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The International Annual Anthonys Photographic Bulletin

1890; Gale Group; Linguagem: English

C. F. Conly, William Adcock, Bill Allen, C. Angerer, D. Bachrach Jr., Dr. Leo Backelandt, Paul Baltin, Jex Bardwell, Catharine Weed Barnes, Joseph P. Beach, Alexander Black, Dr. H. Carrington Bolton, R. H. Bow, Mary Scott Boyd, Rev. J. Carter Browne, Wm. Chamberlain, Horace P. Chandler, H. J. Channon, J. R. Clemons, E. H. Crowell, Geo. E. Davenport, Vernon L. Davey, Abm. M. Desilva, P. C. Duchochois, Harry T. Duffield, Edward Danmore, Professor Charles Ehrmann, P. Ersly, J. A. Forrest, J. A. Forrest, Dr. H. D. Garrison, J. T. Harris, Captain Eugene Himly, J. Husnik, W. Hanson, Chas. Harris, I. H. E. I. Harris, Romyn Hitchcock, J. B. Heyl, Frank Hopps, E. K. Hough, Gustine L. Hurd, Williams R. Kennan, Alexander Lanier, Clement I. Leaper, R. L. Maddox, Edward Manser, Dr. Adolph Miethe, Dr. Manly Miles, G. G. Mitchell, Harry Platt, Daniel P. Reed, Geo. W. Reed, E. W. Rockwood, Bruno Saemann, Thomas Scotton, Professor Coleman Sellars, Geo. L. Sinclair, W. Harding-Warner, C. J. Watson, S. B. Webber, H. H. Williams, Dr. H. W. Vogel, Abe Lizzard, W. I. Lincoln Adams, William Adcock, Dr. Leo Backelandt, Robert E. M. Bain, H. Goltzson, Geo. H. Hastings, Geo. A. Haynes, W. J. Hickmott, Professor Charles F. Himes, C. A. Hoffmann, Edward S. Holden, Joseph R. Husson, Frederick A. Jackson, Dr. Richard Jacoby, J. F. Johnson, Dr. H. Valentine Knaggs, Frank La Manna, Rev. Geo. W. Lincoln, Edward Manser, Clarence S. McKune, A. S. Murray, C. R. Pancoast, Lieut. H. A. Reed, Professor Coleman Sellers, Thomas W. Smillie, Professor Randall Spaulding, Henry Harrison Suplee, C. B. Talbot, A. J. Treat, Ellerslie Wallace, Herbert O. Warner, O. Volkmer, Talbot Archer, Francis T. Beeson, R. A. R. Bennett, C. H. Bothamley, Wm. Chanberlain, John Haimer, Chapman Jones, G. H. Loomis, H. London, Dr. O. Lohse, O. G. Mason, R. C. Matheson, Professor Spencer B. Newbury, Henry J. Newton, E. Obernetter, W. E. Partridge, Professor William H. Pickering, W. H. Potter, T. C. Roche, G. W. Valentine, M. Wolfe, J. M. Appleton, R. A. R. Bennett, George A. Carruthers, A. R. Dresser, Fred. H. Evans, A. R. F. Evershed, Martin J. Harding, W. Jerome Harrison, John Haswell, Richard Keene, Wm. Lang Jr., Rev. F. C. Lambert, J. Leisk, C. Hethton Lewis, Rev. John A. Lloyd, G. H. Loomis, E. J. Lovejoy, G. Mansfield, George Mason, Henry R. Moiser, E. Poole, Andrew Pringle, Henry R. Procter, George W. Rafter, T. C. Roche, Harold Sands, Miss Adelaide Skeel, James H. Stebbins Jr., Frank M. Suteliffe, Geo. Tashiera, E. J. Wall, W. H. Walmsley, Walter A. Watts, G. M. Whipple, G. W. Valentine, F. C. Beach, Adolph W. Beer, J. W. Crowse, Emily Culverhouse, Wm. Dougall, E. M. Estabrooke, Arthur H. Elliott, J. M. W. Farnham, Wilfred A. French, R. M. Fuller, F. J. Harrison, George E. Harrison, J. H. Harvey, J. Hubert, E. Howard Jacques, Dr. John H. Janeway, Arthur J. Leeson, Max Levy, George A. Nelson, Dr. John Nicol, Nathaniel Roberts, Geo. G. Rockwood, George G. Rockwood, V. Schumann, S. R. Stoddard, Wm. J. Tapley, J. Traill Taylor, Henry L. Tolman, Colonel J. Waterhouse, Mr. E. Ferrero,

Frontmatter: Preface, The International Annual of Anthony's Photographic Bulletin, The International Annual of Anthonys Photographic Bulletin, The International Annual Anthonys Photographic Bulletin. Display ads: "London" Dry Plates, Forbes Lithograph Mfg. Co, S. & G. Desaulles & Co, The Tom Thumb Camera, Hard Metal Plates, Carbutt's Dry Plates and Transparent "Celluloid" Films, George Houghton & Son's, Engraving, Photo Engraving Co, Wood's Washer, The "Triplex", Chambers, Photo-Chemical Engraving, The Randall Photo Burnisher, The Improved Bradfisch Aristotype Paper, Tucker & Butts, White's Adjustable Extension Movement, J. C. Somerville, A. T. Thompson & Co, Moss Engraving Co, Wilson-Hood-Cheyney Co, Thomas's Pall Mall Plates and Films, M. Wolfe's Perfect Lined Screen Plates, Schultze Photo Equipment Co, W. Watson & Sons, The Eastman Company, E. & H. T. Anthony & Co, W. H. Walmsley, The Empire Photo-Gravure Co, Multiple Display Advertisements, William C. Cullen, Gundlach Optical Co, Air Brush, Ross' Portrait and View Lenses, J. H. Skinner & Co, "Ilford" Plates and Papers, Imperial Magnesium Flash Lamp, Magic Lanterns, Photographic Materials, Watson's "Acme" Camera, The "Cramer" Plates, Kodak Cameras, W. T. Mersereau & Co, W. C. Hughes, Hovey Bros, White's Posing Chair, A. M. Collins Manufacturing Company, Complete Outfits with "Acme" Cameras, John Barnett, W. F. Ashe, S. & G. De Saulles & Co., Dallmeyer's Lenses, J. A. Anderson, The Heliotype Printing Co, Electro-Tint Engraving Co, Samuel Fry & Co, Archer & Sons, Otto Scholzing's Sensitized Double Albumenized Papers, Stendicke Universal and Wide Angle Lenses, Sensitized Albumenized Paper, Gotz's Patent Portable Camera, 'Optimus', Waterlow & Sons, Kurtz Portraits, The Levytype Co., Roberts & Fellows, Liesegang Paper, Wilson's Photographic Magazine, University Optical Works, Photographic Apparatus, The London Stereoscopic and Photographic Co. 'S New 'Artist' Hand Camera, Photo-Mechanical Printing, The Circumbra Camera, Henry Crough, Ld, Mullett Bros, "Time" Shutter, Shew's Eclipse Hand Camera, Lantern Slides, Edwards's Isochromatic Plates, Henry J. Beasley, James J. Hicks, "Ilford" Bromide Opals, The Volute & Wing Shutters, the New Iris Shutter, Bausch and Lomb Optical Co, W. & D. Mogey's Photographic Lenses, Albumen Paper, Hyatt's Patent Stamp Portrait Cameras, The American Camera Co, Hawk-Eye Detective and Magazine Cameras, Edwards's Sensitized Paper, Edwards's Trade Xl Mark Sensitized Paper, Eastman's Permanent Bromide Paper, Wuestner's New Eagle Dry Plate, Lafayette W. Seavey, White's Studio Requisites for Posing and Lighting in the Studio, St. Louis and Canadian Photographer, Gray's Extreme Angle Periscope, The Elliott-Clymer Co, Transparent Films, Harvard Dry Plate. Table of contents: Index to Advertisements, Index to Subjects, Index to Authors. Essay: Amateur Work Which Pays, Flash Light Photography, On Lantern Matters, An International Interchange of Lantern Slides, Interiors, Our Modern Lenses, Impurities in Water and Some of Their Effects on Photographic Chemicals, Maoriana, A Cheap Private Studio, Photographing Animals in Motion, Coloring Lantern Slides, Hawthorne on the Daguerreotype, Amateur Portraiture, Recent Progress in Photographic Surveying, A Cracked Plate, Amateur Photography, past, Present and Future, Lenses for Large Head Studies, Has the Developer of the Future Come, On Reversing Negatives, Practical Hints from an Old Hand as to Exposure, Injury to Negatives from Platinum Paper, Eikonogen, Its Constitution and Preparation, Toning Bromide Prints and Gelatino-Chloride Papers, The Most Refractive Rays and Their Photographic Picture, Instantaneous Photography, The Financial Drift in Photography, Some Thoughts on the Art Side of Photography, The Eye and the Brain, the Lens and the Plate, How to Use Flexible Celluloid Films, Printing on Matt Surface Paper, Some Practical Notes on the Relief Half Tone Process, To Prevent Negatives Breaking in the Printing Frame, The Development of an Amateur Photographer, Painting in Relation to Landscape Photography, Dry Plates in a Damp Climate, Printing Bath, Can Silver Prints Be Permanent, Expression in Landscape Photography, Ways and Means, The Storage of Negatives and Lantern Slides, Use of the Swing Back Versus the Sliding Front, High Bridge, New-York, Some Hints on Lantern Slide Making, "Tonality" in Photographs, Lantern Slide Plates, Jottings, Dr. Woodman's Table of View Angles, How to Make a Transparency for Copying, Tourists' Camera Club Rooms 1022 and 1024. Membership Tickets at the Office, The Manipulation of Thickly Coated Plates, Notes on Some Novelties of the Year, Iceland, Photographic Societies of the British Isles and British Colonies, How to Photograph Stained Glass Windows, Oil Paintings, Etc, A Small Piece of Glass Rod as a Substage Illuminator or Condenser, On the Making of Lantern Slides, Copying Engravings from Books, Iron Process, Direct Printing Platinum Paper, Photography in the Witness Box or Gas Versus Electricity, "An Old Landmark" Description of Illustration from Half Tone Process with Fine Line Screen Plate, Double Fixing of Negatives, An Accessory for Home Portraiture, Intensification of Gelatine Plates with Silver, "How Shall We Build Our Temple of Light", Looking Ahead, Eikonogen for Lantern Slides, Printing in Clouds: a New Dodge, Errors in Focussing, Arising from Neglect of the Spherical Aberration of the Lens, Photography in Futuro, A Neglected Dry Plate Collodion Process, Interference Diaphragms, The Photographer's Apprentice, Glue Reliefs for the Production of Water-Marks, Stamping of Paper in Variegated Colors, and the Production of Instruction Books for the Blind, The Future of the Detective Camera, Eikonogen as a Developer, Cycling and Photography, On Amateurism, Photographic Enlargements as Illustrations for Scientific Lectures, Tables for the Conversion of Grammes (or Cubic Centimeters) into Ounces and Grains, Choice of Lenses, Camping Photography, Table of Exposures for Enlarging and Reducing, Frost Studies, Home Made Photographic Appliances, Where to Spend a Holiday with a Camera, Blue Printing for Amateurs, Can Photographs Lie, Notes on English Architecture, Judging at Photographic Competitions, The Necessity of a Good Negative, Hash, The Sizes of Photographs and Reasons Why Photographs Fail as Works of Art, Tables, An English Alpine Valley, The Educational Value of Amateur Photography, Extraneous Light in the Camera, "On Tour and After", New Formulas for Eikonogen Developers, Eikonogen, A Home-Made Photomicrographic Camera, The Eyes in Portraiture, American and Western Photographic Societies, Hints on Picture Making, Some of My Failures, Magnesium Flash Photography, with the Petroleum Hanging Lamp, Pyrocatechine Development, Hydroquinone, Further Experiences With, A Few Rambling Remarks, Early Isochromatic Photography, Inexpensive Trays, Fireside Development, A New Magnesium Lamp, Double Pose Photographs, Societies and Clubs, What Is the Matter with Dry Plates, Eikonogen for Bromide Prints, Is Retouching an Art, The Electric Light in the Dark Room, Enlarging or Reducing, Medical Photography, The "One Solution" Developer, A Few Notes on Development, A Remedy for Mealy Prints, The Photography of Projectiles during Their Flight, A Simple Drop Shutter, Silver Prints on Rough Surfaced Paper, Simple Method of Hanging Pictures, The Human Face from the Realistic Point of View, The Fixing of Negatives, My Portable Dark Room, Practical Notes A New Use for a Paper Preservative Box, Hints on Copying, Treatment of Over-Exposed Plates with Pyro, A Photographic Lens Shade, Monumenting Daguerre, Intensification, The Spectroscopic Examination of Light Filters for the Dark Room, Notes on the Magic Lantern, Retouching, Some Things That Puzzle Beginners, How to Hornswoggle a Printing Bath, A Simple Negative Illuminator, Indoor Photography at Night, A Multiple Camera, The Future of Photographic Printing, Photography and the Magnitude of the Stars, A Plea for Pyro I— Come— Again— (Eikonogen), Semblance or Reality— Which Shall It Be, Lantern Slides, Some Possible Uses of Celluloid Films, How to Work with Color Sensitive Plates, Advice to Amateurs, Photomicrography Versus Drawing in the Delineation of Microscopic Objects, Strange Adventures of a Camera in Rural England, Continental Photographic Societies, Photographers and Insurance, Dry Plate Development for Beginners, Sulphurous Acid, Astronomical Photography at the Lick Observatory, "Looking Backward", Where to Go with the Camera in Southern California, The Hand Camera and Its Defects, Developing in White Light, Landscape Enlarging, Photography in Its Best Estate, Composite Photographs, If Not, Why Not? or Professionalsvs. Amateurs, Varnishes for Lantern and Stereoscopic Transparencies, How I Develop Collodion Emulsion with Eikonogen, Corrections in Kodak Manuals, Some Suggestions as to the Proper Subjects for Lantern Slides, and Some Faults in Slide Making, Quality, Some of My Experiences, The Outcome of Photographic Progress for 1889, Retouching Portrait Negatives, A Plea for the Changing Bag, The Parson and His Camera, The Ubiquitous Amateur, Colored Screens and Color Sensitive Plates, Incongruities in Photographic Portraiture, Dark Tones in Silver Prints, Printed on N. P. A. Extra Brilliant Albumen Paper. A Portrait Study, by C. F. Conly, Lantern Entertainments, Lantern Slides, Etc, On the Diversity of Lens Mounts, Blisters in Stripping Films, Negatives, Etc, Notes on Enlarging, "Have the Public Any Rights Which the Photographer Should Respect?", Photography and the Draper Memorial, A Shutter Story, A Novel and Pleasing Method of Mounting Photographic Prints, About the Improvement of the Stereoscope. Arts and entertainment: Preparing for an Exhibition, Exhibition Notes. Poem, verse: The Cheerful Amateur. Songsheet, music: Tables for the Simplification of Emulsion Calculations. Classified ads: Multiple Classified Advertisements.