... contemplation of three works I saw in 2018, Robin Campillo's 2017 film 120BPM, Lluís Pasqual's theatre ...
Tópico(s): Memory, violence, and history
2018 - Routledge | Performance Research
Allan Campbell, Alice del Campillo-Campbell, Robin Chang,
A recessive mutation ( bir ) of E. coli , at 77 min on the standard map, destroys ability of the bacteria to take up biotin or to grow except at high concentrations of biotin. In a biotin prototroph, the bir mutation causes overproduction and excretion of biotin, and derepression of at least one biosynthetic gene ( bioD ). Growth of the bir mutant is inhibited by avidin or high concentrations of dethiobiotin. Both effects are reversed by biotin.
Tópico(s): Chemical Synthesis and Analysis
1972 - National Academy of Sciences | Proceedings of the National Academy of Sciences
This article analyses how Robin Campillo’s cinema explores queer identity and queer political resistance through its focus on the mutability and resilience of (micro)biological ...
Tópico(s): Diverse academic research themes
2022 - Taylor & Francis | Modern & Contemporary France
... Syria into Europe. In parallel, this article addresses Robin Campillo’s 2004 original feature Les Revenants as it ...
Tópico(s): Migration and Exile Studies
2016 - Multidisciplinary Digital Publishing Institute | Humanities
Tópico(s): Historical and Literary Analyses
2024 - American Association of Teachers of French | The French review
... par minute réalisé par Robin Campillo François Massonnat Campillo, Robin , réal. 120 battements par minute. Int. Nahuel Pérez ...
Tópico(s): French Historical and Cultural Studies
2018 - American Association of Teachers of French | The French review
Robin Campillo's 120 Battements Par Minute, or When the Dust Unsettles Loïc Bourdeau (bio) One is not ... by HIV-positive artists, and in particular with Robin Campillo, who sought to counter stereotypes and amalgamation by ... with HIV or AIDS-related complications. French director Robin Campillo's feature film 120 Battements par minute (120 ...
Tópico(s): Cinema and Media Studies
2022 - | Intertexts
... of life’. This article mobilises archival materials alongside Robin Campillo’s 120 Battements par minute (2017) to examine ...
Tópico(s): LGBTQ Health, Identity, and Policy
2022 - Taylor & Francis | Modern & Contemporary France
Los usos de la temporalidad del cine de Robin Campillo ponen en escena un tipo de precariedad producido ...
Tópico(s): Spanish Culture and Identity
2020 - Fotocinema | Fotocinema Revista científica de cine y fotografía
The visual language of 120 Battements par minute imposes a disciplined approach to colour: specifically, the Tricolore. Blue, white, and red appear in a colour 'chord' that indexes the French flag. This chromatic iconography enables the film to assimilate minoritarian discourses into a French Republican narrative, staking a claim on the French nation on behalf of Act Up-Paris. By placing the national colours strategically within the mise-en-scène, Campillo's film uses the Tricolore to help the audience ...
Tópico(s): Historical Studies and Socio-cultural Analysis
2021 - Taylor & Francis | Modern & Contemporary France
Benjamin Dalton, Alice Pember,
Tópico(s): French Literature and Poetry
2022 - Taylor & Francis | Modern & Contemporary France
This article examines the role of retroactivism in Robin Campillo's 120 Battements par minute (2017) and Olivier ...
Tópico(s): Themes in Literature Analysis
2021 - Taylor & Francis | Modern & Contemporary France
Tópico(s): European and International Law Studies
2017 - Italian Federation of Film Societies | Cineforum
Tópico(s): Literature, Culture, and Aesthetics
2017 - Italian Federation of Film Societies | Cineforum
In Robin Campillo's 2004 film They Came Back (Les revenants), 70 million recently dead inexplicably arise to rejoin the ...
Tópico(s): Violence, Religion, and Philosophy
2014 - Liverpool University Press | Journal of Literary & Cultural Disability Studies
Tópico(s): Comparative Literary Analysis and Criticism
2004 - Italian Federation of Film Societies | Cineforum
... France and further afield. An example of this, Robin Campillo’s period piece, 120 Battements par minute (2017), ...
Tópico(s): Communism, Protests, Social Movements
2022 - Taylor & Francis | Modern & Contemporary France
... such as Denis’s Trouble Every Day (2001), Robin Campillo’s Les Revenants (2004), Gaspar Noé’s Climax ( ...
Tópico(s): Cinema and Media Studies
2021 - Taylor & Francis | Modern & Contemporary France
Cette étude comparative du film de Robin Campillo intitulé Les revenants (2004) et de Caché (2005) de Michael Haneke porte sur le refoulement dans la conscience collective française des meurtres, ...
Tópico(s): African history and culture studies
2018 - | Cinémas Revue d études cinématographiques
... plénières et une projection du film les Revenants (Robin Campillo, 2004) présentée par Geneviève Sellier au cinéma l' ...
Tópico(s): Cultural Insights and Digital Impacts
2017 - | 1895
... du film 120 battements par minute du cinéaste Robin Campillo, primé
Tópico(s): French Historical and Cultural Studies
2017 - | GLAD!
... les gays mouraient du sida Le film de Robin Campillo, 120 battements par minute, traite de l’action ...
Tópico(s): Education, sociology, and vocational training
2017 - Association Paul Langevin | Cahiers d’histoire Revue d’histoire critique
Dans son film Les revenants (2004), Robin Campillo imagine qu'une brèche a été ouverte entre le monde des vivants et celui des morts. Ceux-ci reviennent en masse, obligeant ...
Tópico(s): African Studies and Geopolitics
2015 - Éditions de la Sorbonne | Socio-anthropologie
... 3 Reviews 297 Sophomore efforts included Eastern Boys (Robin Campillo), The Strange Color of Your Body’s Tears ( ...
Tópico(s): Cinema and Media Studies
2015 - American Association of Teachers of French | The French review
Laurence Potte-Bonneville, Philippe Mangeot, Mathieu Potte-Bonneville,
Résumé Entretien avec Robin Campillo. Réflexions sur l’hospitalité, avec l’auteur du film « Les Revenants ».
Tópico(s): Social Policies and Family
2005 - Association Vacarme | Vacarme
Laurence Potte-Bonneville, Philippe Mangeot, Mathieu Potte-Bonneville,
Entretien avec Robin Campillo. Reflexions sur l’hospitalite, avec l’auteur du film « Les Revenants ».
Tópico(s): Migration, Identity, and Health
2005 - Association Vacarme | Vacarme
Résumé un scénario
2000 - Association Vacarme | Vacarme
Tópico(s): Migration, Identity, and Health
2000 - Association Vacarme | Vacarme
Wil Roebroeks, Nicholas J. Conard, Thijs van Kolfschoten, Robin Dennell, Robert C. Dunnell, Clive Gamble, Paul Graves, Kenneth Jacobs, Marcel Otte, Derek Roe, Jiřı́ Svoboda, Alain Tuffreau, Barbara Voytek, Francis Wenban-Smith, J. J. Wymer,
... J.-L. Polo-Camacho, J. García-Torres, M. Campillo-Boj, A. Avilés-Fernández, W. Zack Cueva Negra ... jhevol.2012.08.001Katharine MacDonald, María Martinón-Torres, Robin W. Dennell, José María Bermúdez de Castro Discontinuity ...
Tópico(s): Geology and Paleoclimatology Research
1992 - University of Chicago Press | Current Anthropology
A. G. A. Brown, A. Vallenari, T. Prusti, J. H. J. de Bruijne, C. Babusiaux, M. Biermann, O. L. Creevey, D. W. Evans, L. Eyer, A. Hutton, F. Jansen, C. Jordi, S. A. Klioner, U. Lammers, L. Lindegren, X. Luri, F. Mignard, C. Panem, D. Pourbaix, S. Randich, P. Sartoretti, C. Soubiran, N. A. Walton, F. Arenou, C. A. L. Bailer-Jones, U. Bastian, M. Cropper, R. Drimmel, D. Katz, M. G. Lattanzi, F. van Leeuwen, J. Bakker, C. Cacciari, J. Castañeda, F. De Angeli, C. Ducourant, C. Fabricius, M. Fouesneau, Y. Frémat, R. Guerra, A. Guerrier, J. Guiraud, A. Jean-Antoine Piccolo, E. Masana, R. Messineo, N. Mowlavï, C. Nicolas, K. Nienartowicz, F. Pailler, P. Panuzzo, F. Riclet, W. Roux, G. M. Seabroke, R. Sordo, P. Tanga, F. Thévenin, G. Gracia-Abril, J. Portell, D. Teyssier, M. Altmann, R. Andrae, I. Bellas-Velidis, K. Benson, J. Berthier, R. Blomme, E. Brugaletta, P. W. Burgess, G. Busso, B. Carry, A. Cellino, N. Cheek, G. Clementini, Y. Damerdji, M. Davidson, L. Delchambre, A. Dell’Oro, J. Fernández-Hernández, L. Galluccio, P. García-Lario, M. Garcia-Reinaldos, J. González-Núñez, E. Gosset, R. Haigron, J.-L. Halbwachs, N. C. Hambly, D. L. Harrison, D. Hatzidimitriou, U. Heiter, J. Hernández, Daniel Hestroffer, S. T. Hodgkin, B. Holl, K. Janßen, G. Jevardat de Fombelle, S. Jordan, A. Krone-Martins, A. C. Lanzafame, W. Löffler, A. Lorca, M. Manteiga, O. Marchal, P. M. Marrese, A. Moitinho, A. Mora, K. Muinonen, P. Osborne, E. Pancino, T. Pauwels, J. Petit, A. Recio–Blanco, P. J. Richards, M. Riello, L. Rimoldini, A. C. Robin, T. Roegiers, J. Rybizki, L. M. Sarro, C. Siopis, M. Smith, A. Sozzetti, A. Ulla, E. Utrilla, M. van Leeuwen, W. van Reeven, U. Abbas, A. Abreu Aramburu, S. Accart, C. Aerts, J. J. Aguado, M. Ajaj, G. Altavilla, M. A. Álvarez, J. Álvarez Cid-Fuentes, J. Alves, R. I. Anderson, E. Anglada Varela, T. Antoja, M. Audard, D. Baines, Steven G. Baker, L. Balaguer-Núñez, E. Balbinot, Z. Balog, C. Barache, D. Barbato, M. Barros, M. A. Barstow, S. Bartolomé, J.-L. Bassilana, N. Bauchet, A. Baudesson-Stella, U. Becciani, M. Bellazzini, M. Bernet, S. Bertone, L. Bianchi, S. Blanco-Cuaresma, T. Boch, A. Bombrun, D. Bossini, S. Bouquillon, A. Bragaglia, L. Bramante, E. Breedt, A. Bressan, N. Brouillet, B. Bucciarelli, Alexandru Burlacu, D. Busonero, A. G. Butkevich, R. Buzzi, E. Caffau, R. Cancelliere, H. Cánovas, T. Cantat-Gaudin, R. Carballo, T. Carlucci, M. I. Carnerero, J. M. Carrasco, L. Casamiquela, M. Castellani, A. Castro-Ginard, P. Castro Sampol, L. Chaoul, P. Charlot, L. Chemin, A. Chiavassa, Maria-Rosa L. Cioni, G. Comoretto, W. James Cooper, T. Cornez, S. Cowell, F. Crifo, M. Crosta, C. Crowley, Carlos Dafonte, A. Dapergolas, M. David, Pedro David, P. de Laverny, F. De Luise, R. De March, J. De Ridder, R. de Souza, P. de Teodoro, A. de Torres, E. F. del Peloso, E. del Pozo, Marco Delbò, A. Delgado, H. E. Delgado, J.-B. Delisle, P. Di Matteo, S. Diakité, C. Diener, E. Distefano, C. Dolding, D. Eappachen, B. Edvardsson, H. Enke, P. Esquej, C. Fabre, M. Fabrizio, S. Faigler, G. Fedorets, P. Fernique, A. Fienga, F. Figueras, C. Fouron, Francesca Fragkoudi, E. Fraile, Florian Franke, M. Gai, D. Garabato, A. Garcia-Gutierrez, Miguel García-Torres, A. Garofalo, P. Gavras, E. Gerlach, R. Geyer, P. Giacobbe, G. Gilmore, S. Girona, G. Giuffrida, Roy Gomel, A. Gómez, I. González-Santamaría, J. J. González‐Vidal, Mikael Granvik, R. Gutiérrez–Sánchez, L. P. Guy, M. Häuser, M. Haywood, A. Helmi, S. L. Hidalgo, T. Hilger, N. Hładczuk, D. Hobbs, G. Holland, H. E. Huckle, G. Jasniewicz, P. G. Jonker, J. Juaristi Campillo, F. Julbé, L. Karbevska, P. Kervella, S. Khanna, A. Kochoska, M. Kontizas, G. Kordopatis, A. J. Korn, Z. Kostrzewa-Rutkowska, K. Kruszyńska, S. Lambert, A. F. Lanza, Y. Lasne, J.-F. Le Campion, Y. Le Fustec, Y. Lebreton, T. Lebzelter, S. Leccia, N. Leclerc, I. Lecœur-Taı̈bi, S. Liao, E. Licata, E. P. Lindstrøm, Tim Lister, E. Livanou, A. Lobel, P. Madrero Pardo, S. Managau, R. Mann, J. M. Marchant, M. Marconi, M. M. S. Marcos Santos, S. Marinoni,
We present the early installment of the third Gaia data release, Gaia EDR3, consisting of astrometry and photometry for 1.8 billion sources brighter than magnitude 21, complemented with the list of radial velocities from Gaia DR2. Gaia EDR3 contains celestial positions and the apparent brightness in G for approximately 1.8 billion sources. For 1.5 billion of those sources, parallaxes, proper motions, and the (G_BP-G_RP) colour are also available. The passbands for G, G_BP, and G_RP are provided as ...
EDP Sciences