Portal de Periódicos da CAPES

Camera Work

1914; Gale Group; Linguagem: English

Alfred Stieglitz, Mabel Dodge, Hutchins Hapgood, Charles E. S. Rasay, Adolf Wolff, Hodge Kirnon, Anne Brigman, Clara Steichen, Ward Muir, Abby Hedge Coryell, Frank Pease, Stephen Haweis, Rex Stovel, Alfred Kreymborg, Francis Bruguiere, Ethel Montgomery Andrews, Frances Simpson Stevens, Djuna Barnes, Paul B. Haviland, C. Demuth, Konrad Cramer, Charles Daniel, Anna C. Pellew, Helen R. Gibbs, H. Mortimer Lamb, Marsden Hartley, Arthur B. Davies, Arthur G. Dove, John W. Breyfogle, William Zorach, Eugene Meyer Jr., Arthur B. Carles, E. Zoler, J. N. Laurvik, Christian Brinton, N. E. Montross, Hugh H. Breckenridge, Helen W. Henderson, Ernest Haskell, Frank Fleming, Lee Simonson, Arthur Hoeber, William F. Gable, A. Walkowitz, F. W. Hunter, Oscar Bluemner, C. Duncan, Katharine N. Rhoades, Agnes Ernst Meyer, Marion H. Beckett, Clifford Williams, Samuel Halpert, Man Ray, Marie J. Rapp, Charles H. Caffin, Dallett Fuguet, Belle Greene, Eduard J. Steichen, Hippolyte Havel, Henry McBride, Torres Palomar, Torres Palomar, John Weichsel, J. B. Kerfoot, Francis Picabia, Francis Picabia, Marius Dezayas, John Marin,

Frontmatter: Camera Work. Essay: Is the Attic near the Roof, "291" Is the One Place Where People Gather That Has Never Become a Disappointment, Observations in Black and White, Its Meaning to Me, What Does "291" Mean to Me?, I Belong, or at Least I Believe I Belong, to That Class That Carlyle Describes as "Cause-And-Effect Speculators", a Class for Whom No Wonder Remains Wonderful, but All Things in Heaven and Earth Must Be Computed and "Accounted For", "Two Ninety One" Was the Original Impulse of My Going into the Modern World of Art, It Seems like an Impossibility to Write on "291", It Is Probably Natural That Many People Should Have Wanted to Know What It Was, but It Is Amazing That Some Sixty Individuals Should Have Been Ready and Able to Give Some Kind of an Answer as to What It Means to Them, The Home of a Living Rebel!, From the Most Interesting Thoroughfare in the World Carefully Avoiding the Chastity of a Tea Shop, and Stumbling over Bales and Sweet Scented Crates from Far Cathay; through a Dingy, Sunken Hallway, Then Ethiopianly Piloted in the Most Incredible Elevator to the Attic, My Associations with "291" Have Not Been Extensive, but the Memory of Them Is Not the Less Rare, What 291 Is to Me, My Opportunities for Keeping in Touch with "291" Have Not Been as Great as I Should Desire; but in Spite of This "291" Has Given Me the Privilege of Seeing a Wide Variety of Examples of the Work of Artists Who Are Reaching out into New Fields and Who Represent a Distinctly Modern Impulse, As to "291", It Means a Place Where New Ideas Are Received without Prejudice, with a Sincere Searching for Truth, The Sun-Disc-Emblem Which "291" Has Maintained, These Ten Years, in Its Entrance-Hall, between Mary-Elizabeth's Carnal, and Long Sang Ti's Spiritual Allurements, Has Assumed with Time a Steely Countenance, with Features Vacuous and Waiting; a Fitting Symbol for a Mirror-Like Place, What Is 291?, I Sewed and Hemmed and Hung the First Curtains for "291", Is a "Halt" for Those Who Want to Know How One Thinks, How the Vertiginous Thought of Those Who Can Think Deeply Is Developed, One of Our Daily Advertising Sheets Recently Offered a Reward of $1000.00 for the Discovery and Apprehension of the Anarchistic Bombthrowers Who Have Been Terrorizing the Community, Two-Ninety-One and Rockefeller Institute Are Doing Research Work, The Philosophy, Two-Nine-One—A Londoner's View, I Have Been Invited to Say What "291" Means to Me, Not an Idea nor an Ideal, but Something More Potent, a Fact, Something Accomplished, Being of a Nature Although Perfect, by No Means Final or Conclusive, but Much to the Contrary, A Positive Electron Ever Ready to Use Its Powerful Dynamic Force for the Destruction of the Deadly Microbe, Has Weight and Direction, It Was a Sufficiently Terrible Thing When the Inmates of Dr. Goujon's Private Asylum Succeeded in Overmastering Their Keepers and Acquired Control of the Establishment, The "2" Equals the Pro and the Con, A Letter, Dear Stieglitz: the Following Is an Incident Which Seems to Me Reflects the Logical Development of "291, " and Being the Result of Various Combined Energies of the New Art Expression and the Higher Realization of This New Creative Force around You That You Were the First in America to Understand and Feel the Necessity, Que Fais Tu 291?, A Place Where I Can Think Aloud without Fear of Being Misunderstood, What Doest Thou, 291?, "291" Is a Man Who Lives through a Company, a Crowd Busy Expressing a Man; a Room and a Shrine; an Adventure and a Dream; a Pageant of Critics, Prophets and Fools; a Drama of Creators; the Lure of Yesterday, the Menace of Tomorrow, Dear Stieglitz: I Am Sorry I Cannot Write a Fitting Appreciation of the Modern Elixir You Are Giving America, Es Un "Alto Alli", And I Wandered Aimlessly in the Dark, Utterly Alone and It Was Very Bitter, Impressions of 291, It Is like a Straight Line Rising, a Line of Living Red, Rising above Gray Formlessness, and Other Straight Lines Run Towards the Big, Straight, Rising Line at Many Angles, Dear Mr. Stieglitz: in Response to Your Kind Invitation Wish to Say That I Feel Very Strongly the Value of the Work That "291" Has Been Doing in the Field of Art, What 291 Means to Me, Contributors, Another Year of Experimenting Done, An Arena for Disembodied Souls; for Star Dust, Molecules, Animalcula, Zu Ersten, Dear Stieglitz: in Re-Reading What I First Wrote about the Secession I Have Felt That It Did Not Really Express the Impression That "291" Makes upon Me and Has Made upon Me from the Beginning, About Six or Seven Years Ago I Heard a Lecture at the Art Students League, Multum in Parvo, A Letter from Prison, To Me "291" Stands for My Delight and Admiration for a Personality; Unselfish, Keen, Far-Reaching, Impartial, and Dynamic Enough to First Show Photographers What Photography Was with Its Limitations, and Then to Establish an Oasis in the American Desert of Art, Freed from the Fetters of Favoritism, Partiality and Commercialism, Where, without Class Distinction, an Opportunity Is Afforded to Study Art in All the Potentialities of Its Vagaries, "Toil and Trouble!, A Toast, It Is Given to No Man to Fasten a Single Definition upon "291", Except That the Inlet and the Outlet to the Same Are Perfectly Free to the Public, the Little Gallery of the Photo-Secession Bears an Astonishing Outward Resemblance to a Meeting Place for Avowed "Enemy's of Society", The Question, "What Is '291'?", That the Photo-Secession Kept on Seceding Is Surely What Proves That It Was Worth While, Between Four and Five, I Came into a Small Room. Poem, verse: The Spirit of 291, "There Is Always a 'More'—A Greater Vision— a Greater Realization", I Know a Place Where Reason Halts in Season and out of Season Where Something Takes the Place in Place of Reason a Spirit There Hovers Roundabout a Something Felt by Those Who Feel It Here Together and to Those Who Come a Place of Comfort a Place Electric a Place Alive a Place Magnetic since It Started It Existed for Those Sincere, A Nursery Crime Dedicated to a to Z from a to Z, The Mirror. Display ads: Goerz, The Kodak Film Tank, Bausch & Lomb Optical Co., Eastman Portrait Films, Chas. M. Higgins & Co., Multiple Display Advertisements, Eastman Kodak Company, John Royle & Sons, Kodak Anastigmat F. 8, Folmer & Schwing Division, The Autographic Kodak. Classified ads: Multiple Classified Advertisements, Geo. F. of Maker of Fine Frames.