Jornais Acesso aberto

Taken with Dallmeyer's Long Focus Rapid Landscape Lens from Same Standpoint as Opposite View Showing Effect of Different Focus Lenses

1889; Gale Group; Linguagem: English

Autores

Arthur H. Elliott, W. Jerome Harrison, William Adcock, W. I. Lincoln Adams, Prof. Peter T. Austen, D. Bachrach Jr., Robt. E. M. Bain, Graham Balfour, Miss Catharine Weed Barnes, Wm. Mortimer Baylis, Joseph P. Beach, F. T. Beeson, Adolph W. Beer, R. A. R. Bennett, Abraham Bogardus, Robt. H. Bow, Rev. J. Carter Browne, Prof. S. W. Burnham, Dr. Heinrich Byk, Professor W. K. Burton, George A. Carruthers, F. P. Cembrano Jr., Wm. Chamberlain, J. Wells-Champney, H. J. Channon, B. E. Charlton, John R. Clemons, Ralph D. Cleveland, J. Albert Cole, C. H. Cox, J. W. Crowse, Emily Culverhouse, S. Delicate, Louis F. Drake, A. R. Dresser, Edward Dunmore, Dr. P. H. Emerson, E. M. Estabrooke, Chas. T. Fellows, J. A. Forrest, W. G. E. Freeman, R. M. Fuller, J. B. Gardner, W. Hanson, F. J. Harrison, Chas. Harris, J. H. E. J. Harris, Lindsay Hemery, Thomas Entrekin Hibben, E. K. Hough, Frank H. Howe, Gustine L. Hurd, Joseph R. Husson, Frederick A. Jackson, Dr. John H. Janeway, J. Chester Jervis, Chapman Jones, Richard Keene, William R. Kennan, Dr. H. Valentine Knaggs, Wm. Lang Jr., Paul Lange, Rev. F. C. Lambert, Edward Leaming, Clement I. Leaper, J. Leisk, Rev. G. W. Lincoln, Col. S. H. Lockett, E. Long, Edward J. Lovejoy, R. L. Maddox, George Mansfield, George Mason, G. G. Mitchell, A. Miethe, Manly Miles, Hen. R. Moiser, William K. Newton, E. Obernetter, W. E. Partridge, R. C. Phillips, Professor William H. Pickering, H. R. Procter, Frank H. Pullen, Milton B. Punnett, Edgar Richards, H. P. Robinson, Marcus H. Rogers, Harold Sands, Irving Saunders, Coleman Sellers, A. M. Desilva, Dr. George L. Sinclair, Miss Adelaide Skeel, Hinsdale Smith Jr., S. R. Stoddard, Henry Harrison Suplee, Frank M. Suteliffe, C. B. Talbot, H. D. Taylor, H. G. Thompson, H. N. Tiemann, Alban E. Thorburn, Wm. I. Topley, A. J. Treat, G. W. Valentine, C. C. Vevers, H. Rowland Wakefield, E. J. Wall, W. H. Walmsley, Walter A. Watts, C. J. Watson, G. M. Whipple, E. T. Whitney, H. H. Williams, Walter E. Woodbury, Captain W. De W. Abney, L. L. Anderström, Talbot Archer, Ottomer Anschütz, Guglielmo d'Arcais, Paul Baltin, Paul Baltin, Jex Bardwell, John Bartlett, F. C. Beach, R. A. R. Bennett, Ed. V. Boissonnas, C. H. Bothamley, Lieutenant C. L. Bruns, Jno. G. Cassebaum, G. Hanmer Croughton, Charles H. Davis, W. T. Demarest, Thos. W. Drinkwater, P. C. Duchochois, A. E. Duckham, P. H. Dudley, Harry T. Duffield, Arthur H. Elliott, P. Ersly, Fred. H. Evans, A. R. F. Evershed, E. Ferrero, John Harmer, Martin I. Harding, J. H. Harvey, Captain Eugene Himly, John A. Hodges, Frank H. Howe, J. Hubert, J. Husnik, E. Howard Jaques, Rev. F. C. Lambert, C. Hethton Lewis, Henry J. Newton, G. V. J. Poirin, E. Poole, Geo. G. Rockwood, Bruno Saemann, V. Schumann, George Smith, John Henry Smith, R. Spitaler, Dr. C. Stürenburg, P. Swanson, H. D. Taylor, J. Traill Taylor, F. Turner, Professor Albert H. Tuttle, G. W. Valentine, Leon Vidal, Rev. Clarence E. Woodman, T. C. Roche, W. Jerome Harrison, Mr. E. Ferrero,

Resumo

Essay: A Valuable Accessory to Amateur Photography, Canoeing and Photography, "Art Science", The Use of Cloud Negatives, Reminiscences, Terms Misapplied to Photography, A Few Hints in Regard to Framing and Mounting, Photographic Jottings, On Making Lantern Slides, Exposure, Making Stereoscopic Negatives in Brittany Thirty Years Ago, Rapid Long Focus Landscape Lenses, Two Bits, "Shooting" in the Streets, Sulphurous Acid and Sulphites, Small and Large, To Determine the Time of a Momentary Exposure Limits of Exposure, Bromide Paper for Draughtsmen, Carriers, How to Trim Prints, The Sharpness of Photographic Portraits and its Influence upon the Artistic Effect, A Tank, Artistic Education of the Eye, Copyright, "With an Object in View", Standard Solutions, Blue Print Transparencies, A Simple Multiple Camera, Carbon Pictures on Opal, New Photographic Experiments with Cyanin, Rate of Oxidation of Sodium Sulphite Solutions, Taken with Dallmeyer's Long Focus Rapid Landscape Lens from Same Standpoint as Opposite View Showing Effect of Different Focus Lenses, Some Conveniences, The Photographic Art.—Does It Advance or Retrograde, Copying by Lamplight, The Framing of an Exhibit, A Hint for Workers in Bromide Paper, A Glossy and Matt Surface, "The Story of a Camera Club", About Good Expression, Blisters, How Permanent Hydroquinone Originated, On Preserving Sensitized Albumenized Paper, A Few Experiences in Enlarging, Kits That Cost Nothing, A Simple Washing Tray, New Points about Hydroquinone, and Preventing Blisters, A Stimulus to Photographing Optical Phenomena in the Atmosphere, Lantern Slide Making from Large Negatives, Some Contributions on Photography with Color Plates, Photographic Societies of the British Isles and British Colonies, The Dark Room, Hints for Beginners, Vignetting, Practical Notes The Metric System in Photography, Hints in Photomicrography, Silvering Albumen Paper, Magnesium Flash Lamp, Orthochromatic Photography, A Few Facts about Lenses, Eastman Stripping Films, Photography as a Deceiver, Bad Weather Versus Wasted Hours, My Dark Room Lantern, A Study by Falk, Photographing from a Railway Train, Collodion Emulsion for Lantern Slides and Transparencies, "The Art of Lying" as Applied to Photographers, Cycling and Photography, Systematic Exposure for Enlarging, The Calotype Process, and How We Photographed in the "Fifties", "That Is Old", A Visit to Warwick, Tables for the Conversion of Grammes (or Cubic Centimeters) into Ounces and Grains, Distilled Water, Photographic Objectives, Eyesight, Normal and Abnormal, Photography Without a Lens, Table of Exposures for Enlarging and Reducing, The Oxalate Developer, The Use of Detective Cameras, Snow Photos in the Dog Days, Collodion Emulsions with Variations, An Easy Method of Determining the Relative Sensitiveness of Photographic Plates, Simultaneous Exposure and Development of Bromide or Chloride Enlargements A Field for Experiment, The Employment of the Optical Glasses Recently Manufactured in Jena for Photographic Lenses, "What Shall I Take?", A Simple Developer, The Color of a Photographic Print, Taken with Dallmeyer's Wide Angle Landscape Lens from Same Standpoint as Opposite View, Showing Effect of Different Focus Lenses, Drawing to a Focus, Photography in Relation to Art in Landscape, A Photographic Picture of Lights and Shadows from East to West and All the World Round, Half a Century of Photography, Simple Method of Finding Focal Length of a Lens, A New Collodion, Printing, Some Thoughts on the Moral Aspects of Photography, Hints to Amateurs, Tables for the Simplification of Emulsion Calculations, Dark Rooms for Photographic Associations, Fog or Focus, On the Finder and its Adjustment, Printing Clouds in Lantern Slides, Emulsion Papers, "On Tour", Photographing a Flying Cannon Ball, Photographic Foregrounds, The Magnitude of the Angle of View, A Private Studio, Weights, Measures, and the Compounding of Formulæ, Table for Enlargements, Camera Clubs and Photographic Societies, Tables Table of the Elements, Weather Wisdom for Landscape Workers, A Simple Method of Copying, Detective Hand Cameras Article II, The Place of Imagination in Photography, A Few Things to Avoid, Photographic Mounts—What to Avoid, American Photographic Societies, Enlarging Processes, Transparencies for Windows, Hall Lamps, Etc., Hand Camera Work, Short Photographic Notes Objective Sets, Holiday Hints for Amateurs, Production of Focusing Screens, Hydroquinone, The Platinotype by Cold Development, A Good Hydroquinone Developer, A Rapid Method for the Valuation of Quinol, Hydroquinone as a Developer for Lantern Plates and Photo-Litho Negatives, Over-Timed and Under-Developed, Saccharate of Lime Developer, Blue Printing, Depth of Focus and Angle of View, Photography as a "Basis" for Art (?) Works, A Few Notes, By-Ways and Odd Corners of Warwickshire, Reduction of Negatives, Cum Grano Salis, Scraps, On Development, Are Instantaneous Photographs True?, Notes on Apparatus and Books, Lantern Slides, Large Direct Heads, Alkaline Development, The Dangerous Red Light, Some Practical Suggestions, A New Focusing Bag, Dry-Plate Making in the Far East, Landscape Work, On Spending Money, A Detailed Statement of How to Utilize Old Toning Baths, Success in Flash Light Photography, Hydroquinone and its Associates in Development, Sulphurous Acid, Photographing the Interior of a Cave, Carbon Printing in Winter: a Hint, "Which Is the Properest Thing to Do?", The Lost Arts, Untruths of Professional Photography, Art in Photography, Leimtypy, Sea and Sky, Eyes or Plates, Photographic Societies—Their Organization and Perpetuation, Photography as a Lecture-Subject, Hints to Photographic Tourists, Instruction, New Centrifugal Separator with Continuous Action for Gelatine Emulsion, Photography and Leather, Combined Bath for Toning and Fixing Aristo-Types, The Study of Photography, My Baby, Study Your Subject, A Word to Inventors, The Chemistry of Hydroquinone, Quick Development of Bromide of Silver Plates with Hydroquinone, Notes on Keeping Sensitized Paper, The Chemistry of Photography, Silver Staining: Its Prevention and Cure, My Experience with Films, "Models", Dark Rooms and Developers. Frontmatter: Preface, The International Annual of Anthony's Photographic Bulletin, The International Annual of Anthonys Photographic Bulletin. Table of contents: Index to Advertisements, Index to Subjects, Index to Authors. Poem, verse: The Lantern Brings the World in View Introduction to an Exhibition of Views in Egypt and Palestine, The Wife's Stratagem, or, the Detective Camera. Fiction, drama: Part II, Part III. Arts and entertainment: Photographic Exhibitions. Display ads: Derwent Dry Plates, Bausch & Lomb Optical Co. 'S Rapid Universal Lenses, "London" Dry Plates, Holmes, Sadler & Holmes, Photographic Material Manufacturers, Appleton & Co., Entrekin's Patent Duplicating Print Cutter, Opaline Materials, Photographs by H. P. Robinson, Percy Lund & Co., Entrekin's Improved Rotary Burnisher, Gundlach Optical Co., St. Louis-Canadian Photographer, Sciopticon, The Acme Burnisher Co., J. W. Small & Co., The Stanley Dry Plate, Optimus Lenses, Cameras, &c., J. C. Somerville, Entrekin's Eureka Photograph Burnisher, S. Beverley, The Ixion, W. Watson & Sons, 'Optimus' and Photographic Apparatus, The Cramer Plates, Gelatine Dry Plates, Multiple Display Advertisements, Morgan & Kidd, Entrekin's Patent Photo Washing Tank, H. A. Hyatt, Chas. Cooper & Co., Air Brush, Prosch Duplex Shutters, Ross' Portrait and View Lenses, Acme Burnisher, Entrekin's Accurate Rotary Burnisher, E. & H. T. Anthony & Co., Imperial Magnesium Flash Lamp, The Quadruplex Enameler, Edward L. Wilson, A. M. Collins Manufacturing Company, R. H. Moran, John Barnett, Dallmeyer's Lenses, R. & J. Beck's Autograph Lenses, Suter Aplanatic Lenses, H. Morell, Thomas' "Pall Mall" Plates, Roberts & Fellows, Entrekin's Improved Eureka Burnisher, George Mather's Sons, S. & G. Desaulles & Co., C. A. Hoffman & Bro., Acme Burnishers, The International Art Publishing Co., Photographic Apparatus, Dallmeyer's Celebrated Lenses, Mullett Bros., The Photographic News, Stendicke Universal Lens, The Cantilever Enlarging Apparatus, Walter Lawley, The Eastman Dry Plate and Film Co., James J. Hicks, The Improved Duplex Rotary Polisher, The Platinotype Co., W. H. Walmsley, Limited, 'Optimus' Rapid Euryscope Lenses, Albumen Paper, Hockin's Desideratum Lenses, Lafayette W. Seavey's, A. Z. Siebert, Eastman's Permanent Bromide Paper, The Blair Camera Co., Entrekin's New Victor Burnisher, 'Optimus' Rapid Rectilinear, Photophane, Acme Odorless Lamp Stove, 'Optimus' Portrait Lens, The Kodak Camera, The Photophane Company, Gray's Extreme Angle Periscope, Gayton A. Douglass & Co., Entrekin's Pat. Photo Print Washing Tank, G. W. Wilson & Co., Harvard Dry Plate. Classified ads: Multiple Classified Advertisements.

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