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The British Journal Photographic Almanar and Photographer's Daily Companion, for 1887

1887; Gale Group; Linguagem: English

J. Traill Taylor, W. B. Bolton, C. Piazzi Smyth, R. L. Maddox, Captain W. De W. Abney, H. P. Robinson, F. C. Beach, Andrew Pringle, Ellerslie Wallace, Ernest Graham, G. Watmough Webster, W. Jerome Harrison, E. W. Foxlee, W. K. Burton, George Mason, G. T. Grammer, W. M. Ashman, J. T. Hackett, H. W. Hollis, J. Werge, John W. Leigh, Thomas Kane, P. H. Emerson, Dr. Ed. Liesegang, Rev. B. Holland, Edward Dunmore, W. Harding Warner, William Adcock, George Smith, Russell Sedgfield, George Bankart, C. H. Bothamley, J. A. C. Branfill, Thomas Earp, Marcus H. Rogers, C. H. Bothamley, A. G. Field, J. C. Stenning, R. Railston Brown, G. R. Baker, S. J. Perry, S. Herbert Fry, Redmond Barrett, C. C. Vevers, A. Pumphrey, George Smith, Francis Cobb, J. Vincent Elsden, C. Oakeshott, Mark Oute, A. Pumphrey, Albert W. Scott, William H. Sherman, F. York, J. Hubert, Edgar Clifton, William Hanson, S. R. Bottone, William Brooks, T. Protheroe, William Bishop, Professor E. Stebbing, Rev. H. B. Hare, J. W. Lapham, H. Hall, Chas. J. Hall, G. H. E. Sutton, Zachary H. Kingdon, T. Charters White, John Jackson, Marston Moore, W. H. Harrison, Richard Keene, Baynham Jones, W. H. Hutton, H. Manfield, Alexander MacKie, A. R. Dresser, Herbert S. Starnes, Thomas Gulliver, Rev. J. Carter Browne, James Alexander Forrest, A. E. Bannister, T. G. Whaite, Thomas Gulliver, Friese Greene, A. L. Henderson, G. A. Kenyon, H. Norwood Atkins, P. Swanson, Hermann Schnauss, Clement J. Leaper, C. H. Bothamley, J. Barker, Arthur H. Elliott, Thomas Forrest, J. Barker, H. Holman, Thomas Forrest, Butler Colman, Thomas G. Whaite, Harold Power, W. I. Lincoln Adams, Robert Offord, H. Y. E. Cotesworth, C. Heinrich Trinks, Thomas Samuels, W. Horton, F. P. Leon, Richard Crowe, Horace Warren Gridley, C. Beckett Lloyd, A. Treyer Evans, T. H. Norris, Richard Parr, W. H. Prestwich, G. M. Iliff, J. J. Acworth, S. D. McKEllen, W. England, Col. Stuart Wortley, A. Cowan, George Davison, W. E. Debenham, Valentine Blanchard, Dr. Valentine Knaggs, J. A. Harrison, A. Treyer Evans, Chas. A. Parker, E. G. Rivers, Robert S. Buchanan, Geo. Dawson, Edwin Cocking, John Birtles, J. Hay Taylor, Albert Levy, Melton Prior, Thomas Scotton, S. W. Rouch, W. Irving Adams, Jas. C. Leake, John A. Hodges, F. Authon,

Cover: The British Journal Photographic Almanar and Photographer's Daily Companion, for 1887. Display ads: T. Mayne, Derwent Dry Plates, Leather, Sadler, & Holmes, Wratten & Wainwright's 'London' Dry Plates, Thomas's Plates, W. H. Walmsley & Co., J. Werge's, Wratten & Wainwright's Chemicals, Walter Tyler, J. T. Chapman, W. C. Cullen, Chatham Pexton, Mawson & Swan's Dry Plates for Export, Bowman's Improved Photo Rolling-Press, Marion & Co.'s Britannia Dry Plates, W. H. Redshaw, Horne, Thornthwaite, & Wood, T. Riley & Son, C. P. S. Dry Plates, W. Watson & Sons, John D. Ford, T. S. & W. Taylor, 'The Crown' Masks & Discs, Mawson & Swan, Special Landscape Plate, P. Meagher, Photographic Apparatus Manufacturer, Perken, Son, & Rayment, Multiple Display Advertisements, Catalogue of Specialities from Jonathan Fallowfield, The Finest Mounts in the Market, The Platinotype Company, Wratten & Wainwright's 'Instantaneous' Plates, H. & E. J. Dale, 'Patented', Swans Extra Rapid Plates, Wratten & Wainwright's 'Drop-Shutter Special' Plates, Negretti & Zambra's, E. & H. T. Anthony & Co., Rouch's Patent Portable Cameras, Wratten & Wainwright's Drop Shutter, Seavey's Announcement!, J. H. Steward, Spicer Brothers, Henry Park, Practical Photographic Apparatus Manufacturer, Steinbach & Co., Thomas Thorns & Co., Dry-Plates, Photographic Goods, Morgan & Kidd's Richmond Dry Plates, W. C. Hughes, Sands & Hunter, Oborne's Mounts, The "Special" Dry-Plate Camera, Elisha Mander & Son, England Bros., F. W. Verel & Co., Hulme, Wratten & Wainwright's Catalogue, Wratten & Wainwright's Perfect Model Tent, G. W. Austen, H. Newton & Co., Newton & Co., Dallmeyer's Lenses, 'Sciopticon', Nelson's Photographic Gelatine, The British Journal of Photography, Marion & Co., Samuel Fry & Co., Limtd., Mawson's Standard Collodion, Sensitized Albumenized Paper, Stanley's Tourists' Camera, Reynolds & Branson, Derby and Abney Plates, Thomas's Collodion, Fallowfield's Perfect Portable Dark Room, Darion & Co. 'S New Dry-Plate Works, J. M. Copeland & Company, A. Darlot, Optician, McGhie & Bolton, Morgan & Kidd's Argentic Panels, Elliott & Fry, Martin's 'Autocrat' Camera, Marion & Co.'s Novelties, Hinton & Co., Cheap Cameras, The Eastman Dry-Plate and Film Co., G. Hare's New Camera, W. W. Rouch & Co., McKellen's Double-Pinion Treble Patent Camera, The Britannia Works Co., John J. Atkinson, Henry Dixon & Son, Liesegang's Photographisches Archiv, J. R. Gotz, J. F. Shew & Co., Baker's Instantaneous Plates, Ross & Co., Walter Lawley, J. M. Copeland & Company, Limited, J. Lancaster & Son, T. Forrest's Patent 'Due-Ratio', Cut-Out Mounts & Frames, Albion Albumenizing Coy., J. H. Dallmeyer, Optician, England's Studio Plates, Thornton's Camera, Platinotype, Polytechnic School of Photography, Britannia Works Company, Gelatine Bromide Dry Plates, James Swift & Son, Copeland's Special Lenses, Thomas's Dry Plates, Morley's New & Second-Hand Lenses and Cameras, W. R. Ridgway & Co., Waterlow & Sons Limited, The Manchester Photographic Apparatus Manufactory, The Photographic Artists', E. & T. Underwood, The Godstone Automatic Washing Tray, The 'Britannia' Bromide Paper, George Mason & Co., Paget Prize Plates, Wratten & Wainwright's Photographic Apparatus, The Directory Publishing Company, Wratten and Wainwright, Guerry's New Pneumatic Shutter, Light Cameras, J. M. Copeland & Compy. Limited. Frontmatter: Preface, The British Journal Photographic Almanac and Photographer's Daily Companion for 1887. Essay: Translucent Paper Negatives, Negatives for Photo-Lithography, Alum and Acid Versus Yellow Negatives, On Knowing Some of the Properties of a Dry Plate at Sight, A Rocking Machine, and the Development of Gelatine Plates, Distorted Portraits Caused by Expansion of Paper, Celestial Photography, Developing Room Illumination, Common Things, Dr. Scott's Tables of Comparative Exposures, Window and Lamp Transparencies, Respecting the Marking of Lantern Slides, Photography at the Seat of War, Button for Common Printing Frame, A Varnish Bottle, Substitute for Glass Trays, The Action of Light upon a Sensitised Film, Hints to Gelatino-Bromide Paper Workers, Clouds in Negatives and Prints, The Potash Developer, Lantern Transparencies without a Camera, Artistic Print Mounting, Quick Lenses and Ordinary Plates, or Vice Versa, 'Uniform System' Numbers for Stops from To, The Alkaline Developer, Development in Hot Climates, Applications for Patents Connected with the Photographic Art, Experiments with Eosine, Queensland Photographic Society Established 1884, Hints on Bromide Printing, Tripods, Sulphur and Light, Foreign Photographic Journals, A Good Developer for Gelatino-Bromide Dry Plates, Cheap, Simple, and Effective Reducer for Gelatine Negatives, Blisters, Mr. W. K. Burton's Table of Comparative Exposures, A Photographer's Library, On Tour, Another Developer, Washing Gelatine Emulsion, Blocking out Skies and Non-Essential Objects, Amateur Photographic Association of Victoria, A New Shutter, How the Restraining Action of Bromide Was Discovered, Reducing Over-Printed Proofs, Residues, Plates: Commercial and Home-Made, Percentage of Real Ammonia in Solutions of Different Densities at 14° Centigrade.—Carius, Suggestions for the Formation of Photographic Field Clubs, Potash a Cause of Frilling, Emptied Plate Boxes, Weights and Measures Apothecaries' Weight, Silver Intensification of Negatives, General Hints from Well-Tried Experiences, A Combined Light Screen and Developing Dish Holder, Changing Plates When Travelling, Rates of Postage for Inland Letters, The Area System of Marking Lenses and Diaphragms for Photographic Purposes to Ensure Correct Exposure, Portraiture in the Evenings, On Crows, The Printing Process of the Future, Pyro for Silver Intensification, Two Incidents, Sulphite of Soda for Fixing Prints, Suggestions on Lighting, Some Notes on Ready Sensitised Paper, The Trials of an Amateur Photographer's Wife, Enlargements on Bromide Paper, Useful Receipts, A Print-Washing Machine, A Plea for Paper Negatives, Reproduction.— Photography in Hot Climates, Sodium Hyposulphite and the Ferrous-Oxalate Developer, A Field for Experiment, How to Clean Photographs and Other Prints, Non-Exposed Dry Plates, Willesden Paper for Photographic Use, 'Advocatus Pro Diabolo', A New Method of Rendering Paper Negatives Translucent, Dissected Developers, Avoidable Dangers, The Gelatino-Bromide Process Developing Formulæ, Dry Plate Packing for Travelling, Hydrochloric Acid Quantities of Liquid and of Anhydrous Acid and of Chlorine in Mixtures of Hydrochloric Acid and Water …, A Quick Way of Fixing the Camera to Tripod Head, Alcohol, Photo-Micrography, Names for Pictures, Preparation of Bichloride of Platinum for Toning Transparencies, Whaite's Panoramic Background Frame, An Automatic Apparatus for Making Saturated Solutions, Carbon Solar Prints, Stereoscopic Photography Prefatory, Clouds, Toning, &c., An Incident in Connexion with Collodion Dry Plates, A Method of Estimating the Value of Photographic Waste, On Things in General, Carelessness of Plate and Film Makers, Epitome of Progress during 1886 Artificial Light in Making Lantern Slides, Tables for the Simplification of Emulsion Calculations, Half Tones, Stripping Films, A Portable High-Pressure Gasometer, Non-Actinic Media, Quick Acting Shutters, Table for Enlargements, Dry Collodion Processes Pyroxyline, Instantaneous Shutters, Acetic Acid Quantities of Crystallisable Acid in Mixtures of Acetic Acid and Water of Various Densities at 15° C, Enlarging or Reducing, Chloride of Gold: a Simple Method to Make, American Photographic Societies, How to Wash Prints: a Wrinkle for Amateurs, Table of the Symbols, Atomicity, Atomic, and Equivalent Weights of the Elements, A Process of the Past, Artificial Lighting, On the Importance of a Liberal Supply of Gold in Toning, Table of the Solubilities of the Principal Substances Used in Photography, Preserving Pyrogallic Acid in Solution, Westminster Abbey, Summary, Toning, Scientific Development, How an Order Was Quickly Executed, The Gold in Silver Prints in Relation to Their Permanency, Is Retouching Legitimate or Not?, Sulphurous Acid Quantities of Anhydrous Sulphurous Acid in Solutions of Different Densities, Sulphuric Acid Quantities of Liquid and Anhydrous Acid in Mixtures of Sulphuric Acid and Water at Different Densities, French Fluid Measures, Progress in Photography, Some Trivialities in Practice, Improvised Plate Carriers, Pharyngitis and Photography, Minor Matters in Development, Photo-Micrography with a Microscope or a Camera, Preventing the Deterioration of Developing Solutions, Miscellaneous Dry Plate Formulæ To Restore Faded Negatives, The Conversion of French into English Weight, How to Ensure Clean, Bright Negatives, Printing Formulæ Selected Toning Formulæ, An Experiment and an Experience, Paper Negatives, Two 'Dodges', Inland Parcels Post, Stereoscopic Work, The Photographic Society's Standard Diaphragms, On the Preparation of Canvases for Enlargement, Continental Photographic Societies, Oxyether Light, Another Plan of Producing Pedestal Portraits, Orthochromatic Photography Simplified, Formulæ The Wet Collodion Process, Aids to Development, Equations Relating to Foci, &c., Developing, Intensifying, and Reducing.—Stripping Films, and Other Matters, Mechanical Inventions of the past Year Cheap and Simple Enlarging Apparatus, Retouching Desks, Gelatino-Chloride Printing-Out Paper, Ferrous Sulphate, Nitric Acid Quantities of Liquid and of Anhydrous Acid Contained in Mixtures of Nitric Acid and Water at Different …, A Day with the Camera in Dovedale, Mounting without Cockling, Enlargements from Small Negatives: Further Experience, Remarks on Enlarging, &c., Window Transparencies, Stray Thoughts, Table of Symbols of the More Important Compounds Used in Photography, Thermometric Tables, Showing the Assimilation of the Thermometers in Use throughout the World, Another Pyro and Potash Developer, Hints on Printing Processes, Home-Made Enlarging Apparatus, System or No System, Printing by Development, Collodion Emulsion Notes, Photography in Italy, Improvement in Limelight Apparatus, Hints on Taking Panoramas, A Modified Developing Lamp, Adherence of Films, A Testimony in Favour of Soda for Development, Reliable Development and Toning. Classified ads: Thomas's Sensitized Papers, Thomas's Berlin Varnish, Edwards's Xl Sensitive Paper, Thomas's Specialties for Dry-Plate Workers, Morgan & Kidd, Thomas's Plates, The Queen's Palaces, Thomas's India-Rubber Solution, Sun Sensitized Paper, Thomas's Albumenized Papers, Edwards's Xl Dry Plates, Edwards's Xl Dark-Room Lamps, Thomas's Chemicals, Edwards's Xl Gelatino-Chloride Plates, Morgan & Kidd. Richmond, Every Photographic Requisite Can Be Obtained from This, the Oldest Established House in the Trade, Edwards's Xl Varnish, Thomas's Liquid Ruby, B. J. Edwards & Co., R. W. Thomas & Co., Edwards's Xl Clearing Solution, Edwards's Xl Potash & Pyro Developer, Holland House, Thomas's Apparatus, Hatfield House, Edwards's Xl Special Transparency Plates, "Sun" Sensitized Paper, Thomas's Encaustic Cerate, "Sun" Dry Plates, Edwards's Xl Iron Developer, "Sun" Albumenized Paper, Edwards's Xl Intensifier, Edwards's Xl Special Transparency Developer. Fiction, drama: Chapter IV.—Lenses: Single Achromatic Lenses, Chapter XII.—How to See Binocular Pictures without a Stereoscope, Chapter IX.— Trimming and Mounting Stereographs, Chapter VIII.—The Snowy Appearance of Stereographs, Chapter V.— Combination Lenses, Chapter X.— Stereoscopic Transparencies, Chapter II.—Stereoscopic Photography with a Single Camera, Chapter VI.—Certain Defects in Binocular Portraits, Chapter XI.—The Stereoscope, Chapter VII.— Preparing the Negative for Wholesale Printing, Chapter III.—The Binocular Camera, Chapter I.—The Stereoscopic Angle. Arts and entertainment: Exhibitions' Damp Walls and How to Render Them Harmless to Photographs, The Photographic Exhibition of 1886 from a Retoucher's Point of View, Naturalism and Photography. Poem, verse: The Gathering of 1887, The Last Print in Silver. Table of contents: Index to Advertisers, Contents.