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The British Journal Photographic Almanac, and Photographer's Daily Companion, for 1885

1885; Gale Group; Linguagem: English

W. B. Bolton, J. W. Swan, J. Traill Taylor, G. M. Whipple, R. L. Maddox, Dr. Aug. Eisenlohr, E. W. Foxlee, G. Watmough Webster, Colonel Stuart Wortley, H. Y. E. Cotesworth, A. L. Henderson, Rev. B. Holland, Lyddell Sawyer, W. Robinson Jr., William Brooks, W. Harding Warner, J. Barker, Joseph Gray, L. C. Meves, J. Wilson, Valentine Blanchard, J. M. Young, Geo. R. Prowse, J. Désiré England, A. Brothers, G. A. Kenyon, C. Beckett Lloyd, George Smith, S. Herbert Fry, Andrew Pringle, H. Manfield, F. A. Bridge, William Adcock, Rev. H. B. Hare, J. S. Pollitt, George Hadley, W. H. Harrison, Harry Platt, J. Vincent Elsden, G. Mansfield, J. Thomson, Thomas Furnell, H. Norwood Atkins, P. H. Emerson, G. H. E. Sutton, H. N. King, J. M. Carroll, Edwin Cocking, George Smith, C. Oakeshott, Dr. D. G. Thomson, Kenneth W. M. Bean, Thomas Bedding, John Ingham, Major Geo. Verney, J. Pike, John Harmer, Joseph H. Woodworth, John Jackson, David M. Linley, Charles Stephens, Seymour Conway, J. C. Stenning, R. Tindall, Rev. A. Johnson, John G. Horsey, W. H. Harrison, G. T. Grammer, H. Holman, C. Alfieri, John Lewis, G. G. Mitchell, F. A. Darlow, W. M. Ayres, Walter B. Woodbury, George Kemp, J. A. C. Branfill, W. Bedford, Baynham Jones, J. J. Acworth, Thomas Irving, Joseph Paget, J. W. Reffitt, Russell Sedgfield, Thomas Gulliver, S. D. McKellen, Andrew Bowman, G. S. Penny, L. Dixon, Anthony Philburn, Chas. J. Hall, F. W. Hotham, Edwin Underwood, R. J. Latham, G. V. J. Poirin, W. Banks, R. P. Gregson, John Alfred Hodges, William Ouin, Richard Parr, W. B. Allison, William Stokes, Thomas Gulliver, E. Audra, W. K. Burton, Ellerslie Wallace Jr., Thomas H. Kane, Cecil V. Shadbolt, J. A. Forrest, Rev. Locke MacDona, W. Hanson, Edward Dunmore, William Coles, W. Horseman Kirkby, W. M. Ashman, Duncan C. Dallas, A. Donald, W. T. F. M. Ingall, J. J. Hollway, W. Ivanhoe Thomas, G. R. Baker, A. Johnston, A. F. Genlain, W. Neilson, Rev. H. Victor MacDona, Herbert S. Starnes, B. Wyles, George Mason, W. H. Hutton, W. Harding Warner, Joseph Harris, Frank M. Sutcliffe, G. E. Latine, Samuel Greenway, J. Barker, James McGhie, Friese Greene, Richard Keene, Mark Oute, H. Broadhurst, R. Murray Lawes, A. H. Bool,

Cover: The British Journal Photographic Almanac, and Photographer's Daily Companion, for 1885. Display ads: The "Universal" Studio Camera, Wratten & Wainwright, Photographic Chemists and Apparatus Makers, Vienna Carte-De-Visite Mounts, Leather, Sadler, & Holmes, Fallowfield's Instantaneous Shutters, Wratten & Wainwright's Improved Long-Focus Bellows Camera, Guerry's New Shutter, Bowman's Improved Photo. Rolling Press, Horne & Thornthwaite, Thomas's Albumenized Papers, T. Edge, J. T. Chapman, Wratten & Wainwright's "Instantaneous" Plates, George Mason and Co., George Houghton & Son, Fallowfield's Improved Long Focus Portable Bellows Camera, Edwin Oborne Red Lion Square, W. C., Ross' Symmetrical Lenses, Dry-Plate Lantern, Deschamps, R. W. Thomas & Co., Improved Portable Bellows Camera, F. W. Verel & Co. 'S Gelatine Dry Plates, W. H. Redshaw, Pure Photographic Chemicals, T. Riley & Son, Ross' "Panel" Lenses, Valentine & Sons, Landscape Photographers, Wratten & Wainwright's Sensitized Albumenized Paper, W. Watson & Sons, Ross' Carte-De-Visite Lenses, J. A. Forrest & Son, Entrekin's Eureka Burnisher, Residues, Suter's Aplanatic Lenses, Ross' Improved Portrait Lenses, Mawson & Swan, Lejeune & Perken, Billault, John Spencer, P. Meagher, Photographic Apparatus Manufacturer, Multiple Display Advertisements, Lenses & Cameras, Morgan & Kidd, Jonathan Fallowfield's, The Platinotype Company, Wratten & Wainwright's "Drop-Shutter" Plates, Stebbing & Merville, Thomas Mayne, George Hare, Fernand Brunck, Wratten & Wainwright, Ross' Portrait and View Lenses, Joshua Billcliff, Carbon Enlargements, Marion's Britannia Alpha Paper, E. & H. T. Anthony & Co., The Woodbury Permanent Photo. Printing Co, Real Gold Bevel Edge Mounts, W. Banks' Specialities, Swan's Plates, J. H. Steward, Photographic Materials, Spicer Brothers, Parsons Semi-Opaque Matt Varnish, John Carbutt, Werge's Dry Plates, W. C. Hughes, S. D. McKellen, Ross' Rapid Symmetrical Lenses, Shew's Adjustable "Eclipse" Instantaneous Shutter, Sands & Hunter, Oborne's Mounts, Cameras, Albion Albumenizing Co., Wratten & Wainwright's Perfect Model Tent, Paget Prize Plate Company, Ross' Improved Cameras, G. W. Austen, Cowan's Gelatino-Chloride Plates, Thomas's Pall Mall Dry Plates, The Photographic Artists' Stores, Dallmeyer's Lenses, Ludgate Photographic Stores, Charles G. Collins, The Eastman Dry Plate & Film Company, Nelson's Photographic Gelatine, Tailfer & Clayton's Isochromatic Plates, William Hume Photographic Apparatus Maker and Technical Chemist, Marion & Co.'s, Marion & Co., The Manchester Photo. Enlarging Co., Improved View Meter, The New Belgian Dry Plates, Lyon-Alemand, Bankers, Reynolds & Branson, H. Martin, Newman's, Thomas's Collodion, Gray's Plates, Gauthier-Villars, Printer and Bookseller, Rouch's New Patent Camera, The New Camera, A. Darlot, Optician, Ross' Cabinet Lenses, McGhie & Bolton, The "Crown" Masks and Discs, J. H. Dallmeyer, Elliott & Fry, Edwin Oborne, The Sciopticon Co., Ross' Improved Cameras and Apparatus, James Keith, T. J. Smith, Son & Co., Suter's, A. Laverne, Cubley & Preston, Amateur Photography, John Y. McLellan, McKellen's Double-Pinion Treble Patent Camera, John J. Atkinson, The Photographic Times and American Photographer, J. F. Shew & Co., Wratten & Wainwright's "London" Dry Plates, Walter Lawley, Harris, Son & Co., J. L. Lane & Sons, Samuel Fry & Co., The "Archer" Gelatino-Bromide Plates, "London" Gelatine Dry Plates, J. Lancaster & Son, Landscape Photography, Ross' Portable Symmetrical Lenses, Cut-Out Mounts & Frames, G. Hare's Improved Portable Bellows Camera, Shew's "Long-Focus" Camera, The "Magna Charter" Paper, Rouch's Extra-Rapid Gelatine Plates, Edwards's Xl Dry Plates, Sales by Auction, Burnishers and Rolling Presses, The Pall Mall Dry Plates, Newton's New Orthopanactinic Lens, Watson & Sons' Dry-Plate Cameras, Thomas's Negative Collodion, Polytechnic School of Photography, Henry Park, Nelson's Dry Plates, Gelatine Bromide Dry Plates, J. Robinson & Sons, Ross' Universal Lenses, Joseph Lucas & Son, The Breanski Album, Specialities, G. M. Satchfield & Co., Britannia Plates, Wratten & Wainwright's "Ordinary" Plates, The Blair Tourograph and Dry-Plate Co., Warnerke & Co., Limited, Wratten & Wainwright's Photographic Apparatus, Edwards's Gelatino-Chloride Plates, Wratten and Wainwright, Dry-Plate Cameras, &c., Morgan & Kidd's Contact Printing Paper, Mawson's Collodion. Classified ads: Multiple Classified Advertisements. Frontmatter: Preface, The British Journal Photographic Almanac, and Photographer's Daily Companion, for 1885. Essay: The Abolition of the Focussing-Cloth, The Keeping Qualities of Bromide Emulsion, Trifles, The Mechanical Contrivances of the Year Adapting the Camera for Different-Sized Pictures, An Adventure with Collodio-Albumen, Retouching for Beginners, Ventilation of the Dark Room, Amateurs in the United States, Tourists' Accessories, Collodio-Chloride Prints, Characters We Have Met, How to Do without the Focussing-Cloth, Drying Gelatine Plates, A Difficult Landscape, On Combining the Bromide Salt with the Pyrogallol in Alkaline Developers, An Experience, A Simple, Coarse, and Fine Screw-Focussing Arrangement for the Camera, Book for Dry Plates, The Lime Light, Removing Developer Stains, A Practical Method of Enlargement, An Apparatus for Washing Emulsion, Dark-Room Window Adjunct, How to Remove Silver Marks from the Gelatine Film, On the Photography of Papyri, A New Diamond-Holder for Cutting Glass, How to Make Notes on the Dark Slide, An Amateur to Amateurs, Foreign Photographic Journals, Cloud Negatives, Magic Lantern Entertainments, On Setting— Gelatine Plates, On Improving Landscape Negatives, Hints, An Oxygen Generator, "Careful Boy" Developer, Emulsion from Spoons— Notes Thereon, Our Photographic Societies, A New Departure in Dark Slides, Epitome of Progress during 1884, Photography by Electric Light: the Year's Results, An Experience and a Warning, On Vanity, Weights and Measures Apothecaries' Weight, Photographic Effeminacy, Lens Shades, Notes on Economical Emulsion, A Changing Bag for Dry Plates, Wrinkles, An Apparatus for Measuring the Rapidity of Shutters, The Bichromate Disease and Its Treatment, Washing Plates in the Dark Room, Rates of Postage for Inland Letters, Application for Patents Connected with the Photographic Art, Experiences of an Exhibitor, An Automatic Arrangement for Filtering, A Neat Method of Naming Negatives, Submarine Photography, &c., Electric Light in Developing Rooms, On the Blistering of Albumenised Paper, Summarised Notes of Progress during the past Year, Stained Gelatine Plates for Portraiture, Note on the Sulpho-Pyrogallic Developer, Enamelled Dishes, A Simple Method of Preparing Opal Plates for Enlargement, Influence of Temperature at the Time of Mixing Emulsions, Suggestions to Amateurs, Formulæ, Astronomical Photography, A Simple Emulsion Mixer, Substitute for Drop Shutter, Those Hands Again!, Microphotographs in the Stereoscope, Tables for the Simplification of Emulsion Calculations, A Platinum Spatula, Enlarging Lantern, Scotch Hotch-Potch, Another Method of Preserving Pyrogallol in Solution, A Cheap Intensifier and Other Hints, Morgan's Multiplex Background Stand, Enlarged Paper Negatives, Practical Experiences, Self-Registering Printing Frames, My Drop Shutter and How I Made It, Outcome of My Laboratory Experience in 1884 Hint I, Spots in Gelatine Plates, The Dark Room and Its Lights, Bi-Lens for Field Work.— a Simple Means of Enlarging and Flattening the Field, Suggestions for the Photographic Registration of Star Transits, Certain Properties of Simple Lenses, Table of the Symbols, Atomicity, Atomic, and Equivalent Weights of the Elements, Preserved Sensitised Paper, A Ready Way of Drawing Lines Correctly round a Mounted Print, Tandem Tricycling and Photography, Queer Sitters, A Plea for More Art Study in Photography, Toning, Reducing Negatives Intensified with Mercury, How to Cure and Prevent Dampness, On Copying, Rapid Plates for Amateurs, How to Produce Enlarged Negatives, Carbonate of Soda in the Development of Gelatine Plates, Defective Photographic Backgrounds, A Wash Bottle for Precipitated Emulsion, Developing Dishes, A Few Notes on Lenses, Suggestions for the Improved Mounting of Lantern Transparencies, Small Negatives and Enlargements Therefrom, Examinations, Photography on the Wheel, Useful Receipts for a Dead Black for Metal and Wood, A Combined Enlarging Lantern, Developing Lamp, and Drying-Box, Lantern Slides, Packing Plates for Travelling, A Single Lantern Dissolver, Paper Negatives, A Method of Filling Oxygen and Hydrogen Cylinders, Alkaline Development, The Preservation of the Eyesight of Photographers, Hydrokinone Developer, Hints on the Preparation of Gelatino-Bromide Emulsion, A Useful Addition to the Lantern, The Photographic Society's Standard Diaphragms, Transparencies for the Lantern, Remarks on Six Years' Practical Experience in Commercial Dry-Plate Manufacture, Banks' Shutter, The Penumbra Sky-Shade, Table of Symbols, &c.— Continued, A Dark Lantern, True Scale in Photogalvanography, A Few Hints on Printing, Alphabetical List of Contributors, Developing Dishes: Their Virtues and Their Vices, On the Storage and Keeping of Gelatine Plates, Notes with Reference to the Use of Argentic Bromide Paper, The Camera Screw in the Tripod Top, The Soda Developer, and One or Two Other Things, Landscape Photography: My Kit and Routine of Work, On Enlarged Pictures upon Gelatino-Bromide Paper, The Horizontal Swing in Cameras, Art in Photography, Clearing the Edges of Wet-Plate Transparencies, The Choice of a Camera, Photography Universal, Loch Awe, Table of Symbols of the More Important Compounds Used in Photography, On Mounting Prints, A Remedy for Over-Exposure, A New Printing-Paper Process, Waste Pipe and Automatic Syphon, On Platinotype, A New Method of Changing Lantern Slides without Being Seen on the Screen, The Camera at Waterford, Photographs as Records of the Past, Plate-Cutting Gauges and Testing Shutters, On Cameras. Poem, verse: Vignette, Orlando Brown's Plate-Making.— a Long Way after James Russell Lowell. Fiction, drama: About Grains and Drams. Arts and entertainment: Exhibition Awards. Death notices: In Memoriam. Table of contents: Index to Advertisers, Contents. Backmatter: The British Journal of Photography.