The International Annual of Anthony's Photographic Bulletin and American Process Year=Book
1898; Gale Group; Linguagem: English
Autores
C. H. Cox, F. W. Pildich, Joseph Chamberlain, W. Cooper, S. E. Kelf, Romyn Hitchcock, Eli Hirst, Harry W. Smith, H. M. Beeles, H. Crisp, F. C. De Sumichrast, Ernest Beringer, Charles E. Fairman, Rev. F. C. Lambert, Emily Culverhouse, R. H. Bow, H. W. Hales, J. H. Harvey, T. Perkins, E. K. Hough, E. G. Tabor, E. S. Kibbe, W. A. Hyslop, Richard M. Worden, Edmund A. Darling, Digby H. W. Cotes-Preedy, Dr. Manly Miles, T. B. Sutton, Abraham Bogardus, C. N. Whittaker, C. A. Snow, Henry Erle Cooper, George Kilburn, V. Legros, James M. Forbes, Maximilian Toch, Frederic G. P. Benson, Miss Adelaide Skeel, Gustine L. Hurd, Walter Sprange, A. D. Guthrie, Matthew Surface, R. E. M. Bain, Alfred Watkins, Harold Serrell, Joseph Cottier, Catherine Weed Ward, Peter Eland, L. V. Kupper, Robt. M. Reevs, Signor Aspa, H. W. Studley, O. G. Mason, J. Joé, C. H. Bothamley, James Reuel Smith, Fred. H. Davies, E. E. Weatherby, Martin J. Harding, Reginald A. R. Bennett, Ottomar Jarecki, Francis G. Eliot, Joseph F. Smith, M. W. Thompstone, C. M. Giles, Milton B. Punnett, H. Hands, H. H. Williams, Digby H. W. Cotes-Preedy, Frederick Thomas Bennett, James Shepard, F. Paul Liesegang, Henry F. Raess, J. Gaedicke, F. Paul Liesegang, W. H. Walmsley, C. H. Niewenglowski, H. D. Farquhar, Professor Alex. Lainer, E. Valenta, Charles Gravier, Max Levy, Dr. Victor Schumann, P. C. Duchochois, C. B. Talbot, Victor Schumann, W. Lansing,
ResumoFrontmatter: Preface, The International Annual of Anthony's Photographic Bulletin and American Process Year=Book, The International Annual of Anthony's Photographic Bulletin and American Process Year-Book, The New York Public Library. Table of contents: Index to Advertisers, Index to Subjects, Index to Authors. Essay: St. Osmund's City, To Copy a Picture in an Ordinary Room, Amidol, The Comparative Value of Various Illuminants in Photo-Micrography, Determination of the Focal Length of the Photographic Lens, Development Pointers, The Elimination of the Fixing Salt from the Gelatine Film, A Peep at North Wales, Photography in Open Air, Improving Poor Negatives, Defects in Negatives, A Teleobjective Forty-Five Years Ago, Blue Print Formulas, A Great Dorset Abbey, Who Counts the Names, Hints on Lantern-Slide Making, A Summer Trouble, Half-Tone A Cursory Review of the State of the Art, Just a Word, Simple Landscape Lenses, Amateur Photographic Societies United States, Preserving Hand Camera Work, More Old Friends The Stereoscope, Composition, Hot Weather Films, Photographic Tables and Formulas Dry Plate Developers, Half-Tones, past and Present, Fugitive Silver Prints, Questions of the Day Is Photography an Art?, Foreign Societies, On Toning with the Sulpho-Cyanide Bath, In Shakespeare's Country, The Development of Photographic Images on Flexible Films, Systematic Control of Expression in Photographic Portraits, Method for the Rapid Production of Reversed Negatives and the Reversal of Negative Films, Byland Abbey, Yorkshire, England, The Moral Responsibility of Photographers, Amateurs, Maine, Photographically, Home Portraiture for Amateurs, Emmanuel College, Cambridge, The Stars and Stripes, in an English Village, Platinum, or Carbon Prints, An Artistic Printing Process, Mountants, Reversing Mirror, for Engraving, A Brief Retrospect, In and below Wall Street with the Camera, Acid Alum Fixing Bath, The Storage of Negatives, About Some New Sensitizers for Bromide of Silver Collodion Plates, The Teaching of Photography, Multum in Parvo, Miscellaneous Formulas To Clean Negatives Stained by Silver, Reduction, Thoughts about Judging, Intensifying Screens for Roentgen Rays, Climax Reducer, Modern Development, X-Rays 1897, Timing Exposures, Interior Work, The Activity of Some Developers, Developer for "Climax" Process Plates, Carbutt's Developer for Process Plates Developing Formula for Half-Tone (Screen) and Negatives of Pen Drawings, A Simple Plate-Lifter, How to Make Blue Lantern Slides and Transparencies, The Camera and Field Collecting, Some Hints on Retouching, The Collodion Process, Perspective and Photography How a Photograph Should Be Looked At, Tables Table of the Elements, Imperfect Fixing of Negatives and Prints, Alizarine-Blue and Coerulein as Red Sensitizers, The Land of Sir Walter Scott, To Remove Films from Glass, Reflections on the Weather and Its Idiosyncrasies, Photographic Transition.—A Dissertation on Fashion, Use of Old Plates, Retouching, Groombridge Place, Backing Plates, Flash-Light Powders, Bromo-Hydrochinon Developer Cramer, Pyro Developer for Stripping Plates Carbutt's, Photo-Ceramics, To Remove Yellow Stain Caused by Developer, New Fields for Camerists and Amateurs, Mastery in Photography, Studio Work Printed on "Aristo" Platino Paper, Photography as an Educator, A Photographic Window Screen, Sentiment in Landscape, Sulphurous Acid, Transparencies for Screen Use, A Photographic Yesterday, Photographic Surveys and Topographical Rambles, "I Just Snapped It", Control, Process Formulas, For Etching on Steel Spencer Acid, Tourist Photography in Great Britain, The Greek Costume, Orthochromatic Sensitizing Baths, A Field Day, A Hot Weather Dark-Room Lamp, Sizes of Dry Plates Made in France and Germany, Photography of Clouds, A New Form of Studio, The Future of X-Rays in the Arts, Aristo Platino without a Demonstrator, Received Too Late for Classification American. Display ads: Boston Engraving Company, King Belt Background, Nepera Chemical Co., E. & H. T. Anthony & Co, Anthony's Automatic Cabinet Attachment, New York Studio Outfit, The Eastman Products, Electric Photography, Multiple Display Advertisements, Anthony's Patent Lined Screen Holder, Empire City Camera Stand, H. A. Hyatt, Stereopticons, Photograms of the Year, The Albany Engraving Co, Engraving Co, Dallmeyer Lenses, Flash-Light Apparatus, Albumen Paper, Pyrogallic Acid, Manufacturing Chemists, M. A. Seed Dry Plate Company, Librarie Gauthier-Villars Et Fils, The Autotype Company, The Farrand Vignetter, Eclipse, Ruled Cross-Lined Screens, The Chronophotograph, R. J. McFee & Co, Iliffe & Son, "New American" Film, Quad Camera, Climax Plates, H. C. Lavette, Electro-Light Engraving Co, E. A. Standard Chemicals, A. T. Thompson & Co, Hume's Cantilever Enlarging Apparatus, White's Photographic Specialties, Hammer Dry Plates, New York Camera Exchange, Higgins' Photo Mounter, Buffalo Argentic Bromide Paper, Metacarbol, New York Camera Stand, Cards and Cardboards for Photographers, The "New American" Rollable Film, Butts & Adams Photographic Supplies, David Tucker, Photographic Materials, Carbutt D. T. Non-Halation Plates, The Marlboriough Camera, Premo Cameras, Photographic Apparatus, Horgan, Robey & Co, Dr. M. Andresen's Amidol, Anthony's Printing Frames, Max Levy's Perfected Engraved Grating, Wm. C. Gage & Sons, Rives Plain Raw Papers, New York Dry Plates, Bostwick's "Perfect" Flash Cartridges, Anthony's Photographic Bulletin, Eastman Kodak Co.
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