Ross & Co
1883; Gale Group; Linguagem: English
Autores
W. B. Bolton, J. Traill Taylor, R. L. Maddox, Rev. T. F. Hardwich, Henry J. Newton, H. Manfield, Alex. Cowan, A. F. Genlain, Matthew Whiting, Herbert S. Starnes, Samuel Fry, W. Horseman Kirkby, J. Dudley Radcliffe, G. H. Martyn, Archer Clarke, L. Dixon, Clement Vernon, George Kemp, William England, Herbert B. Berkeley, Richard Brown, W. Irving Adams, W. A. Mors, G. Mansfield, F. C. L. Wratten, G. A. Kenyon, Willard H. Fuller, Joseph Paget, W. E. Debenham, C. Ray Woods, Peter Mawdsley, F. J. Emery, Cosmo I. Burton, Seymour Conway, Edward Dunmore, Rev. H. Victor MacDona, A. Conan Doyle, W. Clement Williams, Chas. Stephens, H. A. Hood Daniel, George Dawson, George F. Williams, A. Dawson, W. Harding Warner, Edwin Cocking, P. Maitland Laws, William Bishop, W. B. Doyle, John Nicol, Joseph H. Woodworth, Frank M. Sutcliffe, C. Oakeshott, G. G. Mitchell, J. Milman Brown, E. T. Whitelow, Kenneth Bean, J. Barker, Baynham Jones, J. Jackson, Thomas Gulliver, William Adcock, W. J. Byrne, Rev. Locke MacDona, J. Gale, Wm. Ferguson, J. C. Stenning, T. Charters White, Richard Parr, Patrick J. Lambert, W. U. Kirk, Richard Brown, C. W. Folkard, John G. Horsey, G. H. E. Sutton, J. Pike, W. Harding Warner, Rev. F. F. Statham, Mark Oute, W. K. Burton, G. Watmough Webster, Frank M. Blake, William Hanson, John Y. McLellan, J. Vincent Elsden, F. Beasley Jr., W. J. Stillman, W. B. Woodbury, E. W. Foxlee, Edward Brightman, E. Audra, Anthony Philburn, George Smith, S. S. Crewdson, Thomas Furnell, Rev. B. Holland, W. Richards, W. Clement Williams, W. Neilson, J. Milman Brown, Thomas J. Pearsall, Marshall Wane, George Smith, J. Thomson, William Radcliffe, W. Bedford, A. Davanne, Ellerslie Wallace Jr., C. Arthur Barclay, John Harmer, E. Howard Farmer, Prof. E. Stebbing, Major S. G. Fairtlough, G. S. Penny, Lyddell Sawyer, A. Johnston, James Harris, Rev. A. Johnson, J. A. Harrison, P. J. King, J. T. Hackett, Richard Crowe, Geo. Carman, W. Perry, W Willis Jr., Thomas H. Kane, William Brooks, W. Harding Warner, William Robinson Jr., J. M. Carroll, Colonel Stuart Wortley, Major J. Waterhouse, Richard Brown, Rev. H. B. Hare, Thomas Gaffield, W. F. Donkin, George Patterson, J. Johnston, C. Jones, W. M. Ayres, W. M. Ashman, W. D. Richmond, W. H. Phillips,
ResumoDisplay ads: Mawson & Swan, Newcastle-On-Tyne, Argentic Gelatino-Bromide Paper, Vienna Carte-De-Visite Mounts, "The Crown" Masks and Discs, Bennett's Dry Plates, Harvey, Reynolds & Co., Thomas's Plates, Thomas's "Pall Mall" Plates, Thomas's Albumenized Papers, W. H. & J. Nelson, Albumenized & Sensitized Papers, Wratten & Wainwright's, Cameras & Lenses, J. T. Chapman, The Woodbury Permanent Photographic Printing Comp, Collographic Photograph, George Houghton & Son, Gelatino-Bromide Dry Plates, Ross' Symmetrical Lenses, Ross' Extra-Rapid Carte Lenses, Dry - Plate Photography, Hunter & Sands, Head-Rest, Standard Collodion, Maison Poulenc & Wittmann, Ross' "Panel" Lenses, W. Watson & Sons, Ross' Carte-De-Visite Lenses, Mawson & Swan Negative and Other Varnishes, J. A. Forrest & Son, Kingston Special Plates, Ross & Co, Scovill Manufacturing Co., Edwin Oborne Red Lion Square, W.C., Watson & Sons' Hot Rolling Presses, Ross' Improved Portrait Lenses, Mawson & Swan, John Spencer, Multiple Display Advertisements, Lenses & Cameras, Xl Dry Plates, Thomas Mayne, George Hare, H. & E. J. Dale, Perfect Model Tent, Ross' Portrait and View Lenses, Joshua Billcliff, Huggon's Collodion, John Fr. Fox, Mawson & Swan Photographic Mounts, E. & H. T. Anthony & Co., A. Rivot Et Cie, W. Banks' Specialities, Swan's Plates, J. H. Steward, Photographic Materials, Cut-Out Mounts, A. Darlot, Mons. P. Boca's Chronometric, The "Archer" Gelatinobromide Plates, Mawson & Swan Sensitized & Albumenized Papers, "Pall Mall" Dry Plates, Ross' Rapid Symmetrical Lenses, Instantaneous Shutter, Triplexicon, Wilkinson & Co.'s, Oborne's Mounts, Photographic Chemicals & Materials, The "Special" Dry-Plate Camera, Rapid Gelatine Plates, Mawson & Swan Electrical and Chemical Apparatus, P. Meagher, Card, A New Departure, The Bowman Improved Photo. Rolling Press, The Photographic Artists' Co-Operative Supply Association, Limited, Fallowfield's Complete Sets of Apparatus, Newton & Co., Thomas's Cameras, Tents, Apparatus, Gauthier-Villars, Marion & Co.'s, The Manchester Photo. Enlarging Co., The Paget Prize Plates, The Beebe Dry Plate, Mawson & Swan's Extra-Hard Varnish, Bradshaw & Battersby, Thomas's Collodion, Chocolate Ferrotype Plates, Gray's Plates, "Argentic" Gelatino - Bromide Matt - Surface Opal Plates, Warming of Studios, Rouch's New Patent Camera, Lyon - Alemand, Ross' Cabinet Lenses, Improved Tourist Camera, J. H. Dallmeyer, Thomas's Catalogue, The Sciopticon Co., Mawson & Swan Swan's Plates, Albumenized Papers, Albert H. Wilson, T. J. Smith, Son & Co., The Patent "Eclipse" Light, A. Laverne, Portrait Painting, Dry - Plate Cameras, John J. Atkinson, Mawson & Swan Carbon Tissue, &c., J. F. Shew & Co., Mawson & Swan Carbon Printing, Nelson's Plates, Clapham Junction Photographic Depôt, Mawson & Swan Standard Collodions, J. Lancaster & Son, Landscape Photography, G. Hare's Improved Portable Bellows Camera, Pyrogallic Acid, Sales by Auction, Newman's " Slow Drying Tube" Moist Water Colors, Gelatine, Thomas's Ruby Textile Fabric, Professor Stebbing's Sensitive Gelatino-Bromide of Silver Films, Platinotype, Optical Lantern Slides, Gelatine Bromide Dry Plates, Ross' Universal Lenses, A New Extracts from Numerous Testimonials, Gelatine Pellicle & Dry Plates, D. Hutinet, George Mason & Co., Negretti & Zambra, Photographic Backgrounds, Mawson's Collodion. Classified ads: Multiple Classified Advertisements. Frontmatter: Preface, The British Journal Photographic Almanac, and Photographer's Daily Companion, for 1883. Essay: Drop Shutters, Interiors, A Simple Plate-Washing Apparatus, "The Pyrogallic Stain", A Plea for Amateur Plate-Makers, Another Modification in Pyro. Development, Hints on Photographic Yacht Cruises, A Simple Method of Mounting on Paper or Cardboard without Cockling, Experience with the Borax Toning Bath, Blisters, Red Fog, and a Portable Lantern, Practical Hints, On the Use of the Single Landscape Lens for Portraits, Photo-Etchings and Photo-Electrotypes for Potters' Use, The Amateur's Kit for Field Work and for Development Away from Home, Gelatine and Other Notes, A Simple Method of Enamelling Prints, A Convenient Lens Diaphragm, Uniformity in Emulsions, New Intensifiers for Copying, Equivalent Focus, Summarised Notes of Progress in Photography during the past Year, A Few Hints to Tourists, A New Method of Hanging Backgrounds, The Platinotype Process, A Convenient Light for Developing, Dry Plates for Amateurs, Jedburgh, An Improved Revolver, Sulphurous Acid in the Developer, Keeping Pyro.-Intensifying Negatives, Epitome of Progress during 1882 Removing Prints from Their Mounts, A Handy Cloud Printing-Frame, Skylight Putty, Lens Diaphragms, and Oxygen Making, An Amateur to Amateurs, Foreign Photographic Journals, Useful, Blisters, Geology for Photographers, On the Deterioration of Dry Plates by Keeping, On a Few Great Secrets of Success, Improved Camera Tripod, A Plea for Rapid Plates, Collodion Transfers and Opals, Controlling Temperature, On Certain Causes of Failure with Dry Plates, Leaky Double Backs, Apparatus for Facilitating the Solution of Various Substances, Some Points in the Development of Gelatine Plates, Rates of Postage for Inland Letters, On the Ethoxo-Lime Light, A Bright Idea; or, How to Utilise Gawky Negatives, Drying Gelatine Plates with Alcohol, Effects of Alcohol on Gelatine, A Useful Emulsion, The Calotype Process, Photo-Filigrane, The Gelatine Emulsion Formulæ of 1882 Emulsifying with Carbonate of Silver, Short Notes on the Chemistry of the Halogens, A Few Remarks on Rapid Shutters, and a Summing-Up, A Few Notes on Gelatine Plates and Development, To Save Silver Wastes Arising from the Development of Plates, Photographic Printing by Moonlight, The Keeping Qualities of Ready-Sensitised Paper, Facilities for Rapid Gallery Work, Try !, Examining and Photographing Sun Spots, Prizes and Landscapes, On the Importance of Regulating the Time of Exposure with Various Shutters, A Measure for Focussing, Formulæ, A Focussing-Cloth for Landscape Work, Emulsion Notes, The Addition of Iodide to the Gelatino-Bromide Emulsion: Its Advantages and Disadvantages, Gelatine Lantern Transparencies, Notes on Development, Winter Photography, Practical Remarks on Wet-And Dry-Plate Photography, Photomicroscopy, Mirrors for Solar Cameras, The True Way to Look at Pictures, Experiments with Dry-Plate Developers, Photographic Experiences in Egypt, Enlarging, Uneven Coating of Plates, To Reduce the Density of Negatives, The Removal of Gelatine Emulsion from Spoiled Plates, and Formula for Modified Emulsion Process, Improved Focussing Arrangements; or Old Friends with New Faces, An Emulsion Melter, Ferrous Oxalate Developer, Stray Notes, Useful Hints on the Preparation of Plans for Reproduction by Photography, The Photographer's Travelling Kit, Lessons Taught by the Recent Photographic Exhibition, Winter's Evening Amusement, On Focussing, Panel Portraits, On the Surface of Negatives for Retouching, Quality Versus Quantity, Fire ! Fire !! Fire !!!, Section and Elevation of a Double Swing-Back for the Camera, An Apparatus for Making Saturated Solutions, Suggestions for the Improvement of the Light Derived from Hydro-Carbons in Relation to Lantern Uses, The Focussing Cloth, "Cribs", A Dry-Plate Developer, The Recovery of Silver from Waste Emulsions, Washing Soda, Mechanical Aid in Development, On the Coating of Gelatine Plates, The Edwards' Shutter for Instantaneous Photography, A Cheap and Efficient Plate-Lifter, Collodio-Bromide for Lantern Transparencies, Weights and Measures, A Reminiscence of the Crimean War, A Photomicrographic Camera, Gelatine and Wet Collodion, Stable Emulsions, Patents Connected with the Photographic Art Applied for during 1882, An Emergency Lamp, A Portable Lantern, Paper Negatives, A Double-Flap Shutter, A Good Emulsion Washer, Chloro-Iodide of Silver in Gelatine Plates, Photographing Oblique-Sighted Sitters, Some Experiences in 1882, Pathological Photographs, On Seeing and Securing Pictures, Combination of Cloud and Landscape, Reducing Gelatine Negatives, The Oxymagnesium Light, Photography by the Bromide Gelatine Process, Double Backs Versus Changing-Boxes, Light in Its Relation to the Present Aspect of Photography, Development of Distant Views, Photographic Crowds, Citrates: a Complete Remedy for Over-Exposure, On Slow or Tentative Development for Gelatine Plates, Photographing Children, New Formula for Developing and Clearing Gelatine Negatives Developers, Long-Focus Lenses, A Lantern Screen and a Hint, A Useful Emulsion Beater, The Lens Mount Causing Fog, Mounting, Head-Rests: the Objection to Them, Tin Dishes, On Platinotype Prints, Photographic Achromatism and Depth of Focus, Practical Dry-Plate Making, A Few Technical Hints, Psychography: a New Field for the Camera, Mind Your Fingers, Keeping Ferrous Oxalate Developer, On Precipitating Emulsion with Alcohol. Poem, verse: What's Trump?— Clubs?. Arts and entertainment: Exhibition of 1882.— Frames of the Future, Technical Medals, Medallists, &c.. Table of contents: Index to Advertisers, Contents.
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