ALBERT SPICER, , ROSEBERY., CIVIS BRITANNIOUS., J. F. REMNANT., HARRY B. POLAND., GEORGE L. COURTHOPE, , ARTHUR JAMES BALFOUR., HELENA, , ALICE BECTIVE, , LOUISA KNIGHTLEY, , CAROLINE GROSVENOR, , HENRY HOBHOUSE.,
... Court and Social: Court Circular. Reviews: Rhythm And Tempo Rubato., Auction Summary., The Japan-British Exhibition.. Stock Exchange ...
1910 - Gale Group | TDA
William Lloyd, Richard Hudson,
Tracing the complex history of tempo rubato, this book identifies and traces the development of two main types of rubato: an earlier one in which note values in a melody are altered while the accompaniment keeps strict time, and a later, more familiar one in which the tempo of the entire musical substance fluctuates. In the course of his narrative, Hudson ranges widely over western music, from Gregorian Chant to Chopin, from C.P.E. Bach to jazz, quoting extensively from the writings of theorists, composers, and performers. In so doing he not only suggests new ways of approaching the rubato in the music of nineteenth-century composers like ...
Tópico(s): Music History and Culture
1995 - Musical Times Publications | The Musical Times
... that draws inspiration from the musical idea of tempo rubato and from Michel de Certeau’s (1984) treatment ...
Tópico(s): Urban Transport and Accessibility
2011 - Routledge | Mobilities
Renee Timmers, Richard Ashley, Peter Desain, Hank Heijink,
... variety in timing patterns and the extent of tempo rubato appear to increase with increasing complex conditions.
Tópico(s): Neuroscience and Music Perception
2000 - Routledge | Journal of New Music Research
Tempo rubato is a disregard of certain notated properties of rhythm and tempo for the sake of expressive ... steady pulse in the accompaniment. Structural or agogic rubato involves the simultaneous retardation or acceleration of tempo of the entire performing body. Theories on rubato practice from Lodovico Zacconi (1592) to Marian Sobieski ...
Tópico(s): Music History and Culture
1994 - Claremont Colleges Library | Performance Practice Review
... functions, by Robert Philip's categorization scheme for tempo rubato in early recordings, and by research in meter ...
Tópico(s): Music and Audio Processing
2009 - Duke University | Journal of Music Theory
Mauro Carrozzo, Alessandro Moscatelli, Francesco Lacquaniti,
Background How do we estimate time when watching an action? The idea that events are timed by a centralized clock has recently been called into question in favour of distributed, specialized mechanisms. Here we provide evidence for a critical specialization: animate and inanimate events are separately timed by humans. Methodology/Principal Findings In different experiments, observers were asked to intercept a moving target or to discriminate the duration of a stationary flash while viewing different ...
Tópico(s): Neural dynamics and brain function
2010 - Public Library of Science | PLoS ONE
Sebastian Flossmann, Werner Goebl, Maarten Grachten, Bernhard Niedermayer, Gerhard Widmer,
... performer age, performance errors, between-hand asynchronies, and tempo rubato. We also report preliminary results of a systematic ...
Tópico(s): Neuroscience and Music Perception
2010 - Routledge | Journal of New Music Research
... introduction to how such issues as ornamentation, vibrato, rubato, portamento, articulation, tempo, language, and accompaniment with period instruments have been ...
Tópico(s): Musicology and Musical Analysis
2006 - Association of College and Research Libraries | Choice Reviews Online
... Part I. Rhythm: 1. Flexibility of tempo 2. Tempo rubato 3. Long and short notes Part II. Vibrato: ...
Tópico(s): Diverse Musicological Studies
1993 - Association of College and Research Libraries | Choice Reviews Online
THE RELATION BETWEEN MUSIC and motion has been a topic of much theoretical and empirical research. An important contribution is made by a family of computational theories, so-called kinematic models, that propose an explicit relation between the laws of physical motion in the real world and expressive timing in music performance. However, kinematic models predict that expressive timing is independent of (a) the number of events, (b) the rhythmic structure, and (c) the overall tempo of the performance. ...
Tópico(s): Music and Audio Processing
2005 - University of California Press | Music Perception An Interdisciplinary Journal
Tópico(s): Colonialism, slavery, and trade
1996 - Claremont Colleges Library | Performance Practice Review
Satoshi Usa, Yasunori Mochida,
... of a musical piece, beat timing including Agogik (tempo rubato), the beat number in a measure, fermata, dynamics, ...
Tópico(s): Diverse Musicological Studies
1998 - | Journal of the Acoustical Society of Japan (E)
... timing is seen to be a kind of tempo rubato involving a flexibility of melodic rhythm over a ...
Tópico(s): Music Technology and Sound Studies
2002 - University of California Press | Music Perception An Interdisciplinary Journal
... Huang and Rachel V. Huang, "Billie Holiday and Tempo Rubato: Understanding Rhythmic Expressivity," Annual Review of Jazz Studies ...
Tópico(s): Diverse Musicological Studies
2013 - Routledge | Jazz Perspectives
1995 - Association of College and Research Libraries | Choice Reviews Online
... Danse sacrale," this paper examines the battles over tempo and rubato evidenced by historic recordings, piano rolls, and published ... printed score; (2) that someone (Pierre Monteux?) indicated rubatos and changed many of Stravinsky's metronome marks on the autograph; (3) that early performances of the "Danse sacrale" featured unwritten tempo modifications for dramatic effect; and (4) that Stravinsky ...
Tópico(s): Neuroscience and Music Perception
1999 - University of California Press | Journal of the American Musicological Society
Mauro Carrozzo, Alessandro Moscatelli, Francesco Lacquaniti,
Background: How do we estimate time when watching an action?The idea that events are timed by a centralized clock has recently been called into question in favour of distributed, specialized mechanisms.Here we provide evidence for a critical specialization: animate and inanimate events are separately timed by humans. Methodology/Principal Findings:In different experiments, observers were asked to intercept a moving target or to discriminate the duration of a stationary flash while viewing different ...
Tópico(s): Action Observation and Synchronization
2011 - Association for Research in Vision and Ophthalmology | Journal of Vision
... asynchrony); events notated as phase boundaries showed greatest tempo changes (rubato); and the notated melody showed most consistent amount ...
Tópico(s): Music Technology and Sound Studies
1989 - American Psychological Association | Journal of Experimental Psychology Human Perception & Performance
TEMPO RUBATO Get access THOMAS FIELDEN THOMAS FIELDEN Search for other works by this author on: Oxford Academic ...
Tópico(s): Musicology and Musical Analysis
1953 - Oxford University Press | Music and Letters
Tópico(s): Literature, Culture, and Criticism
1912 - Musical Times Publications | The Musical Times
Lucian Kamieński, Lucian Kamienski,
Tópico(s): German Literature and Culture Studies
1918 - Franz Steiner Verlag | Archiv für Musikwissenschaft
Tópico(s): Intellectual Property Law
1925 - Musical Times Publications | The Musical Times
... ability of the listener to track a variable tempo. The study shows that rubato is a rich source of information for the ...
Tópico(s): Syntax, Semantics, Linguistic Variation
1989 - Taylor & Francis | Contemporary Music Review
... subtlest, changeable emotions. The music is filled with rubato, marked tempo changes, and an elasticity that is built into ...
Tópico(s): Diverse Musicological Studies
2007 - Routledge | Journal of Singing
... published by B. Schott in Leipzig.3 TEMPO RUBATO. By tempo rubato is meant the momentary increase of value, which ... to bursts of passion [Example 1]. To make tempo rubato perceptible in singing, the accents and of an ... voice and accompaniment to proceed in concert; whereas, tempo rubato allows liberty to the voice only. A serious ... the last bar but one, instead of the tempo rubato; as while aiming at spirit and enthusiasm, he ... and Pagannini-excelled in the use of the tempo rubato. While the was regularly maintained by an orchestra, ...
Tópico(s): Diverse Musicological Studies
2010 - Routledge | Journal of Singing
Pratyusha Sharma, Shane Gero, Roger Payne, David F. Gruber, Daniela Rus, Antonio Torralba, Jacob Andreas,
... codas form a combinatorial coding system in which rubato and ornamentation combine with two context-independent features we call rhythm and tempo to produce a large inventory of distinguishable codas. ...
Tópico(s): Underwater Acoustics Research
2024 - Nature Portfolio | Nature Communications
... sonatas of specific types of ornamentation and notated tempo rubato is discussed, as well as implications for the ...
Tópico(s): Music Technology and Sound Studies
2002 - Taylor & Francis | Musicology Australia
... free rhythm, that is between tempo giusto and tempo rubato. Folk performances employ an infinite variety of transitional ...
Tópico(s): Music History and Culture
1982 - Akadémiai Kiadó | Studia Musicologica
... with regard to musicianship, expression, tone quality, and tempo. Results indicated significant differences for musicians compared to nonmusicians regarding rubato assessments. Musicians agreed with expert assessments, whereas non- ...
Tópico(s): Music Technology and Sound Studies
1996 - SAGE Publishing | Journal of Research in Music Education