Rouch's Patent Portable Camera
1879; Gale Group; Linguagem: English
Autores
J. Traill Taylor, Piazzi Smyth, Henry Cooper, W. B. Bolton, Rev. Canon Beechey, Capt. J. B. C. Fox, H. Manfield, W. D. Richmond, E. Stebbing, J. D. Lysaght, Samuel Fry, G. S. Penny, J. Dudley Radcliffe, Rev. H. J. Palmer, J. H. Storr, Hy. Barlow, Rev. T. Frederick Hardwich, M. Ferrier, Geo. Kemp, W. H. Sherman, Herbert B. Berkeley, Leon Vidal, Charles Bennett, Dr. D. Van Monckhoven, J. R. Johnson, Capt. J. Waterhouse, Colonel Stuart Wortley, W. J. Stillman, George Smith, George Willis, J. Barker, G. Watmough Webster, J. Werge, William Brooks, T. Bolas, George Mansfield, A. L. Henderson, E. W. Foxlee, Duncan C. Dallas, W. M. Ayres, R. Kennett, Capt. George H. Verney, H. C. Jennings, Edward Dunmore, W. Hanson, H. Garrett Cocking, Richard Parr, Francis G. Eliot, Russell Sedgfield, W. Neilson, Silvester Parry, John Harmer, J. M. Carroll, Thomas J. Pearsall, P. Le Neve Foster, Thomas C. Lord, T. G. Hemery, G. H. E. Sutton, Reuben Mitchell, W. F. Henry, H. J. Burton, William Ferguson, Andrew Bowman, Frank M. Sutcliffe, F. Doré, Georg Rotter, Geo. Patterson, John Geddes, William U. Kirk, J. Barker, E. A. Storey, Mark Oute, Ellerslie Wallace Jr., Alexander Cowan, S. H. Ashley Oakes, J. Pollitt, Henry Cooper, W. E. Batho, George F. Dew, John Nicol, Richard Crowe, Robert Faulkner, J. Phillips, J. T. Hackett, James Harris, Arthur F. Fenton, Richard Parr, John Jackson, Percy Hardwick, T. Gulliver, J. M. Young, Alexander Cowan, William Washam, Anthony Philburn, W. M. H. Janeck, S. Rogers, Wm. U. Kirk, Patrick J. Lambert, George F. Dew,
ResumoDisplay ads: Cooke's Albumenized Papers, Harvey, Reynolds & Co., J. Fallowfield & Co., Banks' Photo.-Enlarging Co., The Luxograph, G. Hare's Patent Automatic Changing-Box, J. T. Chapman, J. F. Shew & Co.'s Photographic Stores, Albion Albumenizing Company, J. Fallowfield & Co.'s, George Houghton & Son, The Woodbury Permanent Photographic Printing Co., Photographic Rolling Machines, Mounts, Ross' Carte-De-Visite Lenses, J. A. Forrest & Son, Rouch's Patent Portable Camera, B. J. Edwards, Residues, Ross' Improved Portrait Lenses, Thomas's Berlin Varnish, John Spencer, P. Meagher, Photographic Apparatus Manufacturer, Multiple Display Advertisements, Dallmeyer's Patent Portrait & View Lenses, Photographic Societies, &c., Masks and Discs, Ross' Portrait and View Lenses, Huggon's Collodion, Huggon & Co., J. L. Lane, E. & H. T. Anthony & Co., Swan's Plates, J. H. Steward, Wratten & Wainwright's London Washed Emulsions, Frederick J. Cox, T. Ordish & Co., The Liverpool Dry-Plate and Photographic Printing Company, Kennett's Patent Sensitive Pellicle, W. H. Oakley & Co., G. W. Austen, The Bowman Improved Photo. Rolling Press, Bradshaw Bros., Murray & Heath, Newton & Co., W. Lawley & Son, The Manchester Photo. Enlarging Co., James J. Shew, Extracts from Testimonials, Mawson & Swan's Extra-Hard Varnish, Thomas's Collodion, Richard W. Thomas, Pouncy & Co., Edwin Oborne, Thomas's Catalogue, Albumenized Papers, Rough's Pure Collodions, Lime-Light, Meagher's New Binocular Camera, John J. Atkinson, Wratten & Wainwright's New Double Camera, The "Crossed Swords" Albumenized Paper, J. Lancaster & Son, Landscape Photography, Ross' Portable Symmetrical Lenses, Dry-Plate Photography, J. H. Dallmeyer, Optician, Patent Photo.-Vitrified Pictures, Keith's Patent Hot-Water Apparatus, Revolution in Photography, Kennett's Patent Pellicle Dry Plates, Thomas's Negative Collodion, Stuart's Collodion, D. Hutinet, Entrekin's Oscillating Enameller, George Mason & Co., T. P. Avery, Photographic Backgrounds, Reeves & Hoare's, Mawson's Collodion. Classified ads: Ross' Universal Lenses, Ross' Symmetrical Lenses, Ross' Extra-Rapid Carte Lenses, Multiple Classified Advertisements, Ross' Cabinet Lenses, Ross' Rapid Symmetrical Lenses. Frontmatter: Preface, The British Journal Photographic Almanac, and Photographer's Daily Companion, for 1879. Essay: Summarised Notes of Progress in Photography during the past Year By the Editor, A Llyn Hunt in North Wales, Copying Paper Prints, Keeping Properties of Taupenot Plates, Useful Photographic Hints for Amateurs, On the Oxyhydrogen Lime Light, Phases of the Moon, Boring out Limes, How to Prevent the Paper from Cockling When Printing from Large Negatives, A Method of Intensifying Carbon Transparencies, How to Make a Cheap Stereoscopic Copying Apparatus Suitable for Combination Printing, Gelatine Films, On the Effect of Moisture in Carbon Printing, How to Build a Cheap and Efficient Studio, Field Apparatus, How to Make Ovals, A New Dark Tent, A Developing Stand for Large Plates, A Drying-Box, A Hint on Copying Old Oil Pictures, A New Safety Retort, A New Studio, On the Probabilities of the Permanency of Silver Prints, The Rise and Progress of Collodion Emulsion Photography, Durable Sensitive Paper, An Adventure in Drying Plates, Advice to Amateurs Travelling, Weights and Measures Apothecaries' Weight, Levelling the Camera, Photographing Dolly, Are Extra-Sensitive Dry Plates Fit for All Kinds of Work?, Blurring, On the Preparation of the Alkaline and Metallic Iodides and Bromides, A Rapid Developer, Art in Landscapes, Patents Connected with Photography Applied for during 1878, An Amateur's Gelatino-Bromide Process, The Stripping of Negatives, Hints as to the Cause of Spots in Washed Emulsion Plates, &c., Technological Examination in Photography at the Society of Arts, An Improved Form of Double Swing-Back, On the Permanence of Carbon Prints, Ferrous Oxalate Redeveloper, Platinum Printing, Formulæ, An Universal Negative Holder for Use When Copying, On Certain Properties of Salicylic Acid Which Can Be Utilised for Photographic Purposes, New Method to Albumenise Plates, The Calendar, A Plea for a Photographic Pop-Gun, Burnishers and Burnishing, A Simple Carbon Process, A Word for Retouching, To Prevent Wriggling of Paper Prints While Printing, Scraps from Yorkshire, On Commercial Collodion, Beechey Dry Plates: Their Preparation, Properties, and Defects, Notes on Pyroxyline, The Ridge Roof Not the Best Form of Studio, Cutting Glass with a Pair of Scissors, A Simple Method of Adapting the Ordinary Studio Camera and Stand for Copying Purposes, Red Fog in Gelatine Plates, Epitome of Progress during 1878 Portraits by Artificial Light, A Screen or Reflector, Printing Clouds into Landscapes without Masks, A Glass-Cutting Table, Dry-Plate Treatment, On the Future of Wet-Plate Photography, Matt Stains: the Saddle on the Right Horse, Changing-Box for Dry Plates, A Gallery with a South Light, A Good Substitute for a Rolling Press, Development of Precipitated or Washed Collodion Emulsion Dry Plates, Toning, Reliable Varnish, Remarks on Photographic Apparatus, Matters of Daily Practice, On Solarisation, A Hint to Gelatine Workers, A New Method of Preparing Gelatine Emulsion and Pellicle, Elimination of Hyposulphite of Soda, The Simplicity of Collodio-Bromide, An Alkaline Intensifier, Little Mites, Blistering of Prints, Clean Fingers, Concerning the Iron Developer, Rectification of Negatives, Change in Varnished Negatives, Hints for Working the Gelatino-Bromide Process, The Patented Inventions of the past Year Mumler's Method of Producing Surface Blocks for Printing, Retouching—A Point of Practice, A Base-Board for a Folding Camera, My Lens Diaphragm, and the Theory Which Led Me to Adopt It, Gelatino-Bromide, The "Electric Light" for Portraiture, A Reliable Dry Process, A Handy Means of Steadying the Camera during a Gale of Wind, A Fixing Tray for Landscape Work, A Hand-Screen in the Studio, What Advantage is to Be Derived from Heliochromic Proofs, Such as Those of M. Ducos Du Hauron?, On Photographing White Objects, A Home-Made Portable Camera-Stand and Instantaneous Shutter, The Art-Science and the Sun-Distance, On Fuming Sensitive Paper, Gelatino-Bromide Negatives, Dry Plates in Professional Photography, The Climate of Britain and Photographic Art. Letter to the editor: Notes on Collodio-Bromide Emulsion. Arts and entertainment: Framing and Mounting Photographs, Photography at the Paris Exhibition. Business: A New Phase of Business. Poem, verse: The Silent Witness A Prison Dialogue. Obituary: Obituary for 1878. Table of contents: Index to Advertisers, Contents.
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