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The International Annual of Anthonys Photographic Bulletin

1891; Gale Group; Linguagem: English

E. F. Bacheller, George O. Barbour, Rev. S. T. Bartlett, Abraham Bogardus, Jabez Boothroyd, J. Wells Champney, John R. Clemons, Geo. E. Davenport, Prof. Charles Ehrmann, P. Ersley, F. J. Harrison, J. B. Heyl, W. J. Hickmott, E. K. Hough, Frank H. Howe, L. H. Laudy, Thomas Mansell, J. R. Moeller, C. R. Pancoast, Milton B. Punnett, John D. Parker, W. O. Reed, Robt. M. Reevs, Bruno Saemann, John Wentworth Sanborn, Miss Adelaide Skeel, Fred. F. Smith, Horace W. Studley, Ellerslie Wallace, Geo. Knight White, Geo. I. Woolley, Carl Angerer, D. Bachrach Jr., Robt. E. M. Bain, George Bankart, Prof. E. E. Barnard, Catharine Weed Barnes, Jos. P. Beach, W. Wilberforce Beach, Reginald A. R. Bennett, John Bickerdyke, Edward Bierstadt, Robt. H. Bow, Mary Scott Boyd, Fred. Buehring, Prof. S. W. Burnham, C. W. Canfield, J. G. Cassebaum, Wm. Chamberlain, J. Albert Cole, Frank J. Coombs, B. L. H. Dabbs, A. R. Dresser, P. C. Duchochois, Edward Dunmore, B. J. Falk, Wilfred A. French, F. W. Geldmacher, H. W. Hales, J. C. Hemment, Captain Eugene Himly, C. A. Hoffman, Mrs. M. E. Hoffman, G. L. Holmes, Gustine L. Hurd, J. R. Husson, Dr. J. H. Janeway, W. N. Jennings, Chapman Jones, J. P. M. Joseph, W. G. C. Kimball, Rev. F. C. Lambert, Clement J. Leaper, W. Kurtz, Marguerite Lindley, Rev. J. A. Lloyd, F. A. MacDonald, Edward Manser, Dr. Manley Miles, Henry R. Moiser, Prof. Spencer B. Newbury, Henry N. Potter, Geo. W. Rafter, Geo. G. Rockwood, H. W. Rowland, Jay G. Shumway, Alfred L. Simpson, Hinsdale Smith Jr., A. B. Stebbins, S. R. Stoddard, C. B. Talbot, Oscar S. Teale, John H. Thurston, W. E. Underhill, C. E. Vredenburgh, Alfred Watkins, C. J. Watson, S. P. Watt, E. F. Whitmore, E. F. Wilder, E. H. Williams, Prof. Chas. H. Winston, C. E. Vredenburgh, Prof. J. Husnik, W. I. Lincoln Adams, L. L. Anderström, Talbot Archer, T. N. Armstrong, A. W. Beer, Reginald A. R. Bennett, Rev. J. Carter Browne, Edgar Mayhew Bacon, Arthur A. Carnell, George A. Carruthers, H. J. Channon, J. W. Crowse, Emily Culverhouse, D. L. Elmendorf, A. R. F. Evershed, Jas. A. Forrest, J. Gaedicke, C. D. Habliston, W. Hanson, Martin J. Harding, John Harmer, I. H. E. J. Harris, W. Jerome Harrison, J. H. Harvey, Geo. A. Haynes, Captain Eugene Himly, John A. Hodges, Frank Hopps, J. Husnik, E. H. Jaques, Richard Keene, Williams R. Kennan, C. M. Knight, C. Hethton Lewis, E. J. Lovejoy, R. L. Maddox, O. G. Mason, W. J. G. Myers, G. G. Mitchell, B. F. Patterson, Harry Platt, W. H. Potter, H. R. Procter, Harold Sands, V. Schumann, Thomas Scotton, H. P. Sewall, Albert Taylor, J. Traill Taylor, P. O. Terhune, Alban E. Thorburn, W. J. Topley, A. J. Treat, E. J. Wall, W. H. Walmsley, Colonel J. Waterhouse, Arthur H. Elliott, Capt. W. De W. Abney, Charles H. Davis, Wm. Lang Jr., W. E. Partridge, Alexander Lainer, M. Leon Vidal, Arthur H. Elliott, Arthur H. Elliott, Arthur H. Elliott,

Frontmatter: Preface, The International Annual of Anthony's Photographic Bulletin, The International Annual of Anthonys Photographic Bulletin. Table of contents: Index to Advertisements, Index to Subjects. Essay: Apparatus Required for Out-Door Work, The Management of Optical Lantern Lamps, A Novel Dissolving Attachment to the Ordinary Slide Carrier, Photographic Societies of the British Isles and Colonies, Bromide Printing, On the Decorative Capabilities of Photography, About Carbon Printing, A Plea for Impressionism in Landscape Photography, Typographic Color Printing Chromotypy, Using Lenses of Different Focus, The Honor of Genuineness, A New Matt Varnish with Toluol and Its Color, The Camera in the South, Child Beauty The American Type—Other Distinctive Forms—Spirituelle Loveliness—Childish Naturalness, Another Method of Slide Changing, A Suggestion for Development in Hot Climates, Art among the Jersey Pines, A Simple Lesson in Silver Printing, Something about Leimtypy, The Fight for Supremacy, Bleaching of Photographs for the Use of Photo-Engravers, The Non-Workers, Rambles in and round London with a Camera, Negative by Horace W. Gridley. Hellotype Printing Co. Boston. Arab Village on the Nile, American and Western Societies, A Plea for the Collotype Process, A Slight Acquaintance with the Carbon Process, Photographing the Statue of Liberty by Flash Light, Pictures in Natural Colors, On the Illumination of the Dark Room, Carelessness in Making Views of Buildings, Etc, Filtering Large Quantities of Solutions, Art and the "Professional", Photography at the Natural Science Camp, Experience, Home Portraiture, A Light Camera for Large Lenses, Lantern Slide Making for Scientific Lecturers, Black and White, Notes on Some Novelties of the Year, The Needle Leads the Thread, "Alpha" Lantern Plates, Excelsior An Accelerator for Developing Negatives, Kranks, The Fading of Prints, The Optical Lantern, Printing in Red, Brown and Black, Norway Versus Switzerland, Portrait-Illumination, Paddling Signals, The Camera in Portraiture, Notes on Climax Films, About Husnik's Photo-Lithographic Transfer Paper, A Disturbing Influence, A New Home-Made Camera, Glass Cleansing for Photographic Purposes, Sketch!, Truth and Character in Expression, Photography and Painting, How to Mark Negatives, Clippings from an Amateur's Note Book, Hydroquinone and Eikonogen Developer, An Ideal Dark Room, London Stereoscopic Co Photomezzotype "Where Surging Billows Clash and Fall. " Negative by J. Lillie Mitchell Taken with the London Stereoscopic Coy's Twin Lens "Artist" Camera, A Camera among the Cocoanuts, A Camera Platform for Technical Photography, On the Appearance of the Negative, Saturated Solutions, Storing and Indexing Negatives, A Photographic Tramp Abroad, The Hydroquinone Developer, Its Advantages and Relative Capabilities, The Future of Nebula Photography, Half Tone Study. By W. Kurtz, New York, Architectural Photography, The Camera for Celestial Photography, Sodium Carbonate Solutions, How to Get Rid of Glare in Bright Objects, Portraiture in a Dwelling, On the Advantages of Color Screens in Orthochromatic Photography, Negative by R. Eickmeyer, Jr. Plate by Levytype Co., Phila. "Way down South in Dixey", Just Remember, Photography as an Educator of Artistic Taste, Fancies and Freaks, Oxalitype, Dishwashing, Hints to Amateurs, Tables for the Simplification of Emulsion Calculations, Printing through Green Glass, The Camerangler, Albumen Tones on Bromide Paper, Profession or Trade, Weighing without Weights, A Phenomenon of Vision, Hand Cameras Pro Et Con, Sheet Rubber as a Mountant for Photographic Prints, Systematic Exposure, The Absorption-Spectrum of Bromide of Silver at Increasing Temperature, Improvements in Lenses, Shall We Have a National Institute of Photography, A Mistake and a Picture, On the Deterioration of Lantern Slides on Gelatino Bromide Plates, Tables Table of the Elements, A Developer That Can Be Used over and over Again, A New Sensation in Stereoscopic Hand Cameras, How to Bear One's Burden, An Early Photo Intaglio Process, Limitation, A Glimpse of Commercial Photography, The Lantern Rostrum, Through Norway, The Advantages of a Small Camera, A Day at Capistrano, California, Rapid Work with a "Detective", Humor in Photography, Diffused Light in the Dark Room, Some Printing Tricks for Amateurs, Sodium Sulphite Solutions, Carbon Printing, Substitute for Swing-Backs in Hand Cameras, Toning and Fixing, A Plea for the Laboratory Table, Six Practical Hints, An Amateur's Notions, Apparatus, The Rapid Hydroquinone Developer, Home Portraiture— All Alive, Oh, Photographic Revolutions, Photographing with a Non-Photographic Telescope, Negative Enlargements on Gelatine-Emulsion Paper, How Well—Not How Much, Direct Positives in the Camera, Whose Fault Is It, Angle of View, Stoke Pogis Church and Burnham Beeches, Portraits of Nicéphore Niepce, Combination Lantern Slides, The Camera in Railroad Work, A Graduated Standard Negative for Printing Bromides, Paraffine in the Dark Room, A Mixed Developer—Eikonogen and Hydroquinone, Fallacious Photographic Records, Difference in Collodion and Gelatine Negatives, Are You in a Hurry, Omega Paper, Potassium Carbonate Solutions, The Pirates Photographic, Celluloid Positives, Concerning Some of the Things Renounced by an Eminent Art Teacher, The Investigations of Messrs. Hurter and Driffield, Rollable Films, How Dark Shall Photographs Be Printed?, The Development of Hand Camera Negatives, Photography among the Seneca Indians, What Is the Right Focus, Notes on Hand Cameras, A Few Ideas, Color Screens for Orthochromatic Photography, A Pleasant Retrospective Glance, How to Produce Good Negatives, Landscape Enlarging, Positives on Glass, Landscapevs. Figures, Electric Photographic Meter, Enlargements Made Easy, An Extemporized Dark Room, Criticismvs. Sarcastic and Useless Fault-Finding, Vignetted Busts, Other People's Dark Rooms, Cleanliness, Some Notes on Lenses, On the Keeping Qualities of Eikonogen and Hydroquinone, Advances in the Science of Photography, Lantern Slides by Flash Light, Decorating Napkins by Photography, Uses for Spoiled Plates, Places Worth Photographing, The Photo-Collographic Printing Process with Aniline Colors and Other Water Colors, Carbon Transparencies for Enlargements and Reproductions, Spiritualistic Photography, Some Practical Applications of Photography to Surveying. Poem, verse: Photographic Chit-Chat The past, Present and Future of Photography. Editorial: To Correspondents. Display ads: Hughes' Patent Bijou Enlarging Lantern, E. & H. T. Anthony & Co, The Hawk-Eye, Multiple Display Advertisements, Carbutt's Orthochromatic Plates and Films, The Gundlach Lenses, The Blair Camera Company, The Thornton-Pickard Patent Time Shutter, W. H. Walmsley, Limited, Wilson-Hood-Cheyney Co., Bausch and Lomb Optical Co, Lewis Engraving Co, Ross' Portrait and View Lenses, Albumen Paper, The Kamaret, Thomas's Plates, Films and Collodions, Wuestner's New Eagle Dry Plates, Eastman's Permanent Bromide Paper, White's Photographic Specialties for Posing and Lighting in the Studio, Acme Portable Rack, W. C. Cullen, J. A. Anderson, Manufacturer of Photographic Apparatus, Watson's "Acme" Camera, Fowler & Wells Co, Archer & Sons' New Optical Magic Lanterns, Heliotype Printing Co., Vienna Oil Grounds, The Blair Camera Co, Kodak Cameras, Tucker & Butts, Bridges' Photographic Flash-Light Diffuser, MacHinery for Photo-Process Engravers and Electrotypers, Wilson's Photographic Magazine, Max Levy, J. C. Somerville, The International Art Publishing Co, Newcomb & Owen, Carbutt's Dry Plates and "Celluloid" Films, St. Louis and Canadian Photographer, Cyrus Prosch's Photographic Shutters, John J. Griffin & Sons, L'td, White's Posing Chair, The Bradfisch Aristotype Paper, Acme Rotary Burnisher, Plates, W. Watson & Sons, The Eastman Company's New Film Works, Taylor and Hobson Lenses, Broude Manufacturing Co, Acme Cabinet Print Trimmer, Lafayette W. Seavey's Backgrounds and Accessories, Harvard Dry Plate, The Acme Flue Heating Stationary Photo-Burnisher, The Watkins' Exposure Meter.