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Multiple Display Advertisements

1880; Gale Group; Linguagem: English

W. B. Bolton, J. Traill Taylor, Piazzi Smyth, W. De W. Abney, Seymour Conway, J. W. Swan, G. Ferrier, W. Wainwright Jr., J. Dudley Radcliffe, R. Kennett, W. J. Stillman, H. Manfield, C. Bennett, A. L. Henderson, Payne Jennings, W. E. Debenham, George Mansfield, J. Thomson, H. A. H. Daniel, René Duparc, B. J. Edwards, Samuel Fry, J. Werge, Frank M. Sutcliffe, S. Rogers, H. C. Jennings, Anthony Philburn, Henry Barlow, J. Barker, Alan A. Campbell Swinton, H. Garrett Cocking, J. T. Bainbridge, J. M. Carroll, C. G. Cutchey, R. V. Harman, Captain J. B. C. Fox, A. J. Jarman, Lieut. J. D. Lysaght, E. Audra, George F. Williams, A. Tejada, W. Neilson, Andrew Bowman, William Bedford, William Ackland, Dr. H. W. Vogel, W. Horseman Kirkby, P. M. Laws, George Kemp, T. Bolas, R. W. Thomas, Chas. W. Folkard, William Brooks, H. Houlgrave, Francis G. Eliot, G. G. Mitchell, E. W. Foxlee, Colonel H. Stuart Wortley, Rev. C. H. Fynes-Cinton, G. H. E. Sutton, G. Watmough Webster, M. Perrot De Chaumeux, Duncan C. Dallas, A. Brothers, W. Bonner, W. Robinson, John Harmer, W. Hanson, C. Oakeshott, George Patterson, Arthur F. Fenton, Alexander Cowan, E. A. Storey, Rev. Canon Beechey, J. W. Leigh, Baynham Jones, W. J. Allsup, E. Stebbing, W. M. Ayres, George Glanville, Sam Bamforth, T. W. Thornton, Edward Dunmore, J. A. C. Branfill, Captain George Verney, Andrew Pringle, Leon Warnerke, F. Howard, William Murray, F. A. Wenderoth, Dr. E. Liesegang, W. Griggs, T. G. Hemery, William Cobb, John Nicol, Thomas Gulliver, Archer Clarke, Silvester Parry, Harding Warner, W. B. Osborn, A. Johnston, G. S. Penny, Thomas John Pearsall, Richard Parr, W. Clement Williams, Thomas J. Pearsall, P. J. King, J. T. Hackett, Thomas C. Lord, John Jackson, E. T. Whitelow, T. B. Blow, J. MaCer Wright, Mark Oute, W. B. Doyle, Charles King,

Display ads: J. Avery & Co., Masks & Discs, Thomas's Plates, Horne & Thornthwaite, Thomas's Albumenized Papers, James F. Shew & Co.,, Warming of Studios & Photographic Establishments, Messrs. Lancaster & Son's Specialities, The Luxograph, Joshua Billcliff, Photographic Apparatus Manufacturer, J. T. Chapman, English Mount Manufacturing Compy. Limited, The Platinotype Process, J. Solomon, J. Fallowfield & Co.'s, George Houghton & Son, J. Cooke's Photographic Warehouse Manufacturer of Photographic Chemicals, Edwin Oborne Red Lion Square, W. C., Ross' Symmetrical Lenses, Ross' Extra-Rapid Carte Lenses, Foreign Buyers of Photographic Goods, Optical and Photographic Warehouseman and Photographic Stationer, Pure Photographic Chemicals, Ross' Carte-De-Visite Lenses, J. A. Forrest & Son, B. J. Edwards, Residues, Ross' Improved Portrait Lenses, Rouch's Pure Collodions, Gelatine Dry Plates, Multiple Display Advertisements, Dallmeyer's Patent Portrait & View Lenses, Thomas Mayne, Wratten & Wainwright, Ross' Portrait and View Lenses, Huggon's Collodion, Billault & Billaudot, J. L. Lane, E. & H. T. Anthony & Co., Swan's Plates, J. H. Steward, Cut-Out Mounts, Joseph Solomon, Wratten & Wainwright's London Washed Emulsions, J. Cooke's, Apparatus, Chemicals, and Paper for Photography, Amateur Photographic Association, T. Ordish & Co., Ross' Rapid Symmetrical Lenses, Kennett's Patent Sensitive Pellicle, P. Meagher, J. Pollitt, Photographic Printer and Publisher, Second-Hand Cameras and Lenses, G. W. Austen, Chemical Products, The Bowman Improved Photo. Rolling Press, The Photographic Artists' Co-Operative Supply Association, Limited, New Phototypic Press, Messrs. Elkan & Co., Emmerson's Patent Standard Carriage Head-Rest, W. H. Prestwich, Mawson's Standard Collodion, James J. Shew, Gauthier-Villars, Printer & Bookseller, Mawson & Swan's Extra-Hard Varnish, Newman's, Wholesale Optical and Photographic Warehouse, Chocolate Ferrotype Plates, Ross' Cabinet Lenses, J. H. Dallmeyer, Gelatine Plates, Thomas's Catalogue, Lime-Light, Fallowfield's Sensitized Papers, John J. Atkinson, Ross & Co., Samuel Fry & Co., The Photographic Artists, The "Crossed Swords" Albumenized Paper, Thomson's "Dispatch" Dry Plates, J. Werge, Albion Albumenizing Coy., Patent Photo.-Vitrified Pictures, Kennett's Patent Pellicle Dry Plates, Gelatine, Stuart's Collodion, Thomas's Quick-Printing Sensitized Paper, Ross' Universal Lenses, Steinheil's Patent Lenses!!!, Frederick J. Cox, Scientific Instruments, D. Hutinet, Reliable Albumenized Papers, George Mason & Co., Dallmeyer's New Lenses Especially Constructed for the Magic Lantern, Mawson's Collodion. Classified ads: Multiple Classified Advertisements. Frontmatter: Preface, The British Journal Photographic Almanac, and Photographer's Daily Companion, for 1880. Essay: Are Mounted and Unmounted Photographs Mathematically and Chromatically Correct Representations of Nature?, A Christmas Party, The Rise and Progress of Gelatine Emulsion Photography, Wave Versus Dip Baths, A Drying Cupboard for Gelatine Plates, One Cause of the Instability of Silver Prints, How to Make and Use the Mercury Intensifier, Thermometric Tables, Chemical Equations, Retouching and the Art-Education Necessary for a Photographic Artist, How to Test Your Cheap Potassium Cyanide, Summarised Notes of Progress in Photography during the past Year, Non-Actinic Light, A Few Hints, A Simple Method of Working Gelatine Emulsion, A Few Vagaries of Dry-Plate Formulæ, On Reversing the Image on the Camera Screen, Testing Rapidity of Dry Plates by Artificial Light, A Method of Working, The Negative Process of the Future, Portraiture by Gaslight, Intensifying Dry Plates, Gelatine Emulsion Formulæ, Intensifying Gelatine Negatives, Hints, Gelatino-Bromide Plates, A Modification of the Silver Bath, On an Instantaneous Shutter as Applicable to Astronomical Photography, How to Fit Masks and Tinters for Chromotype Printing, Dry, Wet, or Moist Plates—Which Give the Least Trouble with the Greatest Certainty?, A Trip into Wales, Jottings from My Note-Book, Eclipses in the Year 1880, The Development of Collodio-Bromide Plates, Process for Obtaining Photographic Leaves Able to Produce Negative and Positive Images, Stained Gelatine Backing for Gelatine Plates, The Duplex Exposing Shutter, Formula for a Reliable Ferrocyanide Developer for Gelatine Plates, Rates of Postage for Inland Letters, The Best Light for the Dark Room, A Hint on Carbon Printing, Notes on Gelatine and Dry Albumen, A Convenient Circular Saw for Amateurs, A Few Suggestions to Those Who Use Gelatine Plates, Photography and Colours for Educational Purposes, On a Certain Gelatino-Uranium Compound in Relation to Photography, How to Make Neat, Serviceable, and Comfortable Gauntlets, Outdoor-Group Photography, Chronological Notes, 1880, Recovery of Silver from Waste Solutions Associate Royal School of Mines, Formulæ, Enlarged Landscapes, On the Logarithmic Slide Rule and Its Advantages to the Photographer, Continuating Action of Light on Gelatino-Bromide Dry Plates, On Precipitated Chloroleo-Bromide Collodion Emulsion, Scraps from Yorkshire, A New Printing-Frame, On Retouching, Blisters in Albumenised Prints, A New Apparatus for Artificial Light Portraiture, How an Amateur Built a Glass Room, Notes from a Season's Experience with Gelatine, A Convenient Lantern Box, "Doubt Truth to Be a Liar", Table for Enlargements, On Cleaning the Shadows of Gelatine Negatives, Foregrounds for Landscape Backgrounds, Paper Tubes, Tact in the Studio, An Automatic Print Washer and Other Useful Articles, How to Apply a Double Swing Back to a Rigid Camera, On the Photographic Exhibition of 1879, Turning over a New Leaf, The Extended Use of Photolithography to Book Illustration, On Accuracy in Dry-Plate Exposures, Gelatine and Collodion Emulsion, Printing "Dodges", Gelatine Plates, On Truth in Photographic Portraiture, The Use of the Electric Light for Producing Maps, Plans, &c., Collodion Emulsion, Carbon Printing, &c., Gelatino-Bromide Notes, A Simple Process, Weights and Measures, On Preserving Organic Solutions, Gelatine Filtering Apparatus, An Alkaline Intensifier, The Conversion of French into English Weight, A Sight Dial and Stand, &c., Epitome of Progress during 1879, How to Make the Developer, An Easy Method of Finding the Combining Equivalent of Any Sample of Bromide, Patents Connected with the Photographic Art Applied for during 1879, Portable Extending Camera Front, Celloidin, Sending out "Proofs", Optical Facilities in the Production of Large Portraits, The Bread and Butter Side of Photography, Fixing and Intensifying Plates at One Operation, Apparatus for Automatic Regulation of the Temperature in Various Chemical Manipulations, Equations Relating to Foci, &c., Intensifying Negatives with Bichloride of Mercury, The Mechanical Contrivances of the past Year Instantaneous Shutters, Something about Distortion, Hints on the Gelatino-Bromide Process, Gelatine Plate-Coater, Carbon Vignettes on Rough Paper, Science and Photography in 1880, Gelatino-Bromide, The Quality of Gelatine Negatives, Gelatine Plates in the Studio and Field, Art in Photography, The Relation of the Aperture of a Lens to Its Focal Length, "Instantaneous" Drop Shutter for Portraits, Table of Symbols of the More Important Compounds Used in Photography, Home-Made Double Dark Slides, Handy Hints for Amateurs, Notes for Gelatine Workers, On the Development of Gelatine Negatives, Gelatino-Bromide Experiences, A Simple Method of Masking-In Backgrounds in Carbon Printing, Appliances for the Preparation of Gelatine Emulsion, Quality, Professional Advertising, Table of the Symbols and Atomic Weights of the Elements, On the Relative Sensibility of Albumenised Paper and Wet Plates to Light, and on the Photographic Intensity of Different Lights, Substitute for Instantaneous Shutters, Notes by an Occasional Photographer, A Useful Method of Preserving Sensitive Paper, Artificial Light and Rapid Dry Plates, Gelatine Plates for Landscape Work, Daylight and Photography. Table of contents: Index to Advertisers, Contents.