Photographic Mosaics
1876; Gale Group; Linguagem: English
Autores
J. H. Fitzgibbon, George B. Ayres, E. T. Whitney, I. B. Webster, William Heighway, John R. Clemons, E. A. Kusel, L. V. Moulton, William H. Tipton, Forester Clark, J. S. Hovey, D. H. Anderson, A. W. Kimball, E. P. Libby, H. B. Hillyer, E. G. Robinson, J. M. Dunn, E. H. Train, E. A. Kusel, E. Long, John Carbutt, John L. Gihon, William W. Seeler, F. M. Spencer, G. D. Wakeley, G. M. Carlisle, L. G. Bigelow, E. M. Collins, William Curtis Taylor, Captain J. Lee Knight, C. A. Zimmerman, Well G. Singhi, H. G. Grimes, W. H. Sherman, E. D. Ormsby, Prof. John Towler, Robert J. Chute, Oscar G. Mason, Frank Robbins, A. B. Stebbins, G. W. Wallace, E. Z. Webster, Richard W. Barrow, George A. Hurlbut, E. M. Estabrooke, A. Hesler, J. Pitcher Spooner, Robert Benecke, E. F. Phillips, E. K. Hough,
ResumoFrontmatter: Publishers' Notice, Photographic Mosaics, Sherman & Co., Printers. Table of contents: Contents. Review: Photographic Mosaics, 1876 Review. Essay: Climbing, Lighting the Sitter, Etc., How to Lubricate Prints for Burnishing, Theory and Practice, Art and Mechanism, Dry Plates, Provoking, Formulæ for Photographs and Ferrotypes Which Give Lights and Half Tones Not Surpassed, Our Photographic Lenses—How to Choose and Take Care of Them, Fog, Breakfast for Dinner, How to Touch out Pinholes, Why Not Make Solars Instead of Contact Prints for Large Work?, Long's Bath-Warmer, The General and I Have a Talk, A Word to the Weak, Eyes Right!, Curtains as a Means for Adjusting Light, A Good Collodion, Then and Now, A Cause for Faded Prints, Field Work What to Carry, The Way It Is Done, Albumen, Its Preparation for Use in Photography, Want of Enterprise, Many Mites from Many Minds, The Eliminating of Hyposulphite from Prints, "Come, Let Us Reason Together", A Chapter of Practical Matters, At the Desk, How I Sunned a Bath under Difficulties, A Cheap and Good Plateholder, Poor Negatives, Their Cause and Cure, An Exposing Shutter, Hints on Composition, A Treatise on Photography The Silver Bath for Negatives and Positives, Systematic Preservation of Negatives, Pyroxylin.—Gun-Cotton, Negatives without Collodion or Silver Bath, The Upper Floor, The Negative Bath, On Landscape Photography, Exposure and Development of a Negative, The Art Privileges of Our Great Centennial, A Pair of Suggestions, Hands in Photography, Experience, How to Clean New and Old Glass Plates, Marble Negatives.—Stains from the Hands.—Negative Varnish, The Cause and Cure for Some of the Difficulties Pertaining to Photography, The Toning Solution, The Old Bath, An "Item" of Real Value, Be Punctual. Arts and entertainment: A Suggestion Anent the Great Exhibition. Fiction, drama: Photographic Literature. Editorial: To Correspondents. Display ads: Hearn's Practical Printer, Photographic Supplies, Burnet's Practical Hints, Ross and Steinheil Lenses, Lantern Slides and Lanterns, Carbon Enlargements, Gatchel & Hyatt, Bigelow's Album of Lighting and Posing, Benerman & Wilson, Crosscup & West, J. Spittall, Engraver on Wood, Wilson's Lantern Journeys, The Best Lantern Slides, Entrekin's Oscillating Enameller, Photographic Card Warehouse, Catalogue of Photographic Publications, C. Faser, The Entrekin Burnisher or Planisher, Pure Photographic Chemicals, J. P. Beard & Co., The Zentmayer Lens, Dr. Vogel's Handbook, Seavey's Scenic Studio, Wilson, Hood & Co., Morgan's Albumenized and Salted Papers, Clemons' New Albumen Paper.
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