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American Aristotype Co.

1896; Gale Group; Linguagem: English

Frederick J. Harrison, Peter Eland, H. M. Beeles, W. A. Hyslop, Francis G. Eliot, W. N. Jennings, Rev. T. Perkins, Jos. P. Beach, Reginald A. R. Bennett, Dr. Hugo Erichsen, Digby H. W. Cotes-Preedy, E. K. Hough, Robert E. M. Bain, W. Cooper, Robert J. Hillier, A. D. Guthrie, Ottomar Jarecki, Fred. W. Pilditch, Herbert O. Warner, C. H. Cox, H. H. Williams, Manly Miles, A. C. Champagne, C. M. Giles, W. K. Burton, Emily Culverhouse, John J. Woolnough, Harry M. C. Sprunt, Chapman Jones, James Shepard, John H. Shaw, E. Beringer, R. M. Worden, Harold Holcroft, W. J. Hickmott, J. Reüel Smith, Frederic G. P. Benson, J. H. Harvey, George Kilburn, Charles F. Zabriskie, Eli Hirst, Mrs. Cyril H. Burdeit, Digby H. W. Cotes-Preedy, Milton B. Punnett, A. H. Calderwood, Matthew Surface, Abraham Bogardus, H. W. Studley, W. D. Farrington, H. T. Duffield, Joseph Chamberlain, Jabez Boothroyd, Silas Gurney, P. C. Duchochois, G. H. Loomis, G. H. Loomis, W. J. Haskell, A. L. Eidemiller, E. E. Weatherby, C. E. Vredenburgh, George E. Thompson, Geo. W. Gilson, A. C. Austin, C. Emil Rönne, Miss Adelaide Skeel, Alfred J. Henry, H. W. Hales, H. W. Hales, Fred. H. Davies, J. C. Johnson, M. W. Thompstone, MacFarlane Anderson, Joseph Cottier, Nichol Elliott, Charles E. Fairman, Victor Schumann, John A. Tennant, Dudley C. Hasbrouck, Maximilian Toch, John W. Sanborn, Raymond Lee Newcomb, Alexander C. Angerer, H. Valentine Knaggs, H. Crisp, E. Valenta, J. Gaedicke, C. Gravier, Rev. F. C. Lambert, C. A. MacKechnie, Alice Lee Snelling-Moqué, E. Forestier, G. H. Niewenglowski, G. H. Niewenglowski, Charles Richards Dodge, William J. Spurrier, M. T. O'Connell, J. R. Greatorex, S. E. Kelf, Dr. Hugo Schroeder, Signor Aspa, O. G. Mason, C. H. Bothamley, J. Joe, Hy. Pickering, Henry R. Procter, Victor Schumann, C. C. Sherrard, Mr. E. Ferrero, John Burnet,

Display ads: Anthony's Automatic Cabinet Attachment, Magnesium Flash Lamps, Nepera Chemical Co., The Gridiron Saturator, E. A. Rapid Lens, New York Studio Outfit, Blanchet Freres & Kleber, A Valuable Photographic Library, Process Etching and Engraving Co., Standard Photographic Publications, Ross & Co., Multiple Display Advertisements, Thornton-Pickard, Eastman Kodak Company, Amateur and Professional, Nelson's Photographic Gelatine, Standard Developing and Toning Solutions, H. A. Hyatt, Chas. Cooper & Co., Albumen Paper, Gundlach Optical Co., The American Amateur Photographer, J. C. Somerville Photo Supply Company, The Acme Transparent Water Colors, Librairie Gauthier-Villars & Fils, E. & H. T. Anthony & Co., Electro Light Engraving Co., Lafayette W. Seavey's, J. B. Colt & Co., Cards and Cardboards, Kodaks Kodets, Photography, Art Photo Etching Co., The Hagopian Photo-Engraving Company, Hammer Dry Plates, John Carbutt, Cramer Plate, New York Camera Exchange, Weeks Engraving Company, The Hetherington Scenic Studio, Otis C. White, Percy Lund & Co., Ltd., Photo-Engraving, Carbutt's Plates and Celluloid Films, The Developer Pub. Co., Entrekin, The Wilkinson Co., Lafayette W. Seavey, Lavette's Patent Envelope, Walpole Chemical Co., Photographic Apparatus, Moss Engraving Co., Max Levy's Perfected Engraved Gratings, American Aristotype Co., Anthony's Printing Frames, The Buffalo Argentic Bromide Paper, The New Hawk - Eyes, Anthony's Background Carrier, Goerz-Double Anastigmat, Shutter, Climax Plate. Frontmatter: The International Annual of Anthony's Photographic Bulletin, Preface, The New York Public Library. Table of contents: Index to Advertisers, Index to Subjects, Index to Authors. Classified ads: Fleming Schiller & Carnrick Press. Essay: The Popular Photographic Series in Sixpenny Volumes, Net, The Illustration of Nineteenth Century Industries, On Speed Determinations, and on Modifying Density Ratios and Compensating for Variation in Exposure, during Development, Hastings and St. Leonards, Genre Photography, The Preservation of Negatives, A Safe Plate-Holder, Sizes of Mounts in Common Use, The Haunts of Shakespeare, Exposure, Defects in Negatives, Opals, Proofs and Resittings, The Realm of Pure Art, New Photographic Studies, Blue Print Formulas, Wales, A Little Too Much Art, Thermometric Tables, Facts and Films, Collodion or Gelatine, Pinholes and Patches in Negatives, England, Hints on Securing Landscape and Cloud from the One Negative, What Is It That We Want to See in a Photograph?, Stereoscopic Photography, Half-Tone Negative Making, Indirect Photography in Colors, or Photochromography, Quarter Plate Cameras and Their Advocates, Why Should Artists and Photographers Disagree?, Mountant, Mallman and Scolik Preliminary Bath, Flowers as a Special Study, Double Exposures, The Microscopic Structure of Vegetable Tissue, In Shakespeare's Country, The Simplification of Emulsion Calculations, Freezing Mixtures, A Photographic Trip to the Tip End of Yankee Land, Dr. Woodman's Table of View Angles, Reducing Solutions for Negatives, Home-Photography, Home Portraiture, Three Photographic Haunts in England Fladbury, Worcestershire, How to Succeed with a Hand Camera, Photography in Colors, The Fineness of Screens for Half Tone Work, Comparative Exposures for Enlarging and Reducing, Photography and Illustration, Photographic Societies United States, Dr. Scott's Table of Comparative Exposures, Historical Photography, Side-Chat, Around Cooperstown, General Photographic Books, Far from the Madding Crowd, Metol Developer, Development, Enlarging for Amateurs, Size, Shape and Shade; Stand or Hand Cameras, Ireland, Elsden's Table of Poison and Antidotes, Photography in Vacuo, A New Revolving Multangular Grating, Reveries of a Veteran, Eikonogen Developer Cramer, Swing Back and Swing Front, "Thunderbolt" Photography, About Portraiture, A New Stereochromoscope, Glycin Eder, Equations Relating to Foci, Etc., The "Lund" Library of Photography in Eighteenpenny Volumes, Net, Alcohol, Preparing Percentage Solutions, Mountain Resorts of Southern California, A Few Suggestions for Camera Clubs, The Pursuit of Photography, Dangerous Substances Used in Photography, Changes in Platinum Prints, Oxford from a Photographic Point of View, Ferrous Oxalate, Kallitype Printing Process Sensitizing Solution, The Simplification of "Printing Out" Emulsion Calculations, Colors from Black and White, Developer for "Climax" Process Plates, Little Things, Carbutt's Developer for Process Plates Developing Formula for Half-Tone (Screen) and Negatives of Pen Drawings, The Conversion of French into English Weights, The Rights of Amateurs, A Magic Door, Natural Skies in the Negative Compound Exposures, Figures in Landscapes, Tables Table of the Elements, Old Friends, Initiation Night at the Up-To-Date Camera Club, Why Is It?, A Ramble in Connemara with a Camera, A Suggestion to Lecturers and Others, Photography and Mountain Climbing, The Difficulties of Photographing in Natural Colors, Cloud Photography, The Sheet-Anchor of the Amateur, Special Work for the Hand Camera, Eikonogen and Hydroquinone Developer Climax, Useful Hints, The Camera and the Wheel A Medley, The Conversion of Grammes (or Cubic Centimeters) into Ounces and Grains, and Vice Versa, The Lanternists Ready Reference Table, Photographic Cleanliness, On the Choice of Subject, Scotland, At Last, On Using Other People's Cameras, Sepia Tones in Platinum Prints, Sizes of Dry Plates Made in Italy, Telo-Photo Lens, Intensifying Solutions Cramer's, Acetic Acid, Sumpner's Table, Lantern Slides, Photographic Books, Fixing Baths for Plates Hemperley's, Collodio-Chloride of Silver Papers for Very Flat Negatives, Specialism, Studio Work, Stereoscopic Work, Sulphurous Acid, A Visit to a Dry-Plate Factory, Dry, Choice Bits in New Haven, Canada, Mr. Burton's Table of Comparative Exposures, Metol Cramer's, Enlargements, Artificial Light in Photographic Portraiture, An Old Process with a New Face. Albumen Opalotypes, The Development of the Intensity of Negatives, Sunset Photography, Some Snap-Shots in the Catskills, A Word to Amateurs from an Amateur, Tables and Formulas Developers, For Etching on Steel Spencer Acid, Useful Advice, Conversion of French into English Measures, Half-Tone Work, Rapid Transit Photography, Orthochromatic Sensitizing Baths, Orthochromatic Non-Halation Plates, Copying Collodion For Line Work, Direct Prints without the Use of a Negative, Pictorial Possibilities, Combined Toning and Fixing Baths, Hydroquinone Carbutt, Sizes of Dry Plates Made in France and Germany, On the Pleasures of Being Camer'less, Landscapes with and without Figures, Trimming and Cutting, The Horizon Line in Exact Photography, Colored Transparencies, The Printing Paper of the Future.