Photographic Mosaics
1877; Gale Group; Linguagem: English
Autores
Thomas Gaffield, H. J. Newton, Forrester Clark, F. M. Wells, A. W. Kimball, J. Pitcher Spooner, H. B. Hillyer, J. S. Hovey, I. B. Webster, E. M. Estabrooke, J. Renvers, J. H. Fitzgibbon, E. K. Hough, F. M. Spencer, W. H. Tipton, Charles Evans, William Heighway, Neal P. Harrington, George W. Coddington, E. D. Ormsby, J. H. Lamson, Mrs. E. W. Withington, E. P. Libby, John R. Clemons, Frank A. Morrill, W. C. Tuttle, A. B. Craycroft, E. T. Whitney, J. G. Vail, M. H. Albee, W. B. Critchfield, R. R. Thompson, C. M. French, C. A. Zimmerman, Prof. H. D. W. Moulton, William W. Seeler, Leroy Parkinson, G. W. Wallace, Frank F. Currier, F. B. Clench, W. H. Sherman, James O. Merrill, George B. Ayres, D. H. Anderson, Irving Saunders, Garvey Donaldson, E. Z. Webster, C. D. Mosher, F. A. Souders, D. H. Ledbetter, J. C. Moulton, Robert J. Chute, Alfred Hall, J. E. Small, L. W. Crawford,
ResumoFrontmatter: Publishers' Notice, Entered, According to Act of Congress, in the Year 1876, by Benerman & Wilson, in the Office of the Librarian of Congress, at Washington, D. C., Photographic Mosaics. Table of contents: Contents. Essay: Dry Versus Wet, How a Woman Makes Landscape Photographs, My Practice, My Way, A Few Notes on Photography, Photographic Chowder, Imitation of Retouching in Ferrotypes, A Paper Bath That Will Not Grow Red; and How to Sharpen the Retouching Pencil, Glass for Photographers' Use, Little Things, The Future of Photography, Here and There in the Printing-Room, Working-Notes for Your Artist, Mounting Large Prints, About Varnishing Negatives and Mounting Prints About Varnishing Negatives, The Need of Money, A Practical Permanent Porcelain Collodion One That Will Keep Good and Grow Better for a Year, at Least, How to Copy Photographs, Antidote for Hard Times What Is It?, Ammonio-Nitrate of Silver Solution for Paper Positives, Some Observations on Backgrounds, Solar Work, On the Use of Hard-Rubber Bath-Holders, Glacé Photographs, Compilations, Selections, and Translations, How to Economize in Silvered Paper, Hints on Photographic Processes, Albumenizing Glass, Items from My Experience, To the Infant Class, On Cleaning Prints, Three Years Old, Standing ("Av Course"), Backgrounds for Bust Portraits, A Fault in Full-Length Photographs, Nothing but a Photographer, The Movement Cure, as Applied to the Delinquent Members of the N. P. A., A Good Background, Allotropy, Strengthening Negatives, Many Mites from Many Minds, Imitation, The Advantage of a Magnifying Glass in Retouching, and Hints How to Use It, A Backward Glance, Rembrandt Effects, Miscellany, Some Practical Hints, Should Photography Finished in Handpainting Excel Plain Photographs?, The Metric System, Savory Dishes, Digestible Especially to New Beginners, Photographic Wastes, Getting at the Difficulty, Porcelains, Enlarging from Small Negatives, Careful Posing, Skylights for the South, Hints to Those Who Need Them, How to Make Backgrounds and Clean Ferrotype Plates, What of 1876?, A Negative Bath That Would Not Work; and a Polish for Camera Boxes, Clemons's Formula for Working All Kinds of Paper, and for Keeping the Paper from Turning Yellow, Photography at the County Fair. Arts and entertainment: The Centennial Photographic Exhibition. Display ads: The Philadelphia Photographer, James F. Magee & Co., Hearn's Practical Printer, Dr. Vogel's Handbook, Philadelphia Frame Manufactory, Multiple Display Advertisements, Benerman & Wilson, Hearn's, Scovill Manufacturing Company, Wilson's Lantern Journeys, Catalogue of Photographic Publications, Ross and Steinheil Lenses, Lantern Slides and Lanterns, J. Spittall, Engraver Wood, Wilson, Hood & Co., Wood Engraving, Lafayette W. Seavey, Artistic Photography.
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