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The Year-Book of Photography and Photographic News Almanac for 1876

1876; Gale Group; Linguagem: English

Francis Bedford, H. P. Robinson, John Anthony, Wm. Mayland, M. Adam Salomon, Valentine Blanchard, J. H. Dallmeyer, Hugh W. Diamond, Col. Stuart Wortley, Captain W. De W. Abney, Joseph W. Swan, J. Werge, Robert Faulkner, R. W. Thomas, Dr. H. Vogel, John Spiller, A. De Constant-Delessert, John Nicol, H. Baden Pritchard, W. T. Bovey, Nelson K. Cherrill, S. Bottone, R. Slingsby, Dr. T. L. Phipson, Alfred Hughes, F. G. Eliot, John A. Spencer, J. M. Young, William Heighway, Robert Maidstone Smith, J. Martin, William Brooks, Charles Waldack, W. Neilson, George Croughton, L. G. Kleffel, Edwin Cocking, Thomas Gulliver, G. S. Penny, W. E. Batho, D. K. Griffith, Edward Viles, George Cecil Hance, William H. Watson, R. Kennett, Frank Howard, Dr. D. Van Monckhoven, D. Winstanley, Edward Dunmore, T. Tedrake, H. J. Burton, Roger Laurent, Captain Francis W. Turton, R. Mitchell, Thomas Sims, J. C. Stenning, A. Ford Smith, Marshall Wane, A. H. Bool, George Bruce, J. Brier Jr., A. Borland, J. T. Hacket, T. M. Brownrigg, Charles Durand, C. Ferranti, Benjamin Wyles, Sydney Smyth, Robert Faulkner, James Syrus Tully, William Gillard, F. Piquepé, R. H. Preston, Geo. Hooper, W. M. Ayres, George Willis, W. T. Wilkinson, G. Street Griffiths, Rev. Canon Beechey, J. P. Smith, G. S. Penny, Thos. Gulliver, Leon Warnerke, J. R. Sawyer, J. W. Gough, Walter Clements, P. Le Neve Foster, E. Greaves, J. Walter, C. W. Love, A. Johnston, Frank M. Sutcliffe, J. Barker, J. Werge, A. C. Burgess, C. Eldridge, W. A. Nicholas, J. W. Dawson, W. Colquhoun, Charles Whiting, R. Tudor Williams, C. R. P. Vernon, Abel Lewis, T. S. Hicks, C. J. Eve, N. Pepper, R. W. Aldridge, Captain W. De W. Abney, Baynham Jones, R. Vanderweyde, James Chisholm, Charles Knight, W. H. Davies, L. Macdona, J. H. Dallmeyer,

Frontmatter: The Year-Book of Photography and Photographic News Almanac for 1876, The Year-Book of Photography, Preface. Display ads: Beauty Spots of the Continent, Marion and Co., Piper & Carter, The Autotype Company, Marion's Positive Ferro-Prussiate Paper, J. T. Chapman, Albion Albumenizing Company, George Houghton & Son, Lambert's Patents, Woodbury Permanent Photographic Printing Co., "The Photographer's Guide", Enamelled Photographs, Ross' Compound Stereo. Lenses, A History and Handbook of Photography, Robinson & Thompson, M. P. Tench, Photographic Apparatus Maker, W. Watson and Son, Mounts, Rouch & Co.'s, The Perfected Emulsion & Dry Plates, P. Meagher, Photographic Apparatus Manufacturer, John Spencer, Multiple Display Advertisements, M. P. Tench's Wide-Angle Landscape Lenses, George Hare, Masks and Discs, Huggon's Collodion, M. P. Tench's Stillman's New Universal Camera, J. Garland, Frederick J. Cox, J. Cooke's, B. J. Edwards & Co., C. E. Elliott, Ross' Rapid Symmetrical Lenses, Durand's New Sensitized Papers, Thomas's Patent Box Tent, H. Moorse, P. Meagher, Mawson & Swan's, M. P. Tench, Optician, G. Hare's Patent Automatic Changing Box, Newton & Co., M. P. Tench, Fallowfield's Folding Camera, Marion & Co., Russell Rapid Dry Plates, Thomas's Albuminized Papers, Extracts from Testimonials, Francis Sutton & Co., Newman's, City of London Photographic Warehouse, Thomas's Collodion, Chocolate Ferrotype Plates, Marion and Co., Photographs, India Tinted Mounts, Tench's Pocket Camera, J. H. Dallmeyer, Retouching, Richard W. Thomas, Pearl Albumenized Paper, Edwin Oborne, The Sciopticon, Cooke's Stillman's Tent, Kennett's Patent Sensitised Pellicle and Dry Plates, J. Cooke's Photographic Warehouse, The Photographic News, M. P. Tench's Portrait and Group Lenses, The Photographic Stores, W. W. Rouch & Co., John J. Atkinson, The Modern Practice of Photography, Taylor Bros., Fox, & Co., Ross & Co., Ross' Portable Symmetrical Lenses, Mrs. Swatman's Central Depot, J. Werge, Fallowfield's, Dallmeyer's Patent Portrait and View Lenses, Ross' Universal Lenses, Chambers & Co., William Morley, J. B. Payne, George Mason & Co., E. A. Hulme, Mawson's Collodion. Classified ads: Multiple Classified Advertisements. Table of contents: Contents, Index to the Advertisements. Essay: Out-Door Photography for Amateurs.—Subjects, and How to Find Them, Apparatus for Washing Prints, A Convenient Bath-Holder, A Few Hints on Retouching, Do, and Don't, Sensitive Paper That Will Keep for Months, and a Pen and Ink Barometer, Practical Remarks on Various Developers, An Easy, Certain, and Costless Mode of Registry for Carbon Printing, What Is Celloidin?, A Sure and Simple Method of Making Standard Dry Plates, Carbon Transparencies and Enlarged Negatives, Good Taste in Photography, Making Old Negative Baths into New Ones, Methylal in the Developer as an Accelerator, Light and Shade and Shape in Landscape, The Action of Light upon Bromide Films, Some Special Troubles with the Negative Bath, To Make Ovals Any Size, Simple Levelling Table, Photographing Hoar Frost, The Silver Bath, Recovering Silver Residues, Reduction of Exposure, How to Make a Glass Bath, The Teaching of Experience in the Studio, The Dark Room, Rates of Postage, On Working with an Alkaline Negative Bath, How to Make a Collodion Filter for Eighteenpence, Vignetting, Some Defects in Prints Fading—Blisters, Uniform Films in Experimental Photography, Photographic Patents, Commercial Dry Plates and Their Value, A New Application of Lighting a La Rembrandt, Modes of Enlarging, New and Easy Method of Reducing Silver from Waste Solutions, A Simple Method of Mounting Prints, Preserved Albumen, Heating Weston's Burnisher, The Nitrate of Silver Bath—Its Preparation and Management, Centre Stop for Landscape Cameras, A Simplified Enamel Process, Fumarate of Silver.— A Suggestion, Washing, A Method of Enlargement.— Paper Negatives, An Enlarging Process Producing Fine Pictures, A Camera Stand and Copying Apparatus in One, Why Do Albumenized Prints Fade?, Photo-Micrography, Processes and Formula, Effect, Early Experiments in Photo-Printing-Press Processes, On Intensifying and Colouring Pigment Prints Ingenieur Aux Forges De Basse Indre, A Simple Method of Producing Graduated Backgrounds, Simple Aids to Cleanliness, Colouring Cartes-De-Visite, Printing Portraits in Carbon, Clouds in Landscapes, Local Intensification by Wax Matches, Negative Retouching, Waifs and Strays of Studio Experience Silver Stains— Eliminating Hypo— Baryta in the Bath— Retouching Varnish— Selle's Intensifier, Children in the Studio, On the Treatment of Old Negative Bath Solutions, Etc., Background Effects, Substitute for Ground Glass for Stereoscopic Transparencies, Intensifying Gelatine Negatives and Carbon Transparencies, To Find Equivalent Focus of a Lens, A Short Photographic Trip in Gloucestershire, The Powder Carbon Process, Hot-Water Process, Mysterious Explosion of Gas Bags, Experience with Captain Abney's Albumen-Beer Process, Photographic Flotsam and Jetsam, Hints in Enlarging, Natural Backgrounds, How to Make a Camera Bellows, Enamelling Cartes, Vignetting the Negative, On Lighting, An Improved Form of Archer's Camera, Collodio-Chloride Emulsion, Studio Hints, On Fading, Guides to Practice.—By Various Contributors Landscape Photography and Its Trials, An Improved Hood and Instantaneous Shutter, Notice, Rigidity in Posing In a Glass Room, The Use of Three Baths, Waxing Paper Negatives, On Reproductions, "To Be, or Not to Be, Permanent?" A Word to My Professional Brethren, Moonlight Pictures, Masks for Cloud Landscape Negatives, Good Prints from Thin Negatives, On the Utility of Beauty, How to Wax Paper for Photographic Purposes, Bits of Experience in the Studio About Enlarging—Collodion Making—Vignetting, A Conservative's Formula, Eclipses in 1876, The Gelatino-Bromide Process, Werge's Self-Squaring Copying Frame, Safety Dipper for Studio and Out-Door Work, Permanent Printing Processes, Pyrogallic Acid, A Good Method of Preserving the Sky and Distance in a Negative, Cameras out of Register, Restoring Iodide of Mercury Negatives, Removing Excess of Iodide from the Bath, On Sensitizing Carbon Tissue, Pictorial Brilliancy, Picture Making and Picture Selling, A Note on Pyroxyline, Pictorial Backgrounds, and How to Produce Them A New Invention, Wooden Versus Glass Dippers for the Silver Bath, The Quantity of Daylight, A Swing Back Which Can Be Detached from the Camera, Durand's New Toning Bath, Annals of Photography for 1875, Reversed Negatives, Pictorial Effect in Landscapes, Hints on the Production of Transparencies for the Lantern, On the Decline of Taste for Stereoscopic Views, The Simplicity of the Autotype Process of Permanent Printing, New and Improved Processes, Concerning Paraffin, On the Use of Diaphragms or Stops. Editorial: Draining Cupboard for the Dark Room.