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The British Journal Photographic Almanac, and Photographer's Daily Companion, for 1881

1881; Gale Group; Linguagem: English

W. B. Bolton, J. Traill Taylor, Piazzi Smyth, R. L. Maddox, Dr. E. Liesegang, Geo. Kemp, J. A. Forrest, A. A. Mantell, H. Manfield, Jabez Hughes, George Mansfield, Herbert B. Berkeley, Matthew Whiting, F. Beasley Jr., Seymour Conway, C. Oakeshott, R. Kennett, S. W. Rouch, Henry J. Newton, E. Audra, B. J. Edwards, William Cobb, W. D. Richmond, W. E. Debenham, George Willis, G. G. Mitchell, J. Johnston, H. Houlgrave, John Jackson, J. Milman Brown, Duncan C. Dallas, S. Rogers, Julius A. Kay, Prof. E. Stebbing, T. B. Blow, Archer Clarke, J. Vincent Elsden, A. L. Henderson, A. Cowan, R. W. Thomas, H. Garrett Cooking, H. J. Burton, M. E. Phillips, S. S. Crewdson, P. J. King, J. T. Hackett, W. Clement Williams, Ellerslie Wallace Jr., Frederick York, Edwin Cocking, Rev. L. MacDona, George F. Williams, S. Fry, J. Thomson, Andrew Pringle, W. B. Doyle, A. J. Jarman, Edward Dunmore, J. Barker, Robert R. Brown Jr., A. A. Campbell Swinton, Richard Keene, Percy Hardwicke, F. Hopkirk, Charles King, J. Werge, R. S. Lewis, Major J. Waterhouse, Arthur F. Fenton, Rev. B. Holland, W. T. Wilkinson, W. Clement Williams, W. M. Harrison, A. Philburn, John Y. McLELLAN, George Smith, W. Irving Adams, John Harmer, W. K. Burton, W. H. Oakley, J. A. Harrison, Andrew Bowman, Richard Parr, George Patterson, H. Wilmer, W. U. Kirk, Frank Salter, J. T. Bainbridge, George Smith, William England, E. W. Foxlee, Baynham Jones, George Dawson, T. Bolas, W. Brooks, W. Hanson, Thomas Gulliver, Arthur Reston, Richard Brown, Chas. W. Folkard, Frank M. Sutcliffe, Thomas J. Pearsall, W. Bonner, Captain W. De W. Abney, William Bedford, Payne Jennings, Thomas Gaffield, H. Stuart Wortley, G. A. Herschell, James Cadett, G. L. Addenbrooke, A. F. Genlain, W. Neilson, William Adcock, Frank Howard, J. H. T. Ellerbeck, Murray Russell, Richard Brown, W. S. Downes, C. Pearson Jr., Mark Oute, W. Harding Warner, William Heighway, Vaughan Dodd, J. Macer Wright, W. T. Wilkinson, Thomas Gulliver, A. Cowan, G. Watmough Webster,

Cover: The British Journal Photographic Almanac, and Photographer's Daily Companion, for 1881. Display ads: S. Beverley, Photographic Depôt, Harvey, Reynolds & Co., T. Ordish & Co.'s, Thomas's Plates, Multiple Advertisements Displayed, Warming of Studios & Photographic Establishments, The Autotype Company, Wratten & Wainwright's, Portable Rolling Machines, J. Solomon, George Houghton & Son, Edwin Oborne Red Lion Square, W. C., Ross' Symmetrical Lenses, Ross' Extra-Rapid Carte Lenses, The Empire Patent Opaque Cloth, Pure Photographic Chemicals, The Photographic Artists' Co-Operative Supply Association, Wratten & Wainwright's Sensitized Albumenized Paper, Negative Collodion, Numerous Testimonials, Ross' Carte-De-Visite Lenses, Fallowfield's Albumenized Papers, J. A. Forrest & Son, Photographer & Photographic Chemical Manufacturer, Manufacturer of the New Phototypic Press, Reeves & Hoare's Specialities, Ross' Improved Portrait Lenses, Rough's New Patent Camera, Optician, and Manufacturer of Scientific Instruments, Multiple Display Advertisements, Lenses & Cameras, Scholten's Improved Head-Rest Clip, The Platinotype Company, Dallmeyer's Patent Portrait & View Lenses, Thomas Mayne, Scovill Manufacturing Company, Wratten & Wainwright, Ross' Portrait and View Lenses, Huggon's Collodion, Chemicals and Materials, E. & H. T. Anthony & Co., Swan's Plates, Photographic Materials, Cut-Out Mounts, Chemicals & Materials for Dry-Plate Work, Photographic Goods, Messrs. W. T. Morgan & Co., Ross' Rapid Symmetrical Lenses, The Original Triple Lantern, P. Meagher, J. Lancaster & Son, Manufacturing Opticians, Birmingham, Pure Chemical Products, Second-Hand Cameras and Lenses, Mawson & Swan's, Wilson's Extra-Rapid Gelatine Emulsions, The Bowman Improved Photo. Rolling Press, The Photographic Artists' Co-Operative Supply Association, Limited, Steinheil's Patent Lenses!!, Emmerson's Patent Standard Carriage Head-Rest, Masks and Dises, Marion & Co., The Manchester Photo. Enlarging Co., Mawson's Standard Collodion, James J. Shew, Photographic Warehouse, French Manufacture of Photographic Mounts, Gauthier-Villars, Printer & Bookseller, The Newcastle and Gateshead Dry-Plate Company, Thomas's Collodion, Joshua Billcliff, Photographic Apparatus Manufacture, Albumenized Paper, Ross' Cabinet Lenses, Improved Tourist Camera, The "Archer" Gelatino-Bromide Plate, J. T. Chapman, Maker of the Lancashire, Special List of Articles for Ferrotypes, The Woodbury Permanent Photographic Printing Company, Nelson's Favourite Plates for Instantaneous and General Photography, Portrait Painting, New Price List, J. F. Shew & Co., Harris, Son & Co., Photographic Chemicals &…, The "Crossed Swords" Albumenized Paper, Gelatino - Bromide Instantaneous Dry Plates, Landscape Photography, Ross' Portable Symmetrical Lenses, G. Hare's Improved Portable Bellows Camera, Albion Albumenizing Coy., Mawdsley's Gelatine Studio Plates, Gelatine, Thomas's Ruby Textile Fabric, Optician, Harrison's, Garbutt's Excelsior Gelatino-Bromide Dry Plates, Gelatine Bromide Dry Plates, The "Kingston" Special Plates, Ross' Universal Lenses, Photographic Backgrounds, Photographic Lenses, Mawson's Collodion. Classified ads: York's Lantern Slides, Multiple Classified Advertisements, New Alpenstock Stand. Frontmatter: The British Journal Photographic Almanac, and Photographer's Daily Companion, for 1881, Preface, The British Journal of Photography A Weekly Chronicle of the Progress of Photographic Art and Science at Home and Abroad. Essay: General Remarks on the Development of Gelatine Plates, Matts for Lantern Slides, Three Useful Appliances, A Suggestion about Proof Showing, A Much-Needed Piece of Apparatus, A Method of Making a Dense Gelatine Emulsion Suitable for Printing Transparencies, The Studio Ladder, Clouds, Notes on Gelatine Emulsion, Silvering the Front of Glass, A Simple Preservative for Collodion Emulsion, A Varnish for Gelatine Plates, A Simple Method of Enamelling Prints, A Drying-Box for Gelatine Plates, Washing and Drying Gelatine Negatives, Hints to Travellers, Collodion Transfers, A Dark Slide and Changing Box Combined, Summarised Notes of Progress in Photography during the past Year, Gelatine Versus Collodion, The Sphere of Photography, Transparencies, Retired Amateurs, Two Simple Hints to Travelling Photographers, Ready-Sensitive Paper, The Combined Use of Collodion and Gelatine, Gelatine Transparencies, Lanterns for the Dark Room, A Convenient Tent for Dry-Plate Work, A Simple Drying Cupboard for Gelatine Negatives, Instantaneous Photography.— Hints on Processes and Lenses, Dialysing Dish for Gelatine Negatives, Did You Ever?, Dry Plates, Ancient and Modern, Developers for Gelatine Plates, About Lenses, Photographic Art Possibilities, Foreign Photographic Journals, Nine for Sevenpence Halfpenny !, The Use of Glucose in the Alkaline Developer for Gelatine Plates, Appliances Found Useful in Gelatine Work, The Gelatine Process, Artificial Light for Retouching, Practical Notes on Carbon Printing, on Opal, and the Mildew "Scare", Ferrous Oxalate Development, Epitome of Progress during 1880 Ferrous Oxalate Development, A Few Hints for Beginners with the Gelatine Process, and Where I Took My Plates Last Summer, Notes on Gelatine Work, Simple Directions for the Calculations of Exposures, Filtering Apparatus for Emulsions, Mercurial Salts as Intensifiers of Gelatino-Bromide Plates, Collodion Transfers by the Lime Light, Rates of Postage for Inland Letters, A Plea for an Old Friend, On Inequalities of Thickness of the Gelatino-Bromide Film on Glass, An Improved Method of Alkaline Development for Gelatine Plates, Platinotypes, How to Light a Gas Lantern in the Room Where Gelatine Plates Are Exposed, A Novelty, A Convenient Emulsifying Apparatus, Light-Tight and Damp-Proof Plate-Box for Gelatine Plates, Silver Prints and the Exhibition of 1880, The Posterior Combination of the Portrait Objective, Formulæ, Certain Difficulties Which Occasionally Beset Collotypic Printers, Eclipses, The Mechanical Contrivances of the Year Instantaneous Shutters, Notes for Dry-Plate Working, A Drying Cupboard and Lamp Combined, An Inquiry into the Nature of the Molecular Changes Undergone by Gelatine during the Formation of Gelatino-Bromide Emulsion, Three Years with Gelatine Plates, The Getting up of Backgrounds, Lectures on Photography, Every Man His Own Sensitive Plate Maker Gelatine Dry Plates, Tables for the Simplification of Emulsion Calculations, On the Necessity for a Scientific Code for Photography, A Combined Drying-Box, Operating Table, and Enlarging Apparatus, On the Proposed Standard Sensitometer, Chronological Notes, 1881, Two Useful Methods of Utilising Old Negative Baths, A Reminiscence of the Late O. G. Rejlander, A Simple Method for the Detection of Impurities in Nitrate of Silver, Reversing Negatives, Random Remarks on Stereoscopic and Other Matters, Table for Enlargements, Grinding Ruby Glass for the Dark Room, Experience, &c., &c., An Efficient Means of Reducing the Intensity of Gelatine Negatives, Ferrous Oxalate Developer, Mechanical Appliance for Making Gelatine Emulsion, Lantern Transparencies, Double Dark Slides, On the Use of Alum for Reducing Gelatine Negatives, On Poisoning by Cyanide of Potassium, How to Make a Camera Bellows, Experiences in Platinum Printing, Retorts for Oxygen, Argentic Bromide Notes, An Unrecognised Advantage of Rapid Gelatine Plates, The Development of Gelatine Plates, Mounting Photographic Prints without Creasing or Cockling, The Photographic Alphabet(Dry), A Mounting Solution for Prints and the Keeping Properties of Dry Plates, French Fluid Measures, Gelatine Plates for Interiors, The Upward Movement, Weights and Measures, Albumenising Plates, Summer Emulsion, A "Wise Saw and a Modern Instance" "We Seldom Value That Which Costs Us Nothing", On "Pits" in Gelatine Plates: Their Cause and Cure, On Reducing Over-Printed Silver Prints, Clear Shadows in Gelatine Negatives, An Amateur's Experience with Gelatino-And Collodio-Bromide, Reversed Negatives and How to Produce Them Direct in the Camera, Safety with the Lime Light, A Drying-Room for Gelatine Plates, The Actinic Quality of Light in Different Countries, On Prevention and Removal of Pyrogallic Stains, and on Reduction of Intensity in Gelatine Negatives, The Boiling Method of Emulsification in Theory and Practice, A Useful Spirit Level, A Suggestion for a Drying-Box for Damp Weather, Three Canons in Gelatine Work, Equations Relating to Foci, &c., Namby-Pambyism, Gelatine, A Convenient Emulsion Jar, Notes on Silver Printing for Amateurs, A Convert to Gelatine, A Graphic Actinometer, Gelatino-Bromide, Photography from an Amateur's Point of View, Nothing Original, Photographic Tourists: Amateurs, How to Fold a Sheet of Albumenised Paper, A Hint on Boiling Gelatine Emulsions, Table of Symbols of the More Important Compounds Used in Photography, Testing Silver Residues and Reducing Them on a Small Scale, Reversed Negatives, Gelatino-Bromide.— an Experiment, Etching on Collodion Plates, Thermometric Tables, Showing the Assimilation of the Thermometers in Use throughout the World, Improvements in Photographic Results, A Quick-Setting Gelatino-Bromide of Silver Emulsion, Mounting, Negative Reproduction, The Intensification of Negatives of Plans, Maps, Engravings, &c., A Convenient Copying Accessory, Patents Connected with the Photographic Art Applied for during 1880, A Convenient Dark-Room Accessory, On the Requirements of a Standard Light, On Measuring the Height of Clouds and the Intervals of Their Strata by Means of Photography and the Stereoscope, Aids in Emulsification Cooking Arrangements, The Intensification of Gelatine Negatives. Arts and entertainment: Fine Art Photography and Photographic Exhibitions. Poem, verse: Gelatine. Table of contents: Index to Advertisers.