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António Variações’s first single, Povo que lavas no rio/Estou além (1982), offers a radical version of Amália Rodrigues’s fado “Povo que lavas no rio” (1962). This article considers Variações as fadista in order to think fado as queer praxis. Though Variações's debut release ...
Tópico(s): Literature, Culture, and Criticism
2018 - American Portuguese Studies Association (APSA) | Journal of Lusophone Studies