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The British Journal Photographic Älmanar and Photographer Daily Companion for 1886

1886; Gale Group; Linguagem: English

J. Traill Taylor, R. L. Maddox, H. P. Robinson, Valentine Blanchard, G. M. Whipple, Rev. S. J. Perry, M. Carey Lea, T. Charters White, Alexander Cowan, B. J. Edwards, Dr. J. Schanauss, A. Davanne, E. Audra, G. Watmough Webster, J. J. Acworth, H. Norwood Atkins, E. W. Foxlee, W. E. Debenham, William Brooks, W. T. F. M. Ingall, W. M. Ashman, Rev. H. Victor MacDona, W. K. Burton, J. J. Hollway, Francis Cobb, J. Vincent Elsden, Andrew Pringle, Herbert S. Starnes, Rev. A. M. MacDona, Ernest Graham, L. C. Meves, Lot Dixon, A. Johnston, F. A. Velasco, Drury Lane, P. H. Phillips, John Lewis, Joseph H. Woodworth, George Mason, C. Oakeshott, John Nicol, T. N. Armstrong, G. A. Kenyon, Edward Dunmore, C. C. Hodgson, W. Coles, A. Donald, J. Pike, J. A. Forrest, Charles Alfieri, Richard Parr, G. T. Grammer, Mark Oute, William Adcock, Rev. Locke MacDona, Joseph Paget, George Bankart, J. Bool, W. B. Allison, John Howson, David M. Linley, T. W. Palmer, G. A. Carruthers, Rev. H. B. Hare, W. Neilson, H. W. Short, E. A. Rice, Thomas Gulliver, W. Harding Warner, C. C. Vevers, H. G. Moberly, G. G. Mitchell, William Ouin, George Smith, Thomas Gulliver, George Smith, W. F. K. Stock, T. G. Whaite, W. T. Wilkinson, S. D. McKellen, Rev. B. Holland, H. J. Gifford, John A. Hodges, Alexander MacKie, F. M. Sutcliffe, Thomas Furnell, Henry Cooper, George Mansfield, John Harmer, A Rambling Victorian, G. L. Addenbrooke, Seymour Conway, Selimo Bottone, Andrew Bowman, W. H. Hutton, F. W. Theadway, James C. Stodder, Rev. J. Carter Browne, G. R. Baker, John Werge, J. L. Ranking, R. Railston Brown Jr., Richard Keene, W. J. Byrne, E. Howard Farmer, J. A. C. Branfill, J. H. Smith, George Hadley, J. Desiré England, James Martin, S. W. Rouch, R. Murray Lawes, A. A. Ferrari, Edwin Cocking, Thomas Earp, A. F. Genlain, Harry Smart, Harry Platt, W. Clement Williams, Frederick York, Thos. H. Kane, William Hanson, J. Barker, George Smith, J. Barker, Baynham Jones, John Patrick, George Patterson, A. W. Scott, Professor E. Stebbing, A. Dawson, Ellerslie Wallace, William England, H. S. Mendelssohn, William J. Cox, Joseph Gray, Chas. J. Hall, J. S. Pollitt, W. H. Harrison, H. Holman, H. N. King, F. W. Hotham, John Birtles, W. Irving Adams, James G. Mainds,

Cover: The British Journal Photographic Älmanar and Photographer Daily Companion for 1886. Display ads: Derwent Dry Plates, Important to Amateur Photographers, Cowan's New Portrait Chloride Plates, Wratten & Wainwright's 'London' Dry Plates, Guerry's New Shutter, Trade Sciopticon, The Lion Dry Plates, The Eastman Dry-Plate & Film Company, Ck…, Samuel Fry & Co., Limited, Samuel Fry & Company, Limited, Thomas's Albumenized Papers, Hunt & Thornton, The Eastman Dry-Plate & Film Compy, Newman's 'Slow-Drying Tube' Moist Water-Colours, J. T. Chapman, The New 'Simplex' Camera, 'The Crown' Masks and Discs, Morley's New Lenses, Walter Lawley for New and Second-Hand Cameras, Lenses, and Apparatus, Marion's Photographic Supply Warehouse, Chatham Pexton, Marion's Britannia Dry Plates, Rouch's Gelatine Plates, Cowan's Portrait Chloride Plates, Bowman's Improved Photo Rolling-Press, Special Transparency Plates, R. W. Thomas & Co., Improved Portable Bellows Camera, Horne, Thornthwaite, & Wood, William Hume, Wratten & Wainwright's Sensitized Albumenized Paper, W. Watson & Sons, Swift & Son, The 'Barbican' Dry-Plate Camera, Entrekin's Eureka Burnisher, Copeland's Universal Studio Camera, Studio Accessories and Rustic Furniture, Residues, Suter's Aplanatic Lenses, Nelson's Photographic Gelatine and Nelson's Special X Opaque Gelatine, Marion's Alpha Paper, Ross' Improved Portrait Lenses, 'The Crown' Masks & Discs, Mawson & Swan, Lejeune & Perken, Pianofortes, P. Meagher, Photographic Apparatus Manufacturer, Multiple Display Advertisements, Cowan's Chloride Plates, Morgan & Kidd, The Platinotype Company, Thomas Mayne, George Hare, The Diaphragmatic Shutter, Ross' Portrait and View Lenses, Joshua Billcliff, Shew's Patent Repeat Shutter, Huggon's Collodion, Samuel Fry & Compy.. Limtd, Marion's Amateur Outfits, Alliance Dry Plates, E. & H. T. Anthony & Co., The Wenham Gas Lamp, Kinnears Patent Self-Lighting Gas Burner, Photographic Materials, George Mason & Co.'S, A. Darlot, Best Double Albumenized Paper, Spicer Brothers, The Britannia Alpha Opal Plates, The Mawson Plate, Modern Camera & Camera Stand, Eastjaan's …, … with One Dark, Sidmouth, Middlemiss' Patent Camera, Sulpho-Pyrogallol, The Original Triple Lantern, New and Second-Hand Lenses, Cameras, Apparatus, Oborne's Mounts, Bromide Argentic Paper, Elisha Mander & Son, Marion's Stock Cameras, Yorkshire College Photographic Club, J. L. Lane & Sons, Photographic Apparatus Manufacturers, J. Carbutt, Manufacturer of the 'Keystone' Gelatine Dry Plates and Photographuc Specialities, … Transparencies, Pyro & Glycerine Developer, Wratten & Wainwright's Perfect Model Tent, The Club Portrait, G. W. Austen, J. Lancaster & Son, Opticians, Birmingham, H. Newton & Co., Thomas's Pall Mall Dry Plates, Dallmeyer's Lenses, Ludgate Photographic Stores, Geo. Houghton & Son, The British Journal of Photography, The Academy Camera, Manufactory of Photographic Papers, Tailfer & Clayton's Isochromatic Plates, Shew's Combination Camera, Marion & Co., The Manchester Photo Enlarging Co., Mawson's Standard Collodion, To Photo. Stock Dealers Abroad, Marion & Co. 'S Lenses, Gauthier-Villars, Printer & Bookseller, Marion's Photo Supply Warehouse, Reynolds & Branson, Marion's General Photo Supply Warehouse, Negative Paper, Thomas's Collodion, Stevens' Rooms, of Every Description of Photographic Apparatus and Miscellaneous Property, Albumenized Paper, The Patent Monocular Duplex, Makers of 'The Charterhouse' Dry Plate, McGhie & Bolton, Elliott & Fry, Edwin Oborne, Marion's French Mounts, Mawson & Swan's Standard Photographic Varnishes, 'Lancaster' Enlarging Lantern, The Photographic Times, The 'Universal' Studio Camera, Lane & Sons' Improved Tourist Camera, Shew's Universal Camera Clip, The Eastman Dry-Plate and Film Co., Marion's Patent Compacta Camera and Envelopes, J. M. Copeland & Co., New and Second-Hand Lenses and Cameras, Solomon's Enlarging Apparatus, Cubley & Preston, W. W. Rouch & Co., Prize Medals & Awards, Amateur Photography, McKellen's Double-Pinion Treble Patent Camera, D. Hutinet's, John J. Atkinson, Liesegang's Photographisches Archiv, J. F. Shew & Co., Ross & Co., F. W. Vérel & Co.'S Gelatine Dry Plates, Dry Plates, J. Lancaster & Son, Cut-Out Mounts & Frames, Ross' Portable Symmetrical Lenses, The Wenham Ventilating Gas Lamp, G. Hare's Improved Portable Bellows Camera, Edwards's Xl Dry Plates, J. H. Dallmeyer, Optician, Camera Club, Photographic Mounts, Watson & Sons' Dry-Plate Cameras, Polytechnic School of Photography, A…, Henry Park, Marion's Registered Print-Washing Apparatus, J. Robinson & Sons, James Swift & Son, The Pamphengos, Copeland's Special Lenses, Joseph Lucas & Son, James Lancaster & Son, Halllowfield's "Patent" Compactum Camera and Tripod Head, G. M. Satchfield & Co., The Godstone Automatic Washing Tray, Brass Rims, George Mason & Co., Paget Prize Plates, Wratten & Wainwright's Photographic Apparatus, Wratten and Wainwright, The 'Eclipse' Light for Professionals and Amateurs, Marion's Albumenized & Ready-Sensitized Papers, Ross' Dry-Plate Outfits Complete, The Britannia Bromide Paper, Gotz's Patent Camera, Morgan & Kidd's, Mawson's Collodion. Classified ads: Multiple Classified Advertisements. Frontmatter: The British Journal Photographic Almanac and Photographer's Daily Companion for 1886, Preface. Essay: Photographing Cloudland and Moonlight Effects, Outdoor Work, The Photographic Tourist and His Requirements, Dry Glazing, Photographic Education, The Aplanatism of Single Landscape Lenses, The Ethoxo Limelight, A Varnish for Gelatine Negatives, Photography and Astronomy, Photographic Apparatus for Amateurs, Seaside Experiences.— One Side of the Picture, The Best Way to Produce Frilling, A Trip across the American Continent with a Camera, Some Thoughts on Photomicrography, Non-Actinic Light, Stereoscopic Photography, A Few Hints to Tourists, On the So-Called Accelerators in the Iron Development, A Useful Sensitometer, A Few Words on Reproduced Negatives by Artificial Light, Photography in Demerara, A New Brush, 'A Felt Want', A New Studio, Emulsion-Making Made Easy for Amateurs and Settlers in Outlying Parts of the World, Selves by Selves, Foreign Photographic Journals, Skies, Lantern Hints, How to Reduce an Over-Strengthened Negative, Further Hints on Enlarging, Fog an Ally, Estimating Exposures, 'Light for the Dark Room', Optical Contact, A New Shutter, Filtered Gelatine for Dry Plate Emulsion, Vignetting, The Washing of Negatives, An Experience with Blisters in Albumenised Paper, Improving the Printing Quality of Negatives, The Sodic Sulphite, A Levelling Table for Gelatine Plates, A Use for Over-Printed Proofs, How Beginners Fog Their Plates, Removal of Certain Spots from Gelatine Plates, A Fortnight's Vacation in Hastings and Neighbourhood with the Camera, The Science of Developing-Room Illumination, A Healthy Dark Room, On Perfect Fixation, Ferrous-Oxalate Developer, Notes, Electric Lighting, Architectural Photography: Interiors, Development, A Perfect Saturator for the Ether-Oxygen Light, Negative 'Films' in Ordinary Dark Slides, A Few Adverse Experiences in Photography, Paper Films Versus Glass Plates, Tested Light for Development, Dark Days, Liquor Ammonia, 0-880, Practical Hints on the Production of Photo-Crayon Portraits, A Print Washer, Some Hints on the Study of Photography, Photography as Applied to Engineering, How to Save an Over-Exposed Gelatine Negative, Packing Plates En Voyage, Enlargements from Small Negatives, Facts, Copying Silver Prints with the Ordinary Camera, Summarised Notes of Progress during the past Year By the Editor, Lime-Light, Hints on Pressure, &c., Glass or Paper?, Photographic Show-Cases, A Convenient Focussing Cloth, Notes for Novices, On the Development of Chloride Plates, Slow or Rapid Plates, Hints from the Printing Room, A New Departure, A Photographic Trip in 1885, Hints for Beginners at Collotype, On the Ferrotype Dry Plate Process, Custom House and Dry Plates, On the Packing and Safe Transit of Negatives, &c, New Method of Adding Clouds to Negatives, Development in the Lantern, Home-Made Lever Slides, The Longevity of Exposed Gelatine Plates, Taste in Mounts, The Packing of Gelatine Plates, 'A Step in Advance', Photography—Its Future, The Theory of Printing and Toning, Improving Landscape Negatives, On Clearing Solution of Shellac and Methylated Spirit, Focussing Cloth and View Meters, Vertical and Horizontal Movement for Camera Front, American Photographic Societies, Photographers and Insurance Companies, Adjusting the Camera for Copying, The Photographic 'Artful Dodger', Hints upon Photographic Matters, Art Education in Photography, Difficulties in Dark Places, A Rambling Retrospect Focussing Screen— Developer— Fixer— Toner— Mountant— Methylated Spirits, Mounting without a Roller-Press, Good and Cheap Plates, Removing Pyro Stain from Gelatine Negatives, A Hint, A Photomicrographic Camera: an Old Arrangement Remodelled, Burnishing and Mountants, Scientific Development, Very Rapid Gelatine Plates, Amateur Photo-Astronomy, a Tale, Exposure and Development of Gelatine Plates, A Simple Dark Slide, 'Home Photographs', Residues and Assayers, About Exposure, What Is Organic Matter?, A Few Hints and Cautions on Toning, and Fixing Ready-Prepared Paper, On the Keeping of Dry Plates, On Testing the Registration of the Plate-Carrier with the Focussing-Screen, Acid in Emulsion, Paper Negatives, Photographic Reform, Value of Shades in Landscapes, U. S. Numbers of Diaphragms, Continental Photographic Societies, Formulæ The Wet Collodion Process, Lantern Slides on Dry Plates, Gelatino-Chloride Printing-Out Paper, The 'Lizzie Ann' Exposing Shutter, On Developing Rooms, Two-Solution-Developer, Exposing Negative Paper in Ordinary Dark Slides, Sensational Effects with the Lantern, A Developing Lamp, How Photography Gets Sneered At, Binding Slides, Reduction of over Intensification, Testing the Rapidity of Plates, Plumb Your Plate, Film Photography By the Editor, The Photographic Sketcher, Photographic Lenses, Portable Dark Room, No Latitude in Exposure, Mercury Intensification, Washing Negatives by Mechanical Means, Epitome of Progress during 1885 Difficulties in Toning Carbon Transparencies. Poem, verse: L'atelier, 'At First; 'At Last'. Table of contents: Index to Advertisers, Contents, Alphabetical List of Contributors.