Resistance, Parody, and Double Consciousness in African-American Theatre, 1895-1910
2000; Saint Louis University; Volume: 34; Issue: 1 Linguagem: Inglês
10.2307/2901192
ISSN1945-6182
AutoresChristine R. Gray, David Krasner,
Tópico(s)Race, History, and American Society
ResumoAcknowledgments - Introduction: Black Theatre and American Culture - 'The Mirror Up To Nature': Modernist Aesthetics and Racial Authenticity in African American Theatre, 1895-1900 - 'Glimpses of Higher Possibilities': Class and Race in African American Theatre During the Early Progressive Era - Rewriting the Body: Aida Overton Walker and the Social Formation of Cakewalking - 'Have You Ever Seen Anyone Stick So Close to a Cracker?': Parody, Romance, and History in Williams and Walker's Abyssinia - 'The Ladder of Fame': Pragmatist Ideology and Overlapping Diasporas in African American Theatre, 1906-1910 - 'A Way of Telling Things': The Past Is Now Present - Endnotes -Bibliography
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