The feminist aesthetics of Virginia Woolf: modernism, post-impressionism and the politics of the visual
1999; Association of College and Research Libraries; Volume: 36; Issue: 08 Linguagem: Inglês
10.5860/choice.36-4349
ISSN1943-5975
Autores Tópico(s)Art, Politics, and Modernism
ResumoAcknowledgements List of abbreviations 1. Introduction Part I. Eclipse: 2. Virginia Woolf: heliotropics, subjectivity and feminism 3. The astonishing moment 4. The amusing game 5. The gathering crowd 6. The chasing of the sun and the victory of the colours 7. Elegiacs: capsizing light and returning colour 8. The death of the sun and the return of the fish Part II. Prismatics: 9. Post-Impressionism: the explosion of colour 10. Romantic to Classic: Post-Impressionist theories from 1910 to 1912 11. The new prismatics: Virginia Woolf, Vanessa Bell and English Post-Impressionism 12. 'Her pictures stand for something': Woolf's forewords to Bell's paintings 13. To the Lighthouse: purple triangle and green shawl 14. The Waves: purple buttons and white foam 15. Conclusion Notes Index.
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