The International Annual
1892; Gale Group; Linguagem: English
Autores
Alvey A. Adee, R. Aspa, William M. Butler, Abm. Bogardus, W. A. Brown, Robt. E. M. Bain, Reginald A. R. Bennett, C. H. Bothamley, H. M. Beeles, S. W. Burnham, Charles Ballard, Jabez Boothroyd, Henry E. Burn, Joseph Carroll, W. Chamberlain, C. H. Clarke, C. H. Cox, Douglas E. Caush, Herbert Denison, E. M. Estabrooke, Dr. J. M. Eder, Geo. F. Firth, Capt. J. Geo. Garneau, Joseph R. Greatorex, E. K. Hough, J. H. Harvey, Robt. J. Hillier, Martin J. Harding, W. Jerome Harrison, J. B. Heyl, Eli Hirst, Dudley C. Hasbrouck, Chapman Jones, I. C. Johnson, C. L. Logan, G. G. Mitchell, John Morison Jr., J. M. Nicholson, Rev. T. Perkins, G. W. Pearsons, Frank G. Pierpoint, F. M. Rood, Charles Reid, Harry M. C. Sprunt, Adelaide Skeel, James H. Stebbins Jr., F. H. Smith, F. Thévoz, P. C. Duchochois, Léon Vidal, M. C. Vrooman, H. H. Williams, John W. Alexander, W. Miles Barnes, F. G. Benson, Francis G. Eliot, W. E. Partridge, J. Boothroyd, A. Brothers, James Brown, Francis Cobb, Joseph Chamberlain, John R. Clemons, E. E. Cohen, Miss Emily Culverhouse, George E. Davenport, Charles Ehrmann, Com. H. Fourtier, F. E. Goater, A. D. Guthrie, F. J. Harrison, P. Henri, W. H. Hinings, Capt. Eugene Himly, Romyn Hitchcock, Frank H. Howe, J. Hubert, F. W. Hubby, Gustine L. Hurd, Ernest H. Jacob, W. N. Jennings, H. Valentine Knaggs, Frederick Park, Henry Pickering, C. B. Reader, Jay G. Shumway, W. J. Spurrier, J. N. Tulloch, Dr. H. W. Vogel, W. H. Walmsley, Ellerslie Wallace, George Knight White, Richard S. Baker, Alexander Black, G. Brodie, Fred H. Davies, H. T. Duffield, Nichol E. Elliott, Jaime Ferrán, R. M. Fuller, John W. Gibboney, H. W. Hales, H. C. Hemmingway, J. W. Horton, G. L. Holmes, Prof. J. Husnik, T. E. Huston, Dr. E. A. Just, Thomas Kay, Rev. F. C. Lambert, Col. A. Laussedat, Fred. MacKenzie, O. G. Mason, Edward Manser, James M'Glashan, W. L. J. Orton, Harry Platt, T. C. Roche, Victor Schumann, Horace W. Studley, J. E. Thompson, Albert H. Tuttle, C. E. Vredenburgh, H. Snowden Ward, Joseph H. Wheeler, Dr. Leo Backeland, W. Miles Barnes, Edward Bierstadt, A. R. F. Evershed, Geo. W. Gilson, George Hillburn, Captain Eugene Himly, J. H. Jackson, Appleby King, A. Laussedat, W. H. Mapes, Dr. Manly Miles, W. I. Scandlin, W. J. Topley, George Tasheira, H. T. Vulte, A. R. F. Evershed, Dr. C. Fabre, Wilfred A. French, H. S. Bellsmith, John W. Nicol, F. Gaedicke, C. W. Canfield, Leon Vidal, Geo. Mangin, W. J. Hickmott, W. E. Partridge, A. H. Elliott, Francis P. Smith, C. C. Sherrard,
ResumoCover: The International Annual. Display ads: Imperial Blue Paper, Bausch & Lomb Optical Co., Photographic Supplies, Dallmeyer's Lenses, Ross & Co., Electro-Tint Engraving Co., Multiple Display Advertisements, Watkins Exposure Meter, Hope's Plain Salted Paper, Bp Matt Surface Paper, Acme Amateur Rotary Burnisher, The Thornton-Pickard Mfg. Co., Eastman's New Printing-Out Paper, H. A. Hyatt, Bp Aristotype Paper, Prosch Manufacturing Co., The Stereoscopic Co., Wilson-Hood-Cheyney Co., St. Louis and Canadian Photographer?, Chas. Cooper & Co., Ross' Portrait and View Lenses, Albumen Paper, Gundlach Optical Co., W. H. Bartholomew, Photo-Engraver, The C. E. Hopkins Co., Franklin Engraving Co., Meagher's Improved Portable Camera, Aristotype Paper, New Acme Rotary Burnisher, The London Stereoscopic and Photographic Co., Imperial Magnesium Flash Lamp, E. & H. T. Anthony & Co., J. B. Colt & Co., Samuel Frankenheim, Photographic Printer, John Andrew & Son Co., New York Aristotype Co., The Levytype Co., The Globe Enameler, Eastman's Permanent Bromide Paper, New Orthochromatic Plates, Geneva Optical Co., J. A. Anderson, Manufacturer of Photographic Apparatus, H. A. Plate, Archer & Sons' New Optical Magic Lanterns, The "Eclipse" Dissolving Stereopticon, Moss Engraving Company, 1864—thirtieth Year—1893, American "Aristo", Photo Engraving Co., Photo-Engraving, Max Levy, The Wilkinson Co., The Eastman Company, Mega Sensitized Paper, Carbutt's Dry Plates and "Celluloid" Films, Crosscup & West Engraving Co., M. Wolfe's Perfect-Lined Screen Plates, The International Annual, Moss Engraving Co., Thomas's Plates and Collodions, A. M. Collins Manufacturing Company, Kodaks, Cramer's Isochromatic Plates, Weeks and Brill Co., The Latest Acme Cabinet Print Trimmer, R. H. Moran, G. W. Wilson & Co., White's New Chair, Eastman Kodak Co., Harvard Dry Plate, The Acme Flue Heating Stationary Photo-Burnisher, W. F. Ashe. Table of contents: Index to Advertisements, Index to Subjects, Index to Authors. Frontmatter: The International Annual of Anthony's Photographic Bulletin, The International Annual of Anthonys Photographic Bulletin. Essay: How to Make the Annual Field Day Interesting, The Photography of Rays of the Smallest Wave Length, Marks in the Sensitive Film, On the Cause of the Fading of Silver Prints, American Amateurs and English Villages, Stereoscopic Views on the Screen—A Suggestion, Developing Formulæ Pyrogallol Mixtures, Lantern-Slide Making, Lantern Slide Making by Reduction in the Camera at Night, Backing of Plates and Color Sensitive Films, Bromide Enlarging, Landscape Composition—A Few Hints to Photographers, On Simplicity and Accuracy in Photographic Description, Flash Light or Reflector, How to Treat Blue Prints, Anatomical Photography, Dark Room List, France, Foggy Films, 1893—MAY, The Art of Illustration and Its Present Development in Europe, 1893—FEBRUARY, A Few Ideas for Young Clubs, "The Ferro-Gallic or Black Line Process for the Reproduction of Engineers' and Architects' Drawings", Dallmeyer's Tele-Photographic Lens, Norway, The Use of Color Screens, 1893—AUGUST, Our Ideals Govern Us, Dark Room List, England, On Rational Orthochromatism, Glittering Generalities, The Simplicity of Carbon Printing, Photography Regarded as an Educator, An Amateur's Suggestion, Foreign Societies, Are the Results Satisfactory?, Printing on Glass by the Albumen Bichromate Process, A Cheap Medium for Dark Room Windows, Paget Prize Lantern Plates, Blisters, 1893—JUNE, American Hotels Which Provide Photographic Dark Rooms for the Use of Their Guests, 1893—SEPTEMBER, On Making the Best of Things, Concerning Societies, Films and Hand Cameras, The Chemical Coloring of Lantern Slides, Topics Seldom Touched Upon, Enlarging on Bromide Paper, From Harwich to the Helder; or, in Holland with a Hand Camera, 1893—OCTOBER, To Beginners, A Few Hints on Bromide Printing, Methylated Spirit in Photography, The Photographic and Artistic Rendition of "Blur" in the Photograph and Painting, Hints to Beginners, Rocks Ahead, The Optical Lantern: Its Scope as an Educational Medium, Dark Room List, Scotland, Hand Cameras, Modern Illustrative Art, Cheap Curb Cases, Clouds and Orthochromatic Plates, Polychromatic Impressions, Limits of Photographic Enlargements, Natural Cloud Effects in Landscape Photography, Notes, A New Photographic Shutter, Dark Rooms for Manufacturing Establishments, A Panoramic Camera, Lux in Tenebris A Few Rays for Beginners, Cycling and Photography, Toning with Borax, An Efficient Home Made Touring Camera, Good Use for Spoiled Plates, Carbon Lantern Slides, Waterstaining Lantern Slides, Making the Most of It, What Does the Future Hold?, My Tripod Camera, One Secret of Success, Portraits for Lantern Slides, Ghosts in the Old Cathedral, Posing, Collodion Paper, Views Taken from a Distance and near By, Tables, Highways and Byways, Wanted, Color Photography or Color Value, Further Clippings from an Amateur's Notebook, The Science and the Art, Tunbridge Wells and Neighborhood, Pinhole Photography, American Societies, Is Your Camera Light Tight?, Dark Room List, Ireland, Lantern Slides from Line Drawings or Engravings, Health Notes for Photographers, We Would Acknowledge the Courtesy of the Publishers of the British Journal Photographic Almanac, by Which We Are Enabled to Present Much of the Data to Be Found in the Following Almanac.—The Editors, Bacterial Clouds, Pseudo-Amateurs, Copying by Artificial Light, Aristo, Pro and Con, On the Successful Manipulation of Enameling Gelatino-Chloride Prints on Glass, Tables for Preparing Percentage Solutions, A Posing Platform, What Lens Do You Use?, Printing on Canvas, Chloride of Gold, Unlabelled Bottles and How to Ascertain Their Contents, 1893—APRIL Moon's Phases-Eastern Standard Time, Lighting and Ventilating a Dark Room, Copying, Enlarging and Reducing.—A Handy Piece of Apparatus, Mounting Emulsion Paper, About Lantern Slides, The English Thames and the Camera, 1893—JANUARY, Lantern Evenings from a Grumbler's Point of View, Use a Hand Camera, The Photography of Architectural Subjects, How to Start a Postal Photographic Club, A Means of Printing from Negatives Having Extreme Contrasts, A Useful Lamp, 1893—MARCH, We Need a College of Photography, Testing Exposures, What Have We Learned?, How I Make Lantern Slides—Being Dry Details of a Dry Process "Look to the Plate. "—Shakespeare, Tear Drops, Hand Camera Notes, The Stereoscope, A Cheap, Home Made and Reliable Print Washer, Scraps from My Notebook, Dark Room List, Wales, A Plea for Uniformity in the Size of Dry Plates, Obiter Dicta, The Stereoscope for Scientific Photography, A Wrinkle in the Positive Process, Advice to Amateurs and a Hint or Two, Lantern Plate Emulsion, How Much Pyro?, Random Shots, An Amateur's Talk to Amateurs, Printing in Hot Weather, Metrophotographie, Solutions, 1893—DECEMBER, How to Prevent Gelatino-Chloride Prints Sticking, 1893—JULY, Specialism, The Photographic Objective, An Ideal, Camera for Photomicrography, Kodaking in Switzerland, New Helps, Preface, Photo Enamel, Another Portrait of Niepce, Collodio-Bromide Lantern Slides, Orthochromatic Collodio-Bromide Emulsions, Little, but Important to Many, Platinum Pictures upon Resin Emulsion Paper, Street Scene Photography, A Copying Tip, The Determination of the Unit of Luminous Intensity, 1893—NOVEMBER, Halation and Its Prevention, Copying with Hydroquinone, The Shapes of Lenses, Lighting the Dark Side, Some Notes on Exposure, Lead Intensifier for Dry Plates, A Bad Failure, How to Observe and Photograph Sun Spots, Handling Emulsions and Other Things, Make a Note of It, Landscape Notes, Sulphite of Soda as a Preservative and Restrainer, Lunar Photography, Chrome-Gelatine Papers and the New Husnik's Autotype Paper. Poem, verse: October.
Referência(s)