies

1987 - Johns Hopkins University Press | Journal of modern Greek studies

Musical work Acesso aberto

... 2 acts, libretto by Caterino Mazzolà, adapted from Pietro Metastasio. Voice parts for the roles of Annio and ...

0000 - Gale Group | NCCO British Theatre

Artigo Revisado por pares

Paul Sherrill, Matthew Boyle,

... analyzing the dramatic climax of Leonardo Vinci and Pietro Metastasio’s opera Artaserse (1730). Additionally, some schemas have ...

Tópico(s): Renaissance Literature and Culture

2015 - Duke University | Journal of Music Theory

Musical work Acesso aberto

... 2 acts, libretto by Caterino Mazzolà, adapted from Pietro Metastasio. Voice parts for the roles of Annio and ...

0000 - Gale Group | NCCO British Theatre

Artigo Revisado por pares

Aldo Vesnaver,

... 1111/j.1365-2478.2006.00571.xCitations: 3 Pietro Metastasio, 1698–1782; Demetrio, Act II, Scene 3. Read ...

Tópico(s): Geological and Geophysical Studies

2006 - Wiley | Geophysical Prospecting

Musical work Acesso aberto

... 2 acts, libretto by Caterino Mazzolà, adapted from Pietro Metastasio. Voice parts for the roles of Annio and ...

0000 - Gale Group | NCCO British Theatre

Artigo Revisado por pares

Tópico(s): Classical Philosophy and Thought

2002 - Oxford University Press | Forum for Modern Language Studies

Musical work Acesso aberto

... 2 acts, libretto by Caterino Mazzolà, adapted from Pietro Metastasio. Voice parts for the roles of Annio and ...

0000 - Gale Group | NCCO British Theatre

Artigo Acesso aberto Revisado por pares

Elena V. Pankina, Anastasia S. Privalova,

Among the dramatic works of Pietro Metastasio libretto “Artaserse” (1730) occupies a leading position in the number of operas created on its basis. Among them is also the ...

Tópico(s): Scientific Research and Philosophical Inquiry

2020 - Omsk State University | Vestnik Tomskogo gosudarstvennogo universiteta Kul turologiya i iskusstvovedenie

Musical work Acesso aberto

... 2 acts, libretto by Caterino Mazzolà, adapted from Pietro Metastasio. Voice parts for the roles of Annio and ...

0000 - Gale Group | NCCO British Theatre

Artigo Revisado por pares

Ermes Dorigo,

Questo scritto utilizza essenzialmente l' Epistolario di Pietro Metastasio (1698–1782), per analizzare il suo rapporto di amicizia col «ciambellano imperial cesareo» di Maria Teresa, il conte udinese Daniele Florio (1710–1789), « ...

Tópico(s): Linguistic Studies and Language Acquisition

2012 - SAGE Publishing | Forum Italicum A Journal of Italian Studies

Musical work Acesso aberto

... 2 acts, libretto by Caterino Mazzolà, adapted from Pietro Metastasio. Voice parts for the roles of Annio and ...

0000 - Gale Group | NCCO British Theatre

Artigo Revisado por pares

Patricia M. Gathercole, Pietro Metastasio, Joseph G. Fucilla,

Tópico(s): Classical Antiquity Studies

1982 - Modern Language Association | South Atlantic Review

Musical work Acesso aberto

... 2 acts, libretto by Caterino Mazzolà, adapted from Pietro Metastasio. Voice parts for the roles of Annio and ...

0000 - Gale Group | NCCO British Theatre

Artigo Revisado por pares

Olivier Rouvière,

... From 1724 to 1772, by composing 26 melodramas, Metastasio (Pietro Tra-passi) brought about what has been called the "reform" of the Italian libretto, but is rather its recognition as a literary form and the celebration of its specificity. For Metastasio the melodramma, directly descended from classical tragedy as ...

Tópico(s): Historical Studies and Socio-cultural Analysis

1997 - Société française d'étude du XVIIIe siècle | Dix-huitième siècle

Musical work Acesso aberto

... 2 acts, libretto by Caterino Mazzolà, adapted from Pietro Metastasio. Voice parts for the roles of Annio and ...

0000 - Gale Group | NCCO British Theatre

Artigo Revisado por pares

Jessica Gabriel Peritz,

Abstract Pietro Metastasio’s opera Catone in Utica (Rome, 1727) represents ancient Roman imperial politics through the recurring trope of ‘ ...

Tópico(s): Asian Culture and Media Studies

2025 - Cambridge University Press | Journal of the Royal Musical Association

Musical work Acesso aberto

... 2 acts, libretto by Caterino Mazzolà, adapted from Pietro Metastasio. Voice parts for the roles of Annio and ...

0000 - Gale Group | NCCO British Theatre

Artigo Revisado por pares

Anna Giust,

... by prominent Italian playwrights and librettists, such as Pietro Metastasio ("The Textual Evolutions of Metastasio's Semiramide," pp. ...

Tópico(s): Musicology and Musical Analysis

2023 - Music Library Association | Notes

Musical work Acesso aberto

... 2 acts, libretto by Caterino Mazzolà, adapted from Pietro Metastasio. Voice parts for the roles of Annio and ...

0000 - Gale Group | NCCO British Theatre

Artigo Revisado por pares

David Knapp,

... critic, 277 p. Paper. Set, $297. FACSIMILE EDITIONS Metastasio, Pietro and Johann Adolf Hasse. Demetrio. Partitura in facsimile. ...

Tópico(s): Musicology and Musical Analysis

2015 - Music Library Association | Notes

Musical work Acesso aberto

... 2 acts, libretto by Caterino Mazzolà, adapted from Pietro Metastasio. Voice parts for the roles of Annio and ...

0000 - Gale Group | NCCO British Theatre

Artigo Revisado por pares

MICHAEL F. ROBINSON,

... Giacomelli, Geminiano, La Merope, ed. Sylvie Mamy; xxiv: Metastasio, Pietro/Anfossi, Pasquale, Adriano in Syria, ed. Jacques Joly; ...

Tópico(s): Musicology and Musical Analysis

1987 - Oxford University Press | Music and Letters

Musical work Acesso aberto

... 2 acts, libretto by Caterino Mazzolà, adapted from Pietro Metastasio. Voice parts for the roles of Annio and ...

0000 - Gale Group | NCCO British Theatre

Artigo Revisado por pares

Federico Della Corte,

Abstract This essay examines how Metastasio organizes the oratorio's musicality between recitativo and arias, and how he links such two parts or aspects. Furthermore, it underscores how the hidden quotations and the use of Latinisms are not to be considered for the élite, since they are quiet understandable by a public endowed with average culture. At the end, Metastasio's typical, internal personality split is projected onto the division between Christians and non-Christians.

Tópico(s): Ancient Mediterranean Archaeology and History

2019 - American Association of Teachers of Italian | Italica

Musical work Acesso aberto

... 2 acts, libretto by Caterino Mazzolà, adapted from Pietro Metastasio. Voice parts for the roles of Annio and ...

0000 - Gale Group | NCCO British Theatre

Artigo

Jeffrey O. Segrave,

Tópico(s): Martial Arts: Techniques, Psychology, and Education

2012 - Taylor & Francis | Routledge Online Studies on the Olympic and Paralympic Games

Musical work Acesso aberto

... 2 acts, libretto by Caterino Mazzolà, adapted from Pietro Metastasio. Voice parts for the roles of Annio and ...

0000 - Gale Group | NCCO British Theatre

Artigo Revisado por pares

Miranda Butler,

... materials surrounding Baldassare Galuppi’s 1759 setting of Pietro Metastasio’s La clemenza diTito for Turin’s Teatro ...

Tópico(s): Musicology and Musical Analysis

2012 - Oxford University Press | Early Music