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The International Annual of Anthony's Photographic Bulletin

1893; Gale Group; Linguagem: English

Signor Aspa, Carl Angerer, Abraham Bogardus, Joseph P. Beach, Reginald A. R. Bennett, H. M. Beeles, Jabez Boothroyd, Ernest Beck, A. C. Champagne, E. E. Cohen, P. C. Duchochois, Francis G. Eliot, Nichol Elliott, E. W. Ellsworth, Charles T. Fellows, A. D. Guthrie, W. J. Hickmott, J. R. Husson, E. K. Hough, Dudley C. Hasbrouck, Robert J. Hillier, Gustine L. Hurd, Martin J. Harding, Chapman Jones, James Joy, Dr. H. Valentine Knaggs, Colonel A. Laussedat, Abe Lizzard, Rev. F. C. Lambert, G. H. Loomis, A. S. Murray, Arthur James Melhuish, G. G. Mitchell, Manly Miles, Edward Manser, J. B. Obernetter, Rev. T. Perkins, Fred. W. Pilditch, H. R. Procter, James D. Ross, H. W. Studley, C. B. Talbot, R. M. Worden, Ellerslie Wallace, H. H. Williams, Chas. Ballard, W. K. Burton, Frederic G. Benson, Henry E. Burn, Robt. E. M. Bain, C. H. Bothamley, W. M. Butler, Emily Culverhouse, Joseph Chamberlain, W. H. H. Clark, A. H. Calderwood, C. H. Clarke, Joseph Carroll, Harry T. Duffield, E. Decker, Fred. H. Davies, W. S. Emmens, E. Gosselin, Joseph R. Greatorex, Eli Hirst, H. W. Hales, I. C. Johnson, W. N. Jennings, Le Commandant V. Legros, G. H. Loomis, O. G. Mason, J. M. Nicholson, W. H. Mapes, Henry Pickering, F. M. Rood, Henri Reeb, Miss Adelaide Skeel, H. M. C. Sprunt, C. E. Von Sothen, Victor Schumann, William J. Spurrier, J. Traill Taylor, G. E. Thompson, Maximilian Toch, Dr. H. W. Vogel, C. E. Vredenburgh, John W. Alexander, H. Crisp, Ann Devoor, Charles F. Dawson, R. M. Fuller, Charles E. Fairman, Wm. D. Farrington, Charles Gravier, F. J. Harrison, J. H. Harvey, George Kilburn, C. A. MacKechnic, W. L. J. Orton, Frederick Park, Marie Starbuck Platt, Charles Reid, A. Lee Snelling, John W. Sanborn, James Shepard, F. Thévoz, Andrew Biron, Ernest Beringer, Geo. Comstock Baker, W. Cooper, H. B. Constable, Joseph Cottier, J. M. Collins, Willis Dodge, Arthur H. Elliott, G. Muir Foster, E. Forestier, H. Fourtier, E. H. Keith, Maurice T. O'Connell, Milton B. Punnett, C. Emil Rönne, Francis P. Smith, T. A. Scotton, J. H. Shaw, John Smith, Cecil E. Shaw, M. W. Thompstone, Herbert O. Warner, Professor Charles A. Young, Victor Schumann, A. H. Elliott, C. C. Sherrard,

Cover: The International Annual of Anthony's Photographic Bulletin. Frontmatter: Preface, The International Annual of Anthony's Photographic Bulletin. Table of contents: Index to Advertisements, Index to Subjects, Index to Authors. Essay: Ancient Relics in Warwickshire, The Paper of the Future, Artists and Illustrations, Photographic Perspective, Interiors, Zinc for Graphic Purposes, The Use of Backed Plates, Once More—Advice to Beginners, A New Telephoto Lens of Moderate Power, Photographic Education, Clouds, Developing Formulæ Pyrogallol Mixtures, A New Device for Rocking Developing Pans, The Extended Enlargement of Photographic Spectra, Exposures Interior and Exterior, A Print-Out Emulsion for Printing Lantern Slides, Opals and Plaques in the Ordinary Printing Frames, Illustrations, How to Use the Focusing Cloth as a Changing Bag, Developers, The American League of Amateur Photographers, Fixing Bath for Aristotype Papers, A Chinese Amateur Photographer, Balloon Photography, My Experience at the World's Fair, Photography Simplified, Why Many Photographs Are so Ugly, MacHinery Photography, An Unrecognized Advantage of the Pigment Process, Photography as an Aid to Recognition, The Lantern as an Aid to Professional Photographers, "Halation", A Couple of Useful Hints, Between You and Me, Omega Paper Chloride of Lime-Toning Bath, Foreign Societies, To Young Amateurs, Pigment Paper for Amateurs, Out of the Beaten Track, Developing Bromide Paper, Photography for Boys, To the Beginner, The Value of Permanent Printing for Photographs of National Importance, Photography in Colors, How Long Does It Take to Learn Photography?, The Choice of Stereoscopic Views, My "Out of Door" Studio, Amateurs A Justification, Premature Artists, On Ghost Pictures, A Few Notes on Micro-Photography, "Latitude" in Development, Dry Plate Lantern Slides, Drying Paper Properly, Films, Holders and Celluoid Ground Glass, Etc., Cloudy Lights, A New Whirler, Bad Form in Photography, Amateur Photography without a Schoolmaster, Dodges, The Fair Hills of Fire O (Ireland), Light in the Dark Room, Stripping and Replacing Negatives, Without Expansion First Method, Mounting Prints with Wide Margins, The New School of Photographers, Double Front Boards, Posing, Architectural Photography, Preparing Percentage Solutions, Developers, Old and New, Research Work—A Hint to Photographic Societies, Experiments with Dallmeyer Lenses, American Societies, School of Photography, Photography and Illustrated Journalism, New Developers and Their Respective Merits, Littlehampton and Surroundings, Posing the Head, Are Silver Prints Permanent?, Tripoli in Barbary, Enlarging, Self Portraiture, The Value of a Photograph, Tables Table of the Elements, Cold-Bath Platinum Process, The History of Color-Sensitive (Iso-Chromatic or Ortho-Chromatic) Photography, American "Aristo" Paper The Requirements of the Photographer, Making Negatives by Lamp Light, Metro-Photography; or, Photographic Surveying, in Canada, Hand Camera Work, Retrospective Chat, Keeping Qualities of Dry Plates, A Short Focus Lens, What's in a Name ?, Likeness and Retouching, Intensification, Toning, Notes on Solar Spectrography at the Halsted Observatory, Faults in the Negative and How to Improve Them, The Measurement of Photographic Exposures, Polly's Pictures, High Power Photo-Micrography, The Negative: Operations Following Development, Positive Images Obtained Directly in the Camera, Porcelain Positives, Stereoscopic Views and How to Cut and Mount Them, Advice to Beginners and Others, Photography and the Magic Lantern in the School, Hand Cameras and Cheap Plates, The Arethuse, A Plea for the Advancement of Art in Photography, A Plea for the Hand Camera, Opalines Made with Gelatino Chloride Printing out Paper, The Painter and His Camera, Another New Departure, Sulphurous Acid, View Taking in Winter, Nota Bene, Developers.—Their Relative Value and Availability, Stick to Pure Water, A Test of the Permanency of Silver Prints, "Bits and Bobs", Hints for Amateurs, Preliminary Experiments in Pinhole Photography, Reversed Negatives, Indians at the World's Fair, Orthochromatic Sensitizing Baths, The County Fair, How I Prepare My Developer, A Word of Caution, Photographic Illustrating, Rambling Notes, Sizes of Dry Plates Made in France and Germany, Certainty, Clouds in Bromide Enlargements, The Decimal System, A Hint to Camera Makers, Misleading Developers. Business: Business before Art The Law of the Successful Photographer. Poem, verse: Our Photographic Friend, Satisfied. Display ads: "Imperial" Magnesium Flash Lamp, Bausch & Lomb Optical Co., E. A. Rapid Lens, Carbutt's Orthochromatic Plates and Films, Anthony's Climax Cameras, Standard Developing and Toning Solutions, The F. Gutekunst Co., Wilson-Hood-Cheyney Co., Manhattan Optical Co., Gundlach Optical Co., M. Wolfe, M. A. Seed Dry Plate Company, Electro Light Engraving Co., Moss Engraving Company, The Buffalo Argentic Paper, Wuestner's New Eagle Plates, Photo Engraving Co., Otis C. White, J. C. Somerville, N. Y. Engraving and Printing Co., Geo. M. Babb, The "Gem City" Camera Stand, Sweet, Wallach & Co., Standard Photographic Publications, Multiple Display Advertisements, Prosch Manufacturing Co., H. A. Hyatt, Chas. Cooper & Co., Anthony's Helios Dark Room Lantern, High Class Photographic Lenses, E. & H. T. Anthony & Co., J. B. Colt & Co., The Hammer Dry Plate, Alfred Sellers & Co., Heliotype Printing Co., Blair's Cameras and Films, Higgins' Photo Mounter, Francais Lenses, Geo. H. Benedict & Co., Wood's Display Cabinet, Iliffe & Son's, E. & H. T. Antony & Co., Canfield Rubber Co., Hovey Brothers, The Blue Book of Amateur Photographers, Electro-Tint Engraving Co., Wm. E. Peck & Co., Bradfisch & Pierce, The American Amateur Photographer, Canfield Rubber Company, John Andrew & Son Co., New York Aristotype Co., The "Eclipse" Dissolving Stereopticon, American "Aristo", G. Cramer Dry Plate Works, Weeks Engraving Company, C. E. Hopkins, Mfr., Wilson's Photographic Magazine, A. M. Collins Manufacturing Co., Excelo Carbon Tissue, Ross' Lenses, J. Manz & Company, Process Etching and Engraving Company, Acme Burnisher Co., Crosscup & West. Engraving Co., Gill Engraving Co., Ross & Co., Archer's Lantern Novelties, Carbutt's Dry Plate and Film Works, Albumen Paper, Pyrogallic Acid, Entrekin Patent Improved Rotary Burnisher, Solio, Hugh Morrison & Sons, St. Louis and Canadian Photographer, Eastman Kodak Co., Max Leyy's Perfected Engraved Gratings for the Half-Tone Process, Anthony's Photographic Bulletin.