Jornais Acesso aberto

Macclesfield Photographic Society

1858; Gale Group; Linguagem: English

Autores

Thomas Sutton, Andrew Ross, Osc. J. Wallis, M. A. Root, Henry E. Roscoe, D. Van Monokhoven, Mr. J. T. Taylor, Richard Baigent Jr., Paul Pretch, James Alexander Forrest, Thomas Skaife, M. J. Soares Jr., Alfred Keene, Mr. J. A. Judge, M. Henri Garnier, Alphonse Salmon, M. De Brebisson, John Wood, M. Gatel,

Resumo

Essay: Photography in Germany, Mr. G. C. Warren's Paper, A Comparative View of the New Orthoscophie Petzvel Lens, with the Ordinary Single Combination Landscape Lens, Carbon-Printing Process, Manchester Photographic Society, On the Wet Collodion Process, Photographic Curiosities, Proofs by Nitrate of Uranium, Mr. Sutton's Paper, Mr. J. Archer's Paper, On Varnishes for Photographic Purposes, Mr. Harrison's New Lens, On the Treatment of Negative Nitrate Baths That are Out of Order, Log of a Photo-Yachting Excursion to the Coast of Brittany, Mr. R. L. Jones's Paper, Macclesfield Photographic Society On the Nature and Properties of Light, On the Uranium Printing Process, Photographic Society, Notes on Mr. Burnett's Letter of March, 23, A Week with the Camera among the Kentish Hills, Personal & Art Intelligence, French Photographic Society Ordinary Meeting, July 16th, 1858, French Photographic Society, Albumenized Collodion Process, "The Photographer" New Series, Suggestions Relative to Testing Qualities of Glass Intended for Photographic Operating Rooms By the Editor, On Certain Modifications of the Positive Printing Process, Mr. Geo. Shadbolt's Paper. Letter to the editor: Transferring the Collodion Film To the Editor of the Liverpool and Manchester Photographic Journal, On the Working of New Collodion, Vignette Machines for Glass Positives Suggested Improvement, The Orthoscopic Lens, Some Items, Relating to the Process of Sitting for a Reliographic Portrait, On the Advantageous Employment Of Stereoscopic Photographs for the Representation Scenery, Colouring Glass Positives To the Editor of the Liverpool and Manchester Photographic Journal, The Fothergill Dry Process To the Editor of the Liverpool and Manchester Photographic Journal.

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