Portal de Periódicos da CAPES

Caught Between the Factory and the Home

2015; Routledge; Volume: 29; Issue: 1-2 Linguagem: Inglês

10.1080/09528822.2015.1054091

1475-5297

Amy Charlesworth,

Spanish Culture and Identity

This article focuses on María Ruido's video work Real Time (2003), a work that points to the perceived centrality of subjectivity for post- Fordism. Analysis of Real Time is twofold: the body ‘marked’ by capitalism and, concomitantly, the ascendency of the documentary form in contemporary art. The author situates Real Time within the renewed interest in social reproduction and migrant labour in light of the debates around the ‘feminisation’ of global capitalism.