Émile Bravo’s Le Journal d’un ingénu inaugurated a growing trend of setting Spirou , Fantasio, and friends in WWII times. Bravo’s acclaimed work was followed by the first instalment of a history of Spirou that also contributed to fuelling the interest in retro settings for new albums related to Spirou’s universe. In this article I consider such retro albums as a whole and argue that WWII is only one of the many anchors used by authors to fill a gap in the publication history of Spirou , that as time ...
Tópico(s): Folklore, Mythology, and Literature Studies
2021 - Berghahn Books | European Comic Art
Framing Yves Chaland’s Spirou as a return to and a quest for origins, this article examines how Chaland creates the illusion that his Spirou harks back to the so-called golden age of bande dessinée . Borrowing from the formal and thematic tropes and codes of the European hero travelling to colonial Africa that were established during this golden age, Chaland constructs the double of Jijé’s and Franquin’s Spirou. This double, structured around a series of mistakes and illusions, appears in turn to ...
Tópico(s): Crime and Detective Fiction Studies
2022 - Intellect | Studies in Comics
... effets politiques déliquescents. Ce sera la tâche de Spirou et Fantasio de lutter contre cette incommunication, de renverser les ...
Tópico(s): Comics and Graphic Narratives
2009 - National Center for Scientific Research | Hermès
... s Treasure serve as intertexts for three recent Spirou and Fantasio albums. Of the chapters devoted to Tintin’s ...
Tópico(s): Themes in Literature Analysis
2018 - Johns Hopkins University Press | The Lion and the unicorn
... obra de Franquin. Desde las aventuras del héroe Spirou y de su compañero estrafalario, Fantasio, publicadas por un editor católico entre los años ...
Tópico(s): Cinema History and Criticism
2017 - Asociación de Profesores de Francés de la Universidad Española (AFUE) | Çédille
... Franquin, createur de Gaston et les archives de Spirou, l'A. propose une analyse pragmatique et fonctionnelle du discours (ou de l'absence de discours) de Gaston et de ses interactions avec fantasio, consideres comme les deux personnages symboles de la ...
Tópico(s): Diverse multidisciplinary academic research
2003 - De Gruyter | Semiotica
... Gaston et à l’effacement de son concurrent, Fantasio.
Tópico(s): Linguistic and Sociocultural Studies
2018 - De Gruyter | Semiotica