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The British Journal Photographic Almanac, and Photographer's Daily Companion, for 1878

1878; Gale Group; Linguagem: English

J. Traill Taylor, Piazzi Smyth, M. Carey Lea, Henry Cooper, Capt. J. B. C. Fox, George Dawson, William Brooks, Capt. W. De W. Abney, Geo. Kemp, L. O. Sammann, William Bedford, Alexander Henderson, W. B. Bolton, Professor E. Stebbing, Edwin Cocking, Henry G. Rogers, W. F. Henry, Adam Salomon, Ellerslie Wallace, G. S. Penny, A. Ford Smith, Frederick York, A. L. Henderson, Alfred Hughes, Rev. C. H. Fynes-Clinton, Francis G. Eliot, W. Hanson, C. Alfieri, J. Stuart, Arthur F. Fenton, Henry Cooper, Edward Dunmore, George Mansfield, J. Barker, A. H. Bool, Thomas Gulliver, Norman May, R. V. Harman, Murray Russell, G. S. Penny, Reuben Mitchell, G. Croughton, E. A. Storey, S. Beverley, J. Solomon, J. D. Lysaght, E. W. Foxlee, R. Kennett, Rev. H. J. Palmer, Wm. Washam, J. M. Carroll, J. Dudley Radcliffe, Richard Parr, D. Van Monckhoven, John A. Spencer, J. R. Johnson, W. H. Davies, C. J. Witcomb, George Willis, W. E. Debenham, H. C. Jennings, J. MacMahon, John Milner, W. J. Chadwick, Edward Viles, C. Oakeshott, J. C. Stenning, Frank Doré, William Brooks, Baynham Jones, Frank M. Sutcliffe, P. Hardwick, A. S. Witcomb, John Nesbit, A. Alonzo Ferrari, James Syrus Tulley, Duncan C. Dallas, A. S. Elgood, J. T. Hackett, Richard Crowe, J. Barker, Thomas Gulliver, Isaac Wilde, William Gillard, A. Davanne, F. Hardwich, Colonel Stuart Wortley, Payne Jennings, Jabez Hughes, A. Liebert, Captain J. Waterhouse, R. Slingsby, Leon Vidal, P. Piquepé, Geo. H. Slight, T. Bolas, John McAndrew, J. R. Sawyer, Mark Oute, Paul E. Liesegang, W. M. Ayres, Frank M. Sutcliffe, J. W. Gough, W. Neilson, Thomas J. Pearsall, George Smith, J. Phillips, W. Harding Warner, William White, John Nicol, J. M. Carroll, J. Hide, James Harris, J. Johnston, O. C. Smith, P. Hardwick, P. Piquepe, G. Watmough Webster, Henry Cooper, Walter B. Woodbury, Herbert B. Berkeley, W. H. Sherman, Rev. Canon Beechey,

Frontmatter: The British Journal Photographic Almanac, and Photographer's Daily Companion, for 1878, Preface. Classified ads: Multiple Classified Advertisements, David Tucker & Co.. Display ads: The Bowman Improved Photo. Rolling Press, W. W. Rough & Co., Seavey's New Backgrounds and Accessories for the 1877—Fall and Winter Campaign—1878, Newton & Co., P. Meagher, Photographic Apparatus Manufacturer, Multiple Display Advertisements, G. A. Myers, George Hare, Landscape Photography, Wratten & Wainwright, Joshua Billcliff, Marion & Co., Mr. J. A. Spencer, James J. Shew, Dry-Plate Photography, Horne & Thornthwaite, Magic and Dissolving View Lanterns and Slides, The Autotype Company, E. & H. T. Anthony & Co., Kennett's Patent Pellicle Dry Plates, The Liverpool Dry-Plate and Photographic Printing Co., Manchester, Thomas's Collodion, J. Solomon, Frederick J. Cox, Mrs. Swatman, Banks's Photographic Enlarging Co., George Houghton & Son, A. J. Fournet, Howard's Tent, Photographic Societies, & c., Amateur Photographic Association, T. Ordish & Co., Improved Tourist Camera, D. Hutinet, Greaves & Smith's, Pouncy & Co., George Mason & Co., Mawson's Collodion, Edwin Oborne, Notice, Paris, J. Fallowfield's, Keith's Patent System of Heating, H. Moorse, Wholesale and Export Only, Burgoyne, Burbidges, Cyriax & Farries, W. H. Oakley & Co., H. Dallmeyer, Albion Albumenizing Co., Lime-Light Enlargements, Scovill Manufacturing Co., W. W. Rouch & Co., Residues, G. W. Austen, Artist, Enlarger, & Frame Manufacturer. Essay: Will Cyanide of Potassium in Iodised Collodion Prevent Pinholes in the Negative, or Be Other-Wise Useful?, Notes on Rapid Dry Films and Gelatino-Bromide, Hints on Chromotype and Autotype Printing, Matt Glass for Negatives, A Plea for the Higher Education of Photographers, How to Mount Prints in an Album without Cockling, The Solar Microscope: Its Value and Its Inconveniences, Artful Dodging, Gelatino-Bromide at Home and Abroad, Drying Bottles, On the Reproduction and Enlargement of Negatives, The Blistering of Prints, Trifles Edging Glass Plates with Paraffine, Some Novelties in Gelatine, Thoughts Suggested by the Work of the past Season, Chromo-Photographs, A Drying-Box for Gelatine Plates, Washed Collodio-Bromide, Carbon Enlargements on Artists' Canvas without an Enlarged Negative, An Experience, Auxiliary Lighting, Summarised Notes of Progress in Photography during the past Year, A New Vignette, How to Cut a Photographic Lens Mount for Waterhouse Diaphragms, Transparencies, The Improvement of Defective Negatives, Paste, An Effective Method of Washing Pyroxyline or Small Batches of Silver Prints, Tinted Transparent Diaphragms, On Intensification— Silver or Ammonia?, Photography as Both a High and Low Helper, On Pinholes in the Bath, The Woodbury Trimmer, Epitome of Progress during 1877, On Posing, Cheap Portraiture in Times of Yore, Printing in Dark Weather, On Shortening Exposure in Winter, Apparatus for Aiding in the Preparation of Emulsions, Hints for Beginners, Weights and Measures Apothecaries' Weight, Collodion Dry Plates, A Useful Screen and Reflector for the Studio, Post-Mortem Photography, A New Rising Front for Portrait and Landscape Cameras, A Want in Photographic Portraiture, The Fading of Transparent Positives, Masks for Skies—Defects in Half-Tones, To Hasten Printing by the Use of a Double-Convex Lens, On Residues, Registering Carrier for the Lantern, Decantation Versus Filtering, On Dry-Plate Markings, On the Negative Image and the Relative Effects Produced, Wet-Plate Field Box, Note on Washed Emulsion, Encouragement to Prospective Carbon Printers, A Simple Method of Enamelling and Mounting Silver Prints, Improvements in the Gelatino-Bromide Process, On the Hydrosulphite Developer, Light Portable Tent, Edging and Backing of Negatives, Combined Carriage and Dark Room, The Calendar Principal Articles of the Calendar for the Year of Our Lord 1878, Formulæ, The Storage of Negatives, Where Is It? or a Place for Your Dark Slides, Gelatine Emulsions, Converging Perpendiculars in Architectural Photographs, Photography in India, Chromotype Shortcomings, Photographic Topography, Remarks upon the Fixing of Negatives Obtained by the Emulsion Process, Hints to Makers and Owners of Cameras, A New Application for Photography, Nothing New, but Something Simplified A Simple Cutting Table, Table for Enlargements, Spots on Emulsion Plates, A Bath Always in Order, A Portable Camera and Stand, Weak Versus Strong Developers, Sensitiveness of Film and Quality of Negative, Negatives without Glass, An Improved Developer, Gelatino-Bromide Emulsion: Extraction of the Nitrate Salt, Adjusting a Camera Slide, On the Suppression of Negative Retouching, Painting Backgrounds, Direct Single Carbon Transfers on Cardboard, Carbon Printing, Bromo-Iodide Versus Bromide, Dust, Various Experiments in Connection with Photographic Emulsions, Remarks on Landscape Photography, A New Actinometer, Collodion Emulsion, Symbols and Equations, On Accessories in Landscape, A Few Notes, French Fluid Measures, Permanence, A Useful Dead Black Varnish, On the Sensitising of Carbon Tissues, How to Convert Any Bottle into a Dropping-Bottle, Expression.— A Medallion Dark Slide, Retouching Varnish, A Greatly-Improved Process for Printing on Textile Fabrics, How to Dry a Gelatino-Bromide Negative Quickly, The Oxyhydrogen Lime Light, Alkaline Development, How to Clean Plates, The Gelatino-Bromide Process, Thermometer Scales, Emulsion with Albumen and Beer, The Modern Practice of Enlarging, A Few Notes on Last Year's Experience with Dry Plates, Emulsions, &c. Development of Washed Emulsion Plates, Bottled Sunshine, Improvements in Carbon Printing, The Development of Emulsion Plates and Its Relations to Sensitiveness, Preparing Plates for Emulsion, Reducing the Intensity of Negatives, Development of Gelatino-Bromide Emulsion Plates in Hot Climates, A Folding Camera Stand, On Precipitated Collodion Emulsion, Get Money! and, with All Thy Getting, Get Cash at the Time of Sitting!, Table of Symbols of the More Important Compounds Used in Photography, Thermometric Tables, Showing the Assimilation of the Thermometers in Use throughout the World, Hints from Practice in a Small Studio, Sugar in Intensifying, A Ventilated Dark Room, Emulsion Work, Printing from Ferns, or Leaves of Plants so Arranged as to Produce Designs, Mottoes, or Scriptural Texts, &c., Table of the Symbols and Atomic Weights of the Elements, On the Preparation of Drawings for Photographic Reproduction, Distilling Small Quantities of Water or Alcohol, Pyroxyline, On the Proper Carbon Tissues for Solar Camera Enlargements. Fiction, drama: Chapter IX.—Unclassified Remarks, Chapter VII.—Enlargements on Opal Glass, Chapter VIII.—Enlarged Negatives, by the Reversing Action of Light, Chapter II.—Enlarging upon Negative Paper, Chapter VI.—On Negatives and Transparencies for Enlargements, Chapter I.—Amplification, Chapter III.—Collodion Transfers, Chapter IV.—Printing Direct from Small Negatives. Poem, verse: My (Other) Image, To Light.— an Ode, "Genius Does What It Must". Table of contents: Index to Advertisers. Backmatter: The British Journal of Photography.