Photographic Mosaics
1885; Gale Group; Linguagem: English
Autores
Edward L. Wilson, G. H. Croughton, Prof. H. D. Garrison, J. Pitcher Spooner, Marcus H. Rogers, William McComb, R. E. Wood, George Spering, A. Bogardus, H. K. Seybold, Charles E. Emery, Dr. G. F. H. Bartlett, J. C. Moulton, J. A. Sherriff, Dr. H. Sturenberg, Dr. H. W. Vogel, Charles Latham, B. T. Rice, H. G. Parcell, H. S. Stevens, James Inglis, E. E. Van Epps, E. D. Ritton, W. R. Trippe, J. J. Eskill, Will A. Triplett, M. H. Albee, S. P. Tressler, H. B. Hillyer, Charles T. Stuart, Mrs. E. N. Lockwood, Jay Densmore, John D. Miller, H. K. Seybold, Harry C. Platt, R. G. Weiss, Geo. W. Leas, W. H. Sherman, Alfred Ganze, Ranald Douglas, H. S. Keller, C. M. French, Xanthus Smith, William H. Rau, John Bartlett, John C. Patrick, Ellerslie Wallace Jr., J. F. Ryder, Miss H. H. Flanagin, J. H. Hallenbeck, D. Bachrach Jr., Frank Robbins, L. C. Overpeck, Sol. R. Rey, George Rau, D. Keller, George Ennis,
ResumoFrontmatter: Photographic Mosaics, Entered, According to Act of Congress, in the Year 1884, by Edward L. Wilson, in the Office of the Librarian of Congress, at Washington, D. C., Publisher's Notice. Table of contents: Contents. Essay: "Nothing to Say", Photography in Its Relation to Art, The Cincinnati Convention, The Lesson to Learn, One Way to Prevent Cheap-Johnism, How to Number Negatives, What Is Art?, What Developer Shall We Use?, The Reduction of Negatives, Home-Made Dry Plates, Home-Made Plates, Exposure, Energy, A Few Photographic Hints Over-And Under-Exposed Plates, A Good Copying Paper, An Automatic Washing-Tank, Practical, A Few Good Things to Save Money, The Attractive Properties of a Photograph, Weak or Strong Development, A New Method of Developing Dry Plates, How I Clean Varnished Films from Old Negatives, An Amateur's Views on Prices, A Warning, How I Got White Streaks on My Stereoscope Negatives, A Friendly Chat with Our Amateurs, The Photographic Dude, A Hint for the New Year, Use Judgment, Gelatine Emulsion Plates, My Developer, A Rapid Emulsion, About Prices, A Parting Word, Do Gelatine Plates Keep?, On the Delectable Dry, A Few Hits at Gelatine, Amateur Photography a Teacher, How to Develop Landscapes upon Dry Plates Or a Method of Treating Plates Whose Time of Exposure Is Unknown, The Best Dry-Plate Developer, Bits of Experience, How Rapid Are Dry Plates?, To Know How, Elevate Ourselves First, A Workman's Idea, A Pot-Pouri of the Past, Something about Blisters, A Few Notes for Mosaics, A Clearing Solution for Gelatine Negatives and Positives, "Practical, Pointed, and Clear", Something "Not Necessarily Dry", The Practical Fixing Bath, Whither Are We Drifting?, Slow Development: a Word to Beginners, A Very Convenient Washing-Box, Gleanings from My Last Year's Reading Old Prints, Photo. Hash, How to Make Home-Made Retouching Lead, Our Way Is Our Folly, Hints to Amateurs, Smoked Negatives, Photographic Experiences. Fiction, drama: A True Story. Display ads: Benj. French & Co., Wilson's Photographics, A Glow of Photographic Publications, A. M. Collins, Son & Co., The Eastman Dry Plate and Film Co., Dry Plates, Portrait and Instantaneous Plates, Cramer's Lightning Plates, Buchanan, Smedley & Bromley, Inglis Dry Plates, Smith & Pattison, W. H. Walmsley & Co., The Platinotype, Seed Dry Plates, C. M. French, Matts, Solar Printing and Copying, The Progress of Photography, The Mound City Photo. Stock House, The Heliotype Printing Co., Allen Brothers, Drs. Starkey & Palen, Carbutt's Multum in Darvo Dry-Plate Lantern, The Blair Tourograph and Dry Plate Co., Crosscup & West Engraving Co., Edward L. Wilson, James F. Magee & Co., Moss Engraving Co., Douglass, Thompson & Co., Underwood's Patent Sample Box, Mullett Bros., Wilson, Hood & Co., Scovill Manufacturing Co., The Fairy Camera, Scovill Mfg. Co., W. F. Ashe.
Referência(s)