David J. Buch, Magic Flutes and Enchanted Forests: The Supernatural in Eighteenth-Century Musical Theater
2010; Taylor & Francis; Volume: 29; Issue: 2-3 Linguagem: Inglês
10.1080/01411896.2010.482507
ISSN1547-7304
Autores Tópico(s)Religious Studies and Spiritual Practices
ResumoClick to increase image sizeClick to decrease image size Notes 1 E.g., Marita McClymonds, Niccolò Jommelli: The Last Years, 1769–1774, Studies in Musicology 23 (Ann Arbor: University of Michigan Press, 1980); “Opera Seria” and “Traetta, Tommaso,” in New Grove Dictionary of Opera, ed. Stanley Sadie (London: MacMillan, 1997), vol. 3, 698–707 and vol. 4, 776–79. 2 Mary Hunter, Mozart's Operas: A Companion (New Haven, Conn.: Yale University Press, 2008), 109. 3 See, for example, Mark Evan Bonds, “Haydn, Laurence Sterne, and the Origins of Musical Irony,” Journal of the American Musicological Society 44 (1991), 57–91; William Stafford, Chs. 6 and 8 in The Mozart Myths: A Critical Reassessment (Stanford, Calif.: Stanford University Press, 1991).
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