Jornais Acesso aberto

Universal Ross Lenses

1877; Gale Group; Linguagem: English

Autores

J. Traill Taylor, Piazzi Smyth, Rev. F. Hardwich, F. Beasley Jr., William Bedford, William Hanson, Henry Cooper, Thomas Gulliver, Geo. Kemp, Vernon Heath, A. L. Henderson, A. Davanne, Henry Cooper, Alfred Hughes, Francis G. Eliot, Capt. George Verney, Captain J. Waterhouse, Frank Doré, F. York, William Brooks, John Milner, J. Barker, E. W. Foxlee, Rev. C. H. Fynes-Clinton, Canon Beechey, Captain J. B. C. Fox, Rev. H. J. Palmer, R. Kennett, Lt. J. D. Lysaght, J. Johnston, Herbert B. Berkeley, Alex. Henderson, Richard Parr, Leon Warnerke, George Dawson, A. H. Bool, C. Ferranti, P. Piquepé, Thomas H. Chaffin, J. Pollitt, J. R. Sawyer, W. H. Sherman, John A. Spencer, S. W. Rouch, A. Johnston, Ellerslie Wallace Jr., J. Werge, Reuben Mitchell, Edward Dunmore, Herbert B. Berkeley, A. Alonzo Ferrari, J. T. Scott, William Cobb, Léon Vidal, Samuel Fry, William Ferguson, G. Watmough Webster, Robert Faulkner, P. Le Neve Foster, W. T. Wilkinson, J. W. Gough, W. B. Bolton, W. J. Baker, Alexander Cowan, Thomas J. Pearsall, George Mansfield, H. C. Jennings, Mark Oute, Capt. George Verney, William White, W. A. Brice, J. C. Stenning, W. F. Henry, John M'andrew, R. V. Harman, J. Barker, Thomas Gulliver, W. E. Batho, Frank M. Sutcliffe, P. Hardwick, W. Neilson, Walter B. Woodbury, Richard Crowe, T. Protheroe, J. Johnston, James Ross, Robert C. Murray, W. H. Hatcher, Edward Viles, E. Stebbing, George F. Dew, W. M. Ayres, James Harris, A. Ford Smith, Arthur F. Fenton, John W. Newall, J. M. Young, J. Phillips, Baynham Jones, W. E. Debenham, H. J. Burton, Warwick Brookes, E. Stebbing, James Syrus Tulley, J. T. Hackett, George F. Dew,

Resumo

Cover: Universal Ross Lenses. Display ads: The Universal Lens, Ross' Improved Portrait Lenses, John J. Atkinson, W. W. Rough & Co., Rouch's Pure Collodions, Edinburgh Photographic Society, Thomas's Berlin Varnish, The "A1" Universal Tripod, Multiple Display Advertisements, The Ladies' Camera, Manchester Photographic Society, The British Journal of Photography, Dallmeyer's Patent Portrait & View Lenses, Photographic Societies, &c., J. Lancaster & Son, Landscape Photography, Ross' Portable Symmetrical Lenses, J. Werge, J. Fallowfield's Wholesale and Export Warehouse for Photographic Chemicals & Materials, Ross' Portrait and View Lenses, Joshua Billcliff, Huggon's Collodion, Solar Enlargements, Wratten & Wainwright, Marion & Co., Billault & Billaudot, Mrs. Swatman's Central Depot, South London Photographic Society, Thomas's Albuminized Papers, Fallowfield's New Carte-De-Visite Lens, Cheltenham Amateur Photographic Society, Judson's Dyes, J. H. Steward, The London Rapid Dry Plates, Joseph Solomon, Mawson & Swan's Extra-Hard Varnish, Thomas's Negative Collodion, American Photographic Societies, Thomas's Collodion, J. Solomon, Wholesale Optical and Photographic Warehouse, Universal Camera for the Studio, George Houghton & Son, The Albion Albumenizing Co., J. Cooke's, Marion & Co.'s Best French Mounts, Nelson's Gelatine, Autotype, Amateur Photographic Association, J. B. Payne, J. H. Dallmeyer, Optical and Photographic Warehouseman and Photographic Stationer, Ross' Rapid "Cabinet" Lenses, Payne's Ethereal Varnish, George Mason & Co., Mawson's Collodion, Notice, Mawson's Collodions, Richard W. Thomas, Ant. Schaeffner, J. Fallowfield, Pure Photographic Chemicals, P. Meagher, Mounts, J. A. Forrest & Son, J. Cooke's Photographic Warehouse, Albion Albumenizing Co., Scovill Manufacturing Co., Residues, G. W. Austen. Frontmatter: The British Journal Photographic Almanac, and Photographer's Daily Companion, for 1877, Preface. Classified ads: Phases of the Moon, Ross' Universal Lenses, Ross' Symmetrical Lenses, Ross' Extra-Rapid Carte Lenses, Ross' Carte-De-Visite Lenses, Multiple Classified Advertisements, Ross' Cabinet Lenses, Ross' Rapid Symmetrical Lenses. Essay: The Patented Inventions of the past Year Hermagis' Micromegas, A Soft Printing-Frame, How to Mend a Negative, The Baryta Bath.— a Convenient Stand for Large Cameras, Photographic Faults in Mountain Scenery, Testing Lenses for Time, &c., A Drying Box, Especially Adapted for Drying Gelatine Plates, A New Nitrate Bath, The Lime Light of Former Days, Combination Printing Practically Applied, To Produce Charming Cloud Effects, Stray Thoughts on Dry Plates, A Few Hints, Instantaneous Photography in the Studio, On the Spots in Collodion Emulsion Plates, Gelatino-Bromide of Silver Emulsion Treated with Ammonia, Hints from America and the Philadelphia Exhibition, An Historical Note on Organic Pyroxyline, A New System of Restoring Cracked Negatives, Double Films, Eliminating Alcohol from the Bath, About Albumenising Glasses, Copying, Weights and Measures Apothecaries' Weight, On Silvering Glass, Retouching in Comfort, Difficulties in Permanent Printing, Rates of Postage for Inland Letters, Ferrotypes, The Gelatine-Beer Process, Natural Clouds in Landscape Negatives, Epitome of Progress during 1876 A Portable Spirit Level for the Camera, Clouds, from a Photographic Point of View, The Woodbury Printing Process, The Utilising of Amateurs' Negatives, Notes on Mr. M. Carey Lea's Chloriodo-Bromide Emulsion Process and Gelatine Plates, On Washed Collodion Emulsion Pellicle, A Box for Carrying Wet Plates, Formulæ, A Handy Syphon, Burnishing and Scratches, The Present State of the Question of the Reproduction of Colours by Means of Photography, The Amateur as a Professional, On the Optics of the Magic Lantern, Clouds in Landscapes, The Packing of Photographic Apparatus for Travelling, Medals, An Unrecognised Cause of Varnish Dissolving the Collodion Film, Mems. On Dry Plates and Transparencies, On a New Arrangement of the Light for Making Transparencies, On the Lime Light, Aluminum and Magnesium, A Modification of the Howard Tent, On Blurring, Note on Yellow Spots, Experience with Mr. M. Carey Lea's Collorestrainer, The Lime Light and the Lantern, Practical Notes on Failures in Carbon Printing, and Their Causes, The Use of a Prism, A Uniform Iron Developer, A Washing Tap, "Where Am I to Look?", An Amateur's Experience with Carbon Printing, A Drop of Moisture on a Dry Subject, Apparatus for Photographing Plates of Crystals by Means of Polarised Light, Letter to a Friend, Toning, On Rapidity, Drapery, Photographic Landscapes, Artistic and Mechanical, Proofs Not to Be Shown to Customers, The Ammonia-Fuming of Albumenised Papers, The Ferridcyanide of Lead Intensifier, A New Unpatented Burnisher, Carbon Printing for Amateurs, A Ventilator for the Dark Room or Tent, Patents Connected with Photography Applied for during 1876, Insensitive Markings in Dry Plates, An Improved Method of Alkaline Development for Sensitive Plates, A Portable Camera Stand, Outdoor Photography, How to Make Carbon Transparent Positives without Grain Save That Which May Exist in the Original Negative, The Conversion of French into English Weight, Concerning the Photographing of Steeples and Lofty Buildings, Gelatine Emulsion, Transparencies for the Stereoscope and Lantern, Light Comforts, Organified Pyroxyline, Landscape Photography, Short Holidays in Sussex, A Cheap Material for Dark-Room Windows, Thermometer Scales, Restoring Exposed Plates, Nitrated Sizing for the Preparation of Paper for Finishing in Water-Colour, Cement for Mounting Photographs, A Silent Revolution, Alkaline Development.— Carbonate of Ammonia.— Saccharate of Lime, On the Preparation of the Fatty Acid Crystals, Combination Printing, Bromide of Zinc and Collodion Emulsion, Gelatino-Bromide, Alkaline Gelatine and Albumen on Dry Bromide Plates, On Enlarged Negatives, A Fixing Tray for Landscape Work, My Tent, Time and Photographic Chemicals, Table of Symbols of the More Important Compounds Used in Photography, How to Extemporise a Film of Bromide of Silver, A New Mounting Machine, Table of the Symbols and Atomic Weights of the Elements, Notes on Gelatino-Bromide, with a New Method of Development, Apparatus for Holding Carte Portraits, On a Method of Producing Enlarged Waxed Paper Negatives, A Bottle of Black Varnish, A Simple Method of Preserving Sensitised Paper, Mrs. Rousby (as Charlotte Corday), Washed and Moist Collodion Plates in the Field, On Certain Failures Connected with the Gelatine Process, Gelatine Films and Blisters, On Collodion, Enamelling Paper Prints, An Improved Apparatus for the Safe and Rapid Manufacture of Oxygen Gas, How to Get Forty-Two Cartes out of a Sheet of Paper. Fiction, drama: Part II, The Art-Science, and Its Means of Realisation Part I, Part III. Table of contents: Contents. Backmatter: Index to Advertisers.

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