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... part of the twenty-first century, such successful manhwa as Priest and IN.V.U. were quietly imported and marketed alongside their Japanese counterparts tohelp meet thedemand. Without the expensive necessity of "flipping" the artwork (sinceKorean is read in the same direction as English) and the lower licensing fees associated with bringing in material from an adjacent market, manhwa has begun to find an audience of itsown ...
Tópico(s): Asian Culture and Media Studies
2010 - University of Oklahoma | World Literature Today