Section I
1899; Gale Group; Linguagem: English
Autores
Edward L. Wilson, W. H. Sherman, Dr. Leo Baekeland, Dr. John Nicol, T. Perkins, Milton B. Punnett, J. F. Ryder, H. C. Stiefel, C. Francis Jenkins, Martin J. Harding, E. L. Mix, A. D. Guthrie, Ferdinand Flodin, E. K. Hough, H. W. Minns, B. L. H. Dabbs, Dr. Leo Baekeland, W. J. Warren, George B. Sperry, Franklin A. Nims, Julius F. Sachse, E. M. Estabrooke, G. G. Mitchell, H. W. Hales, Rev. John Gmeiner, Julian A. Dimock, W. T. Wilkinson, A. G. Marshall, W. F. Van Loo, Walter B. Loomis, T. Zweifel, L. V. Kupper, Paul Clare, William Bell, F. B. McCrary, C. O. Towles, T. B. Clark, M. Phillis Bell, G. H. Fowler, H. L. Olson, Herbert E. Watkin, Ernest Edwards, John Bartlett, A. Sarkastikus,
ResumoEssay: The Magic Lantern, The Working up of Platinotypes, Hand-Camera Notes, We Have Wondered, Opaque Parallel Lines in Negatives: Their Cause and Cure, Development by the Dozen, Family Records, Astronomical Photography: the "Second Sight" of the Astronomer, Past and Present, A Perfect Finder, Lenses, New and Old, A Printing Episode, "Special" Velox, Section I A Glance at Photographic Progress in 1898, Section II Original Contributions, The Handling of Faulty Negatives, "What Are You in It For?", Tele-Photo Combinations, Photographers' Associations, Retrogression of the Latent Photographic Image, The Elements of Success, College Photography as a Specialty, Aluminum Chloride in the Developer, The Evolution of the Photographer, Some Practical Hints on Photographing Flowers, Concerning Photographic Studio Lights, What Cheer!, American and European Portrait Photography Compared, Finders, Cave Canem, The Dignity of the Profession, Printing in Carbon, "Take Me at My Best", Expression in Portraiture, The Effect of Development upon Subsequent Mercurial Intensification, "Questions Cheerfully Answered", Statuesque Photographs, Plain Versus Picture Portraits, A Pocket Studio for an Unworked Field, Carbon Printing: by an Amateur, Printing Dodges, Adaptation in Photography, The Amateur, Rapid Versus Slow Plates. Frontmatter: Preface, Entered, According to Act of Congress, in the Year 1898, by Edward L. Wilson, in the Office of the Librarian of Congress, at Washington, D. C., Photographic Mosaics, 1899, Photographic Mosaics An Annual Record of Photographic Progress. Table of contents: Contents, Index. Business: Photography as a Business, A Remedy for Decay in Business. Display ads: Wilson's Photographics, Carbutt Dry Plates, Carbutt Metol-Hydro Powders, Multiple Display Advertisements, J. Manz & Co., The Scovill Photographic Series, The "Montauk" Hand Cameras, E. & H. T. Anthony & Company, H. A. Hyatt, Self-Toning Paper, Gundlach Optical Co., The Photogram, Ltd., E. & H. T. Anthony & Co., The Voigtlaender & Son Optical Co., Wilson's Quarter Century in Photography, Photo-Engravers, Metol Tubes, The Scovill & Adams Company of New York, M. A. Seed Dry Plate Co., Hammer Dry Plates, Higgins' Photo Mounter, Drs. Starkey & Palen, Wilson's Photographic Magazine, A. M. Collins Manufacturing Co., Superb Carbon Effects, Gennert's Photo-Library, Ross, Ltd., The Montauk Hand Cameras, Edward L. Wilson, Braun, Clément & Co., Metol Hauff, Montauk—Long Focus Camera, Goerz Double Anastigmats, American Aristotype Co., G. Gennert, Hance's Photographic Specialties, Half=Tone and Line Work, Klay's Multiplying Plate=Holder, "Nepera Chemical" Company, Max Levy's Perfected Engraved Grating, Charles Cooper & Co., Tennant & Ward, Semi-Centennial Camera Stand, Animated Pictures, Eastman Kodak Co., The Scovill & Adams Company of N. Y., Collinear Lenses, American Aristo Products, Max Levy's.
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