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The British Journal Photographic Almanac and Photographer's Daily Companion for 1891

1891; Gale Group; Linguagem: English

C. Piazzi Smyth, W. B. Bolton, R. L. Maddox, Andhew Pringle, G. W. Webster, C. H. Bothamley, H. P. Robinson, Colonel J. Waterrhouse, R. H. Bow, Sir David Salomons, Dr. H. W. Vogel, Gambier Bolton, Catherine Weed Barnes, E. W. Foxlee, Professor Coleman Sellers, W. E. Debenham, S. Tingfan Chang, Thomas Bolas, W. H. Sherman, Valentine Blanchard, W. J. Stillman, G. W. Atkins, J. A. C. Branfill, Locke MacDona, A. Percy Smith, H. J. Burton, John A. Hodges, Edgar Clifton, F. Miall, Thos. Boxell, Thos. Gulliver, T. C. Hepworth, W. Shcundus Ward, R. Tanner, W. Wilberforce Beach, Alfred I. Taylor, J. Hubert, Sir H. Trueman Wood, F. Thevoz, J. R. Gotz, Rev. E. Healy, C. Oakshott, F. W. Munro, Henry Cooper, H. Selby, Edward Dunmore, J. E. Gubbins, Joseph H. Woodworth, Henry W. Bennett, J. M. Young, Harry Platt, George A. Carruthers, James Wood, George Mason, F. J. Quick, J. W. Lapham, C. J. England, W. T. Wilkinson, F. Whaley, C. Ray Woods, Chapman Jones, T. H. Powell, Joseph Smith, Alfred Watkins, F. J. Quick, George Bankart, Rev. B. Holland, Thomas Bedding, Maurice De Déchy, W. K. Burton, Richard Parr, Wilford F. Field, V. C. Baird, W. Hanson, Charles Whiting, J. Barker, J. J. Bayfield, Frances B. Johnson, W. T. F. M. Ingall, A. Brothers, F. T. Bennett, Arthur Ernest Whiting, W. H. Walmsley, G. H. E. Sutton, H. J. Beasley, John Stuart, Lewis Medland, Silvester Parry, Roland C. Whiting, Geo. H. Slight, W. D. Richmond, Dr. H. Valentine Knaggs, William Ouin, William Mathews, G. W. Valentine, S. E. Kelf, J. Vincent Elsden, William Adcock, J. A. Campbell Murray, Ellerslie Wallace, Harding Warner, R. P. Drage, Robert Offord, P. C. Duchochois, William Fleming, Professor Coleman Sellers, John A. D. Lloyd, T. N. Armstrong, J. Leisk, Clement J. Leaper, Albert Levy, W. H. Davies, W. Chambers, Herbert S. Starnes, Albert W. Scott, Rev. J. Carter-Browne, B. Vivian, Edmund E. Fearn, A. Clarke Jr., C. A. Rudowsky, Leon Warnerke, R. N. Lucas, E. J. Wall, W. Ingles Rogers, John Harmer, Rev. H. B. Hare, F. A. Bridge, J. C. Hannyngton, Mark Oute, W. E. Leek, William Brooks, John Pike, F. C. Beach, J. H. Smith, Edgar Scamell, G. R. Baker, W. Ethelbert Henry, Dr. Charles Ehrmann, Geo. W. Valentine, Birt Acres, G. J. Clarke, H. Albiston Gee, Thomas Tomlinson, R. J. Latham, Victor A. L. Corbould, J. J. Acworth, T. Coan, B. Vivian, A. E. Bannister, H. H. O'farrell, George T. Harris, S. Herbert Fry, Redmond Barrett, Francis Cobb, Horatio Nelson King, Jas. Alex. Forrest, A. L. Henderson, W. Jerome Harrison, Professor E. Stebbing, Alex. Donald, E. Traill, G. Foxall, G. W. Secretan, G. A. Kenyon, John Birtles, J. Hay Taylor, S. White Rouch, Alexander MacKie, Rev. F. C. Lambert, John Nicol, James A. Gee, Wm. Bishop, Melton Prior, Hugh Breener, A. R. Dresser, J. H. Pickard, Edwin Cocking, H. S. Schultess-Young, G. M. Rabbeth, Francis G. Eliot, E. W. Purton, Thomas Earp, Albert W. Scott, Thos. Gulliver, Francis T. Beeson, J. T. Hackett, Robert Slingsby,

Frontmatter: The British Journal Photographic Almanac and Photographer's Daily Companion for 1891, Preface. Display ads: The Britannia Works Co., Optical Lanterns, Ilford Plates, W. Chambers, Rickmansworth, Herts, Eng, Tourist & Binocular Telescopes, Dallmeyer's Lenses, John Spencer, Multiple Display Advertisements, Robert Pringle & Co., Ross' Celebrated Lenses Great Improvements, Thomas's Plates, For Shutters, Detective Camera, 'London' Dry Plates, Queensland Amateur Photographic Society, Perfect Model Tent, Index to W. Watson & Sons' Advertisements, Redmond Barrett, Chambers' Photographic Lenses, Sensitized Albumenized Paper, Magic Lanterns & Slides, 'Drop-Shutter Special' Plates, 'Agathos' Paper, Chapman's Cameras, Manchester, The Popular International, Enlarging Lanterns, Ilford Plates and Papers, Astronomical Telescopes, Finders, Retouching Desks, Thomas's Collodion, Camera Stands, Cycle Clips and Printing Frames, Camera Cases, Ruby Lamps, Walter Griffiths & Co., Limited, George Mason & Co.'s, Sheffleld and District Optical Lantern Society, Wratten & Wainwright's Soda Developer, Ilford 'Alpha' Paper, Fry's Plates, The 'Rover', James Lancaster & Son, Sets of Lantern Slides, R. W. Thomas & Co., Contents Index, West Surrey Amateur Photographic Society, 'Grimston' Shutter, The Silver Ring Rectigraph, Stereoscopic Cameras, Montreal Camera Club, The Snap-Shot Camera, The Multum-In-Parvo, Conway Castle, Toynbee Hall Photographic Society. Classified ads: Enlarging Apparatus, The Wesleyan Centenary, Chatham Pexton 22 Gray's Inn Road, London, W. C., Walter Lawley's New Studio Shutter, To Chatham Pexton, From the 'Young Men's Magazine', Chatham Pexton, Multiple Classified Advertisements, Chatham Pexton's, Second-Hand Cameras for Studio & Out-Door Work, Walter Lawley's New Light Model Cameras for 1891, New and Second -Hand Sets for Amateurs, Detective and Hand Cameras, If Morgan & Kidd Enlarge Your Photographs, Second-Hand Lenses. Essay: Bleaching out and Reducing Prints, The Development of Roll-Holder Films, Plate Boxes from Easily Comeatable Materials, A Short Trip in Holland, The Relay Principle in Scientific Photography, Angle-Bracket for Window, The Deleterious Influence of Pyro Preservatives on Gelatine Plates, Blocking out Defective Skies or Backgrounds, Washing and Retouching, Cutting Glasses, Etc, Stereoscopic Photography, A Handy Copying Stand, Hazy Thoughts, Tannin a Cure for Frilling, Address to a Beginner, A Simple and Efficient Shutter, Retouching— Its Likely Future, Plea for Correct Nomenclature, The Permanency of Silver Prints, Overwashing as a Cause of Fading in Silver Prints, Forrest's General Camera for Quarter-Plates, Harvesting, Hints on Improving Negatives, Applications for Patents Connected with the Photographic Art, How to Prove Red Glass for Dark Rooms, Portraiture by the Flash Light, A Reminiscence of Alpha Paper, To Those about to Make Hand Camera, Toning Aristotype Paper, Testing by Photographic Means the Speed of the Electric Spark, A Trip of 25,000 Miles with the Camera, Magnesium Flash Light with Orthochromatic Plates, A Tricycle Attachment for Photographers, Average Expression in Portraiture.— a Plea for Longer Exposure, The Grouping of Groups, The Preparation of Thio-Sinamine for Positive Development, Flash Lamps, A 'Detective Camera' Incident, Halation and Backing Plates, Enlarging from Small Negatives: a Plea for Slow-Plates, 'Amateur' Life, Plates, The Pleasures of Photography, On the Choice of Focal Lengths in Lenses, Some Notes on Development, Gelatino-Chloride and Fading, On the Production of Negatives for Black and White, Mites, Natural Colours on the Lantern Screen, Silhouettes and Their Utility, Photography and Medical Jurisprudence A Test Case in Identification, Developing Several Plates at Once, Developing, The Photo-Survey of Warwickshire, Weights and Measures Apothecaries' Weight, An Impromptu Character-Sketch, Are Very Rapid Plates Best for All Instantaneous Work?, Mr. Ruskin's Appeal, Seaside Resorts, Cheap Frames, Easy Means of Imparting to Ordinary Gelatino-Bromide of Silver Plates Orthochromatic Qualities, The Severance of Prints from Their Mounts, Rates of Postage for Inland Letters, Photography in Colour, The Im-Possibilities of Photography, Development, The Camera in Danger, How to Make an Archimedean Ventilating Screw, On Selection of a Hand Camera, Choice Spots for the Camera, How to Make Collodion Transfers, Combined Reflector and Head Screen, The Latent Image and Its Reversal, A Hint on Photographic Etching, Top-Light Blinds, Standards for Factors Affecting Exposures, Silver Stains, On Instantaneous Photography, Reversals, Varnishing Negatives, What Will Become of Your Negatives?, Judgment, Landscape Photography in 1890, The Transparent Film, Developing and Printing, A Cheap Silvering Tray for Albumenised Paper, An Effective Substitute for Lime Cylinders, Washed Collodio-Bromide Emulsion, Formulæ, Photo-Micrography, A New Plate-Coating Machine, Stripping Gelatine Negatives, Permanent Bromide Prints, Notes on Development, Mounting and Mountant, Associations and Clubs, The Bye-Paths of Photography, Simple Toning Bath, The First 'British Journal Almanac' and the Last, The First Iris Diaphragm, Hints for Retouchers, Mounting Small Prints, A 'Handy' Camera for Photo-Micrography, Variety of Tone in Collodion Transparencies, A Residue Sink, Stripping Films, The Camera as a Moonshine Recorder, To Mount a Print Centrally, Registering Slides, Quick and Easy Phototype Block Making for Occasional Workers, A New Practical Idea for the Optical Lantern, Japan as a Field for Amateur Photographers, A Reliable Mountant, Development, Toning and Mounting, The Hydroquinone and Eikonogen Developers, Etc., Use of Thick Papers for Printing, Testing Gelatine Plates, To Quickly Wash a Plate, Epitome of Progress, with Notes on Passing Events, Original and Selected, Convenient Holder for Photographs, Will It Do?, A Neglected Photo Crayon Dodge, Bibliography, Specialists and Other Matters, A Portable Printing Stand, Bubbles, Diaphragms in Their Relation to the Photographic Lens, American Photographic Societies, Selected Formulæ Ground Glass, The Studio of the Future, Table of the Symbols, Atomicity, Atomic, and Equivalent Weights of the Elements, A Cheap Flash Lamp, Printing, Copying, Overexposure, Lantern Condenser Protectors, Pont-Sarn, Summary, Artistic Qualities in Photography, Toning, Contributors, How It Was Accomplished, Toning with Gold and Platinum, Benevolent Photography, Another Camera Stand, Travelling on the Continent, Obiter Dicta, A Convenient Method of Hanging Background, Systematic Exposure for Eastman's Bromide Paper, for Amateurs, The Scenery of China, Alcohol on Old Films, Pinholes, Development of Snap Shots, Conway Castle, The Development of Small Plates, 'Rough and Ready Photography', Direct Positives in the Camera, 'Old Plates for New Ones', Developing Direct Positives, The International Photographic Terrestrial Survey, Printing Wet Plate Lantern Slides by Lamplight, Negatives for Lantern Slides, Timidity, Finishing Negatives, Through Flanders with a Camera, Stereoscopic Work, Why Verescz's Coloured Photographs Cannot Be Permanen't, Continental Photographic Societies, Fifteen Years' Experience in Photography, Artistic Landscape Photography, A Reflecting Hand Camera, Mounting Prints on India Tint Mounts, Blue Paper Printing, Notes on Hand Cameras, The Reversing of Negatives Intended to Be Printed from in Fatty Inks, The Photo Requirements of a War Artist, What Is a Developer?, Portraiture and Hydroquinone, On Astigmation of the Eyes, and How This Defect May Sometimes Be Corrected by Bending Spectacles Obliquely, Platinotype, Packing Dry Plates for Travelling, Notes on Stereoscopic Work, Eastman Rollable Film and Other Matters, Photo-Etching upon Copper Plates, The Preparation of Negatives without a Retouching Medium, Printing in Clouds, What Process of Development Is Most Favoured, Hand Cameras Versus Stand Cameras, Sodaic Blotting Paper, The Use and Abuse of the Hand Camera, More Light, The New Limelight, Hints about Lantern Slides, Cutting Sensitised Paper, Tests for Hyposulphite of Soda in Prints, Mounts or Washings, Fuzzy Versus Sharp, Lunar Photography, The Construction of Camera Bellows, Frilling and Blistering, Fixing Solution. Editorial: Intensification, A Mountant That Will Keep. Poem, verse: The 'Penny in the Slot'. Table of contents: Contents.