The Menace of the Post‐Hardboiled Maverick: Jim Thompson's Pop. 1280 and Modern Television Detective Drama
2003; Wiley; Volume: 37; Issue: 1 Linguagem: Inglês
10.1111/1540-5931.00053
ISSN1540-5931
Autores Tópico(s)Cinema and Media Studies
ResumoThe Journal of Popular CultureVolume 37, Issue 1 p. 43-55 The Menace of the Post-Hardboiled Maverick: Jim Thompson's Pop. 1280 and Modern Television Detective Drama Susanna Lee, Susanna Lee Georgetown UniversitySearch for more papers by this author Susanna Lee, Susanna Lee Georgetown UniversitySearch for more papers by this author First published: 27 June 2003 https://doi.org/10.1111/1540-5931.00053Citations: 4AboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onEmailFacebookTwitterLinkedInRedditWechat Works Cited Arendt, Hannah. Eichmann in Jerusalem. New York: The Viking Press, 1963. Google Scholar Cassill, R. V. The Killer Inside Me: Fear, Purgation, and the Sophoclean Light. Tough Guy Writers of the Thirties.. Cardondale: Southern Illinois UP, 1968. Google Scholar Chandler, Raymond. The Simple Art of Murder. Atlantic Monthly Dec. 1944, 57–64. Google Scholar Chandler, Raymond. The Big Sleep. New York: Random House, 1992. Google Scholar Christianson, Scott R. A Heap of Broken Images: Hardboiled Detective Fiction and the Discourse(s) of Modernity. The Cunning Craft. Ed. Walker Ronald. Macomb: Western Illinois University, 1990. 135–49. Web of Science®Google Scholar Cloud, Dana. The Limits of Interpretation: Ambivalence and the Stereotype in Spenser: For Hire. Critical Studies in Mass Communication 9: 4 (1992): 311–24. 10.1080/15295039209366836 Web of Science®Google Scholar Daly, Carroll John. The Snarl of the Beast. New York: Edward J. Clode, 1926. Google Scholar Fishman, Jessica. The Populace and the Police: Models of Social Control in Reality-Based Crime Television. Critical Studies in Mass Communication 16 (1999): 268–88. 10.1080/15295039909367096 Web of Science®Google Scholar Goldhagen, Daniel. Hitler's Willing Executioners: Ordinary Germans and the Holocaust. New York: Alfred A. Knopf, 1996. Google Scholar Lyotard, François. The Postmodern Condition: A Report on Knowledge. Trans. Geoff Bennington and Brian Massumi. Minneapolis: U of Minnesota P, 1984. Google Scholar McCauley, Michael. Jim Thompson: Sleep with the Devil. New York: The Mysterious Press, 1991. Google Scholar Payne, Kenneth. Pottsville, USA: Psychosis and American ‘Emptiness’ in Jim Thompson's. Pop. 1280. The International Fiction Review 21 (1994): 51–57. Web of Science®Google Scholar Payne, Kenneth.. Moral Indistinguishability in the Crime Fiction of Jim Thompson. The Killer Inside Me and Pop. 1280. The Arkansas Review 5: 1–2 (1996): 118–28. Google Scholar Polito, Robert. Savage Art. New York: Alfred A. Knopf, 1995. Google Scholar Prescott, Peter. The Cirrhosis of the Soul. Newsweek Nov. 17, 1986: 90. Google Scholar Thompson, Jim. Pop. 1280. New York: Vintage Crime, 1990. Google Scholar Waller, G.. Mike Hammer and the Detective film of the 1980s. Journal of Popular Film and Television 13: 3 (1985): 108–25. 10.1080/01956051.1985.10661999 Google Scholar Citing Literature Volume37, Issue1August 2003Pages 43-55 ReferencesRelatedInformation
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